Sale [hidden]

Leftover bones are everywhere. They are throughout our surrounding communities, towns, and cities. They are residual pieces of history and decay, of the days gone by. They can be found driving down backroads, walking down spooky alleyways, and investigating abandoned homes and businesses. We are usually too busy with the hustle and bustle of everyday life to notice. Some, if not all, of these leftover bones will be treated as an eyesore or a nuisance and will eventually be destroyed without ever being documented by pen, paper, or photography.

Documenting these remaining formations through her own eyes and a photo lens, the author and photographer of this book, April Wood Holdridge, invites you to join her as she tries to slow time enough for you to appreciate the magnificence of the descent of the days gone by.

After seven years of climbing into attics, domes, towers and steeples, Thomas Kaufmann emerges with a story of Alabama bells.

This story encapsulates the history of the state itself. These bells - some dormant, others pealing still - were forged by the Reveres in Boston. They called Alabamians to worship, celebrated weddings and tolled at funerals. They sounded the death knell for countless parishioners during the havoc of the Civil War, watched over the Freedom Riders and shook from the blast of the Sixteenth Street Baptist Church bombing. And while their clear tones have rung out in remembrance of so many of the state's solemn and sacred moments, many of these bells have fallen into neglect, their silence serving as its own reminder of the urgent need for preservation.

Gadsden: City of Champions, with over 100 black-and-white illustrations, presents a comprehensive history of Gadsden's astonishing development and details the various stages of the city's evolution, from a neutral playing field between rival Cherokee and Creek tribes, to a wilderness stagecoach stop, to a humble village, to a major riverboat port, into a modern industrial city. Amid streetcars, opera houses, bustling mills, and unpaved streets, readers meet local figures, such as Colonel R.B. Kyle, Captain James M. Elliott Jr., Judge John H. Disque, Emma Sansom, and John W. Wisdom, and a host of colorful CHaracters-riverboat pilots, theater managers, mill workers, Pulltight saloonkeepers, and bootleggers-against an epic backdrop of war, Reconstruction, depression, fire, and prosperity.

In that [Creek] war there was one man more conspicuous than any other-more relentless, more daring . . . and at the same time more brilliant in attack and defence, abler in counsel, and having greater skill in the field than any of his fellow-chiefs-a man who fought Jackson, Claiborne, Flournoy, Floyd, and Coffee, whose troops, coming from different
quarters of the country, surrounded him on every side and out-numbered him on every field; fighting them with credit to his own skill and daring, and with no little damage to these skilled enemies-a man of whom Jackson said, He is
fit to command armies.
This man was Red Eagle, or in his native Muscogee tongue, Lamochattee. William Weatherford, the Red Eagle, was born in Creek country, and born a chieftain. The exact date of his birth is not known, but as he was a man of about thirty or thirty-five years of age when the Creek war broke out in 1813, his birth must have occurred about the year 1780. . . .
He was . . . the son of an Indian woman, who belonged to the dominant family of the Wind; that is to say, she was a princess, her rank among the Creeks corresponding as nearly as possible to that of a daughter of the royal house in
a civilized monarchy. It was only when a great occasion aroused deep passions that Red Eagle spoke. Then his eloquence was overwhelming. He won his audience completely and bent men easily to his will. . . . He had vices, certainly, but they were the vices of his time and country, and there is no sufficient evidence that he carried them to excess, while his retention of physical and intellectual vigor afford the strongest possible proof of the contrary.
-from Chapters I and III

With fewer than a thousand remaining in the United States, the covered bridges of Alabama are an important relic of the paths our ancestors took.

Alabama's covered bridges are reminiscent of a more romantic time, when people rode in horse-drawn buggies and couples stole kisses beneath their roofs. But they are also keepers of history - structures built by former slaves and Civil War soldiers. Such places are steeped in legend, including tales of ghostly children and the hanging of a sheriff turned outlaw. Just eleven historic covered bridges survive in Alabama - the oldest dating to the 1850s - but dozens of more recently constructed spans dot the landscape. Wil Elrick and Kelly Kazek provide photos and detailed information on more than fifty Alabama bridges, reveal the fate of the state's lost bridges and delve into the haunting legends surrounding these nostalgic structures.

Journey along with the king of nostalgia, Tim Hollis, for a tour of lost attractions of northern, central and southern Alabama.

Alabama has had an enviable success rate when it comes to tourist attractions, with some that date back to the 1930s still drawing crowds today. But many others have come and gone, sometimes leaving little evidence of their existence. Join Alabama native Tim Hollis as he revisits iconic attractions such as Canyon Land Park and Sequoyah Caverns, the floral clock at Birmingham's Botanical Gardens and the traffic safety torch held aloft by Vulcan, the iron man. Many Gulf Coast attractions are gone, including Styx River Water World and Spooky Golf, but the memories remain.

Mardi Gras in Mobile began its carnival celebration years before the city of New Orleans was founded.

In the 1700s, mystic societies formed in Mobile, such as the Societe de Saint Louis, believed to be the first in the New World. These curious organizations brought old-world traditions as they held celebrations like parades and balls with themes like Scandinavian mythology and the dream of Pythagoras. Today, more than 800,000 people annually take in the sights, sounds and attractions of the celebration. Historian and preservationist L. Craig Roberts, through extensive research and interviews, explores the captivating and charismatic history of Mardi Gras in the Port City.

Welcome to the Wiregrass, a place where abandoned doesn't always mean vacant, and vacant doesn't always mean empty. Nestled between Florida's sugar-white beaches and the agriculturally rich Black Belt, there exists a land of endless peanut fields and high cotton. This is the deepest of the Deep South, Dixie's last stand before accents and culture take on a decidedly Northern flavor along the Gulf Coast and Florida Peninsula. Narrow asphalt ribbons wind through this region's pine forests, passing through small farming communities that are fighting for survival in the global economy.

The lingering aftershocks of the 2008 economic crisis and 2018's Hurricane Michael still reverberate here. These pressures, along with an aging and declining population, have created a region where abandoned buildings are commonplace. These forgotten structures speak of dreams lost; from crumbling sharecropper shacks, to desolate main streets, to modern homes where the owners simply moved on. Take a journey with award-winning author and photographer Brian Braden as he chronicles the slow-motion apocalypse of abandoned homes and businesses of the Wiregrass and also discovers a place of hope and transition, where citizens fight to revitalize their hometowns and preserve a rich cultural heritage.

Montgomery, Alabama, is the birthplace of the Confederacy and the site of many protests during the Civil Rights Movement. A constant battleground of morals and politics, the city has been in a downward spiral for decades. Its buildings are a reminder of its storied, and in many ways, controversial past. David Bulit, a long-time photographer and historian, guides readers through the city's lesser known history.

Abandoned Montgomery features the house on Goldthwaite, a mansion built for a U.S. marshal, located in what was once a wealthy and thriving neighborhood; the Grove Court Apartments, a complex built to fill the influx of people in the city following World War II; the Sayre Street School, a once historic school turned funeral home; Capitol City Dry Cleaners, part of a superfund site which contaminated part of the city's groundwater; the town of Spectre, a movie set used for the movie Big Fish; and much more.

A look at historic structures in this coastal city. A study in the architecture, culture, and history of one of the most elegant cities in the Deep South, this collection of profiles preserves in full-color photographs this fragile town on the Alabama Gulf Coast. Each historic district is covered in chronological order beginning with the Church Street District in the 1830s, and readers will discover the interesting characters who built and owned the 60 featured buildings.