Architecture

The Architecture of Chicago’s Beverly Hills/Morgan Park is the first complete large-format visual record published of these Southwest Side twin communities in Chicago. The historic and significant architecture and distinctive landscape of these neighborhoods is gorgeously captured by Mati Maldre in hundreds of photographic plates, maps, and illustrations, supplemented by essays by Timothy Barton, Harold Wolff, Robert Wagner, and Paul Sprague.

Many of Chicago’s most important designers are represented in this community, including Frank Lloyd Wright, George Washington Maher, Daniel H. Burnham, Robert E. Seyfarth, Dwight H. Perkins, Robert S. Smith, and Walter Burley Griffin. This community also called on noteworthy local architects, including Harry Hale Waterman, Rudolph P. Boehm, and John Todd Hetherington and his son Murray. The book also documents nationally and locally designated historic districts such as the Ridge Historic District, Longwood Drive, the Walter Burley Griffin Place District, and the Beverly/Morgan Park Railroad Station District, as well as individual designated historic houses.

The Midwest finally gets its due through essays penned by architects and critics, who shine a much-deserved spotlight on the region's architecture, from its celebrated landmarks to its lesser-known projects.

Louis Sullivan and Frank Lloyd Wright may be the Midwest's (and the nation's) most famous architects, but the region has always been fertile ground for both master and amateur builders. Through a gorgeous array of photographs and short essays, Midwest Architecture Journeys takes readers on a trip to visit some of the region's most inventive buildings by architects such as Bertrand Goldberg, Bruce Goff, David Haid, Earl Young, and Lillian Leenhouts. It also includes stops at less obvious but equally daring sites, such as:

- The Cahokia mounds

- Buffalo grain silos

- Flint parking lots

- Dayton flea markets

- Fermilab

- New Glarus restaurants

- Minneapolis underground buildings

- Bronzeville churches

- Pruitt-Igoe public housing

- Cleveland's abandoned warehouses.

This vital collection of essays, full of stunning photographs, proves that what might seem flat is actually monumental, and what we assume to be boring is brimming with experimentation.

The perfect coffee table book that's also perfect for your next road trip.

A visual narrative of this groundbreaking New Urbanism development in the Florida Panhandle. Designed by planning pioneers Andres Duany and Elizabeth Plater-Zyberk, Rosemary Beach is a decidedly different community. Renowned photographer Richard Sexton became an advocate of Rosemary Beach, finding it a positive example of how future communities can become better and more stimulating places. His admiration is palpable throughout this thoroughly descriptive and artful photo essay, which features a vicarious stroll through residential and civic buildings and public spaces, and details the prescribed house types that define the community. A secondary photo essay focuses on an intimate view of how residents live in Rosemary Beach. The final section provides a walking tour experience.

This book offers an inside look at the beginnings and story of Caumsett State Park, from great English estate to nationally protected land.

Marshall Field III was 28 years of age and one of the richest people in the world when he came upon the idea of replicating the environment in which he had spent his youth. Raised and educated in England, Field sought the life of an English gentleman here in the United States. In 1921, Field purchased almost 2,000 acres of waterfront property on Long Island's North Shore, which would become Caumsett. Forty years later, Field's third wife, Ruth, opened bids for the right to purchase Caumsett and all that it had become. The highest bid, in excess of $5 million, came from a builder who planned to subdivide the estate and construct 700 homes. A second bid, from Robert Moses, then parks commissioner of New York State, was more than $1 million less. Ruth reflected on her life and what her late husband would have wanted. She turned to trusted adviser and confidant Adlai Stevenson and stated that she wanted to accept the lower bid. Fourteen months later, Caumsett State Park was born.

Cleveland's Ohio City Neighborhood is a testament to unity and resilience, and the ability of neighbors to come together and live in harmony despite their differences, creating a thriving urban melting pot.

Ohio City’s story begins with conflict. The 1836 “Battle of the Bridge” pitted neighbor against neighbor, yet the story evolved into one of connection, symbolized by the grand bridges that would later unite Cleveland’s east and west sides. Following its 1854 annexation to Cleveland, Ohio City developed into a remarkable urban tapestry where immigrant workers’ homes and mansions shared the same neighborhood. The iconic West Side Market has anchored a vibrant commercial district through generations, its clock tower standing sentinel over a neighborhood shaped by breweries like Leisy and Schlather that reflected the area’s strong German heritage. Franklin Boulevard emerged as the west side’s “Millionaire’s Row,” home to industrialists and civic leaders, including the Rhodes family and Marcus Hanna. Through decades of change—from urban renewal to today’s thriving craft brewery scene—Ohio City’s historic architecture and cultural landmarks have endured.

Thomas Kaschalk, founder of My Cleveland History and volunteer researcher for the Cuyahoga County Archives, brings Ohio City’s rich heritage to life through vintage photographs. Drawing from the Cleveland Public Library Photograph Collection, the Cleveland Memory Project, and various historical archives, this visual history captures the spirit of one of Cleveland’s most distinctive neighborhoods.

Before there was a Los Angeles or a San Francisco, there was Spain’s first colony in upper California, El Presidio de San Diego.

Founded in 1769, this small fortress and mission was the seedling for the twenty-one missions and four presidios that followed. It was here that Franciscan priest Junípero Serra planted the first Catholic cross in what became Alta California. The nearby harbor provided a safe port for sailing ships from all over the world, ensuring a steady stream of goods and supplies. Over its many decades, the San Diego Presidio was home to Spaniards, Mexicans, Native people and, toward the end, Anglo-Americans. Its cemetery became the final resting place for many of them.

Author and historian Richard Carrico provides insights into San Diego’s beginnings.

Rye, New Hampshire is a small coastal town whose identity is closely tied to the land and sea. Originally inhabited by Indigenous peoples, it developed from a 1600s colonial fishing outpost into a modest, tight-knit community shaped by maritime trades and farming in the 18th and 19th centuries. With improved transportation and the rise of seaside tourism in the late 1800s, Rye began attracting visitors drawn to its beaches and ocean views, gradually shifting its character. In the 20th century, residential growth increased as people sought quieter coastal living. Prominent families included Parsons, Caswell, Philbrick, and Foss. Photography has played a vital role in preserving Rye’s history by capturing everyday life— fishermen at work, family gatherings, schoolchildren, and farmers in the fields. Coastal scenes, lifesaving stations, and Rye Harbor activity emphasize the town’s enduring relationship with the sea, while images of Jenness Beach, Wallis Sands, and summer “cottages” reflect the rise of tourism.

Lew Karabatsos, chair of the Rye, NH Historical Society’s Collections Committee, has selected images from 1880 to 1985 that document a century of people and places, preserving Rye’s character and offering a strong sense of place for residents and visitors alike.

Historic schoolhouses preserve Long Island’s story: its generations of people, their settlement patterns, and the growth of their country towns and villages into today’s suburban sprawl and legendary resort destinations.

Celebrated for their simple form and association with early American values, no other historic building type evokes such strong emotions as the schoolhouse. Hundreds were built across Long Island and many survive, either adapted to new uses or restored and open for public access. From the simplest, pre–Revolutionary War period “Town House” in East Hampton to the trendy, octagonal schoolhouses constructed in Brentwood and Yaphank in the 1850s, Long Island saw the greatest variety of these distinctive structures built anywhere. Responding to an 1812 New York State law requiring towns to lay out school districts within walking distance of its younger residents, many early population centers received schoolhouses by the 1820s. Even a handful of Long Island’s schoolhouses are associated with the great American poet Walt Whitman, who taught school as a young man in the 1830s and later shared his concerns about the teaching methods then in vogue. But by the end of the 1800s, one-room schoolhouses became outdated and no longer accommodated the growing population. Many were saved, however, and repurposed as sheds, workshops, and even seasonal dwellings.