Albuquerque's response to Modernism—the architectural avant-garde of the first half of the 20th century—was complex and varied.

The growing city looked to the new as well as the mythic past characterized by the Santa Fe style. The result was rarely restricted to one cultural tradition. Influences include forms and motifs from a variety of intermixed cultural and social collisions. The result can be sophisticated, as with the Albuquerque Indian Hospital, or homespun, like the Shaffer Hotel in Mountainair. Enjoy the rich architectural history of Albuquerque and its unique cultural mixing of various Native American, Hispanic, and 19th- and 20th-century Anglo American forms and motifs in 15 historic black-and-white postcards.

Hundreds of ornately decorated rooms, gardens and greenery and more--Walk through the history of the Biltmore Estate, one of America's many displays of personal wealth and decadence.

In the spring of 1888, George Washington Vanderbilt returned to New York after spending weeks exploring the countryside near Asheville, North Carolina. Thinking it was the perfect place to build his home, Vanderbilt promptly sent his agent to begin quietly buying contiguous tracts of land until he had several thousand acres. Soon, he began constructing what would become America's largest private residence. He commissioned two of America's preeminent designers, architect Richard Morris Hunt and landscape architect Frederick Law Olmsted, to collaborate with him in planning his estate, which he named Biltmore. To complement the 250-room French Renaissance-style chateau, Olmsted worked closely with Hunt to create a vast landscape of pleasure gardens and grounds with miles of scenic drives through parklands, productive farms, and the country's first scientifically managed forest. Today, Biltmore is a National Historic Landmark privately owned by Vanderbilt's descendants.

Over 100 years ago, George W. Vanderbilt, Frederick Law Olmsted, and Richard Morris joined forces to turn an unsuspecting mountain town into a model village of elegance and prosperity.

More than a century ago, George W. Vanderbilt transformed the sleepy crossroads settlement known as Best, or Asheville Junction, on the Swannanoa River into an idyllic model village near the entrance to his vast Biltmore Estate near Asheville. The initial concepts and design for Biltmore Village were the collaborative efforts of Vanderbilt, architect Richard Morris Hunt, and landscape architect Frederick Law Olmsted. The finished village included more than 40 residences, a business district, a church, a school, and a hospital. It was centrally located among the developing towns of Victoria, Kenilworth, South Biltmore, and later Biltmore Forest. It characterized the elegance and prosperity of the building booms that flourished in the south Asheville area before and after both world wars.

Frank Kelly was a prominent Manchester photographer in the mid-20th century, owning and operating Frank Kelly Studios for over 49 years.

Together with his wife, Eleanor, he captured the essence of Manchester through portraits of its people, businesses, and iconic landmarks. This book showcases his remarkable body of work, including rare images of local businesses and notable events, such as multiple presidential visits to the Queen City. Additionally, Frank Kelly was a well-respected portrait and wedding photographer who took great pride in photographing generations of Manchester families. Sam Kelly Theodosopoulos, grandson of Frank Kelly, is a committee member of the Manchester Historic Association. A Manchester Central High School graduate, he holds a bachelor of arts in political science from George Washington University. John Clayton, a longtime local historian, is the former executive director of the Manchester Historic Association. With 25 years as a reporter and columnist for the New Hampshire Union Leader, he is also the author of seven books exploring Manchester and New Hampshire history.