Art

Discover a lost world of farmers cutting hay with scythes and dancing to fiddle music on barn floors through the Long Island paintings of William Sidney Mount.

Explore vivid depictions of people of color, presented with great humanity when racist caricatures were the norm.

  

This landmark book reveals the lives of Rachel, the eel spearer; Henry Brazier, the left-handed fiddler; George Freeman, model for the jaunty banjo player, and other agricultural laborers, domestic workers, and musicians who posed for the artist.

Authors Katherine Kirkpatrick and Vivian Nicholson-Mueller take readers on a fascinating historical journey as they publicly honor, by name, the once-anonymous Black and mixed-race models whose images have achieved international recognition.

Simon of New Orleans is a celebration of the exuberant, sumptuous, energetic work of the Artist synonymous with his adopted hometown. It's difficult to wander around New Orleans without stumbling across the explosions of color and whimsy that are the trademarks of a Simon piece. In fact, the scope of his work is unparalleled. Private collectors snap up pieces as soon as the paint is dry. Simon has endeared himself to locals and tourists alike, and they have responded to the unpretentious wit that is the hallmark of his art.

Bob Montana, creator of the Archie comic strip and one of America's greatest cartoonists, always considered himself a true New Englander. Filled with the antics of the rambunctious teenagers of the fictional Riverdale High, Montana's comic strip was based on his high school years in Haverhill, Massachusetts. At the height of his career, he lived as a beloved resident in the quaint, picturesque town of Meredith in the heart of the Lakes Region of New Hampshire. For nearly thirty years, he was considered an extraordinarily respected contributor to the community. Drawing from the Yankee humor he saw around him, Montana deftly included local scenes, events and characters in the puns and pranks of Archie's comic-strip life. Join Lakes Region historian Carol Lee Anderson as she takes readers beyond the Archie comic strip and tells the story of the remarkable New England life of Bob Montana.

For more than a century, Chicago’s leading painters, sculptors, writers, actors, dancers and architects congregated together in close-knit artistic enclaves. After the Columbian Exposition, they set up shop in places like Lambert Tree Studios and the 57th Street Artist Colony. Nationally renowned figures like Theodore Dreiser, Margaret Anderson, Frank Lloyd Wright and Louis Sullivan became colleagues, confidants and neighbors. In the 1920s, Carl Sandburg, Emma Goldman, Ernest Hemingway, Ben Hecht, Edna St. Vincent Millay and Clarence Darrow transformed the speakeasies and bohemian bistros of Towertown into Chicago’s Greenwich Village. In Old Town, Renaissance man Edgar Miller and progressive architect Andrew Rebori collaborated on the Frank Fisher Studios, one of the finest examples of Art Moderne architecture in the country. From Nellie Walker to Roger Ebert, Keith Stolte visits Chicago’s ascendant artistic spirits in their chosen sanctuaries.

Casting the Cowboy State’s Past

 

Wyoming’s history is enshrined in the bronze sculptures lining Capitol Avenue and across Cheyenne. The idea, conceived only a decade prior, rapidly grew into the most successful public arts project in city history. Inspired by and committed to preserving the history of the state, private citizens donated bronze sculptures depicting important figures and contributions. Tribal leaders, explorers and governors are represented. The contributions of architects, artists and suffragettes are celebrated. And dedication to service in politics, agriculture and the military are honored. Authors Starley Talbott and Michael Kassel explore the state’s rich past cast in bronze. 

Tour a stunning gallery of Gulf Coast artists that includes the overlooked treasures of nineteenth-century studios, the heroic advocacy of the Galveston Art League and the visual pioneers who earned the island community its overdue acclaim.

Since Audubon visited Galveston in 1837, artists have flocked to the island, some just passing through and others staying their entire lives. But because Galveston remained remote from the nation's cultural centers, its artistic contributions were initially largely ignored. However, the recovery effort from Great Storm of 1900 spurred a new sense of local pride and civic determination. The Cotton Carnivals attracted people throughout the state, the city's artists united to promote local art through the creation of the Galveston Art League, and photographers modernized their practices. In the early 1920s, a new generation, freed from nineteenth century traditions, started to gain attention both on and off the island. Explore Galveston's artistic heritage with Patricia Jakobi, from the landscapes of Boyer Gonzales to the sculptural portraits of Caroline Burton Claassen.

Nationally renowned Georgia artist and historian Wilbur G. Kurtz launched his career by founding the Pen and Brush Club of Atlanta in 1913. The transplanted Yankee quickly became a premier authority on Old South Atlanta--Margaret Mitchell personally selected Kurtz as technical advisor and artistic director for Gone with the Wind. A co-founder of the Civil War Round Table of Atlanta, Kurtz supervised the placement of more than four hundred historical markers in northeast Georgia documenting various stages of the Atlanta Campaign of 1864. Decades after his passing in 1967 at the age of eighty-five, Kurtz's legacy lives on through his murals and historic paintings on display in public buildings and private art collections throughout Atlanta and the South. Join author David O'Connell as he recounts the fascinating life and vibrant works of Georgia's preeminent artist-historian.