Art

When Frederich Wilhelm von Steuben, a colorful, charismatic, imposing, and gay military leader from Prussia, presented himself to the Continental Congress in 1778, he had one goal in mind: to whip the nascent United States militiamen into shape and turn them into an army fit to face the likes of Great Britain. Baron von Steuben’s military career was almost as famed as his vibrant social life, and as he was lauded for the former, he was scorned for the latter. Von Steuben left his home country as rumors circulated about his sexuality. Abroad, von Steuben met with Benjamin Franklin, who invited von Steuben to volunteer his services for the American cause. Von Steuben set out to the American colonies, where he quickly became part of the inner circle of the Founding Fathers, and of George Washington in particular. Von Steuben brought with him the military skills that he had learned in the military of Frederick the Great, King of Prussia, and he now used them to train an elite force at Valley Forge. Regulations for the Order and Discipline of the Troops of the United States, also called the Blue Book, was the practical military-training manual that von Steuben wrote with the help of Alexander Hamilton. This manual helped win the American Revolution and provided a guide for the United States military until after the War of 1812. Incredibly, some portions of the original Blue Book are still used by the American Armed Forces today.

Opened in 1913, Grand Central Terminal is a world-famous landmark building with a magnificent 48-foot-high, 1,500-ton statuary group on top of the main facade.

Designed by sculptor Jules-Felix Coutan, a 13-foot-wide Tiffany clock serves as the centerpiece.The figure above the clock is Mercury, with Hercules to the left and Minerva to the right.In the late 1990s, a historic restoration was performed on the terminal after which two cast-iron eagle statues were placed over entrances at Lexington Avenue and Forty-Second Street/Vanderbilt Avenue.These eagles were from the 1898 Grand Central Station building that was demolished in 1910 to make room for the construction of the new Grand Central Terminal structure.Penn Station, which opened in 1910, covered two full city blocks and had statuary groups, designed by sculptor Adolph Weinman, on all four sides of the building.After Penn Station was demolished in the mid-1960s, the statuary was dispersed throughout various locations, mainly in the Northeast.

Discover the stories, history and meaning of Cherokee pottery and artists.

The intricate designs and complex patterns of Cherokee pottery have been developed over centuries. Both timeless and time-honored, these singular works of pottery are still crafted by the proud hands of Cherokee women in Western North Carolina. Cherokee Pottery recounts the history of a tradition passed from elder to child through countless generations. Anna Fariello, associate professor at Western Carolina University, explores the method and meaning molded into each piece, along with the stories of the potters themselves.

At the height of America's Arts and Crafts movement, Detroit neighbors Horace J. Caulkins and Mary Chase Perry pooled their talents together to found Pewabic Pottery.

With modest beginnings in 1903, Pewabic transformed from a rented stable in Brush Park to an English Tudor building on East Jefferson Avenue, where it has operated since 1907. Today, the iconic enterprise continues Perry's dedication to handcrafted ceramics and remains known for its iridescent glaze on everything from vessels and architectural tiles to ecclesiastical installations in churches across the country, including the Basilica of the National Shrine of the Immaculate Conception. Author Cara Catallo illuminates the story behind one of the oldest American handcrafted pottery traditions.

Take a seat in the front for a journey through the first 50 years of TV in Chicago. Many of the pioneering stations there defined the early years with innovation, personaility and programming.

The history of television in Chicago begins with the birth of the medium and is defined by the city's pioneering stations. WBKB (now WLS-TV) was the principal innovator of the Chicago School of Television, an improvisational production style that combined small budgets, personable talent, and the creative use of scenery and props. WNBQ (now WMAQ-TV) expanded the innovative concept to a wider audience via the NBC network. WGN-TV scored with sports and kids. Strong personalities drove the success of WBBM-TV. A noncommercial educational station, WTTW, and the city's first UHF station, WCIU, added diversity and ethnic programming. The airwaves in Chicago have been home to a wealth of talented performers and iconic programs that have made the city one of the country's greatest television towns. Chicago Television, featuring photographs from the archives of the Museum of Broadcast Communications (MBC) and the collections of local stations and historians, gives readers a front-row seat on a journey through the fi rst 50 years of Chicago television, 1940-1990. Founded in 1982 by broadcaster Bruce DuMont, the MBC Web site offers over 10,000 digital assets.

Discover a lost world of farmers cutting hay with scythes and dancing to fiddle music on barn floors through the Long Island paintings of William Sidney Mount.

Explore vivid depictions of people of color, presented with great humanity when racist caricatures were the norm.

This landmark book reveals the lives of Rachel, the eel spearer; Henry Brazier, the left-handed fiddler; George Freeman, model for the jaunty banjo player, and other agricultural laborers, domestic workers, and musicians who posed for the artist.

Authors Katherine Kirkpatrick and Vivian Nicholson-Mueller take readers on a fascinating historical journey as they publicly honor, by name, the once-anonymous Black and mixed-race models whose images have achieved international recognition.

Detroit broadcasting history is rich with character . . . and characters.

It began atop the Penobscot Building on October 23, 1946, when WWDT shot a signal to the convention center, part of a ""New Postwar Products Exposition."" WWJ-TV offered scheduled programming in June 1947, and WXYZ-TV and WJBK-TV jumped in a year later. The medium has influenced the city's personality and social agenda ever since. Soupy Sales turned getting a pie in the face into an art form. Mort Neff celebrated the state's outdoor charms. George Pierrot showed Detroiters the world. Other beloved personalities include: Milky the Clown, Ed McKenzie, Sonny Eliot, John Kelly, Marilyn Turner, Robin Seymour, Bill Bonds, Dick Westerkamp, Jingles, Bill Kennedy, Lou Gordon, Captain Jolly, Johnny Ginger, Auntie Dee, and many more.

Cincinnati Television provides an informative entertaining look at Cincinnati's broadcast history through the images and stories of its participants.

Cincinnati has a distinguished television history. Beginning before WLW-T signed on the air in February 1948, its experimental station W8XCT broadcast from the 46th floor of the Carew Tower. WKRC-TV and WCPO-TV signed on in 1949, WCET in 1954, and WXIX-TV in 1968. Since then, television has become part of the family.

Uncle Al, Skipper Ryle, Batty Hattie from Cincinnati, the Cool Ghoul, Peter Grant, Al Schottelkotte, Nick Clooney, Ruth Lyons, Paul Baby, Bob Braun, and Jerry Springer visited Cincinnati living rooms on television. Remember Midwestern Hayride, TV Dance Party, PM Magazine, Juvenile Court, Young People's Specials, Lilias, Dotty Mack, Bob Shreve, Mr. Hop, Bean's Clubhouse, The Last Prom, and Ira Joe? They are part of the collective Cincinnati history, part of the Cincinnati culture, and part of the Cincinnati family.

Jim Friedman is a Cincinnati native and resident wordsmith who has created television shows since 1979. He has won 56 regional Emmy Awards for writing, directing, and producing television shows for WCPO-TV, WKRC-TV, WLWT, WXIX, and WCET. He created The Celebrate Series, The Dooley Show, Everyday Freedom Heroes, and the Dreambuilder movies. In Cincinnati Television, he shares memories from in front of the camera, behind the scenes, and all over town.

Since 1925, the John C. Campbell Folk School has invited people to explore their creative potential in the serene setting of Brasstown, North Carolina. Those pursuits began with education, agriculture, and traditional Appalachian crafts, including wood carving and blacksmithing. One hundred years later, the school expanded into more than 50 subject areas, from cooking and clay to shoemaking and stained glass. Friends and cofounders Olive Dame Campbell and Marguerite Butler were influenced by the Danish folkehøjskole, or “folk high school,” and set out to create a similar opportunity in Appalachia where learning would be noncompetitive and meals would be communal. The folk school has provided the foundation for the internationally recognized Brasstown Carvers, created a music and dance program with regular offerings for concerts and contras, and now welcomes thousands of students while holding over 800 weeklong and weekend classes per year. 

It continues to be, as Olive once described, “an experiment in adult education” that seeks to enliven and enlighten the world. 

Kitty Taylor served as the programs development manager and creative program advisor for writing. She selected photographs and materials from the Fain Archives to provide a glimpse at the John C. Campbell Folk School’s first 100 years. 

Many Alabamians may not realize how many of their fond memories involve advertising signs.

Although these neon spectaculars, billboards and even signs painted directly onto brick walls were created expressly to persuade customers or tourists to patronize businesses, many such signs remained in place for so long that they became landmarks in their own right. From the California-inspired sign for Art’s Char House and the ubiquitous signage of Bargain Town USA to Tuscaloosa’s famed Moon Winx Motel neon masterpiece, author Tim Hollis guides readers on a hunt for signs that wormed their way into the collective Alabama memory.

New York's Harlem Valley, with the last stops on the Metro-North train line from Manhattan, has an incredibly eclectic history for a predominantly agricultural region .

A Victorian utopian community claiming to see fairies settled in Wassaic, attracting Japanese samurai and remaking the townscape of Amenia. An early version of the “Borscht Belt” began on the shores of Lake Amenia, where a once-thriving resort community vanished along with the lake itself. Amidst a crisis of dwindling membership, the NAACP was brought together at major conferences held at Amenia’s Troutbeck estate, owned by Joel Spingarn, the organization’s first Jewish president. Young graduates from the Rhode Island School of design and other art schools launched the Wassaic Project, a festival and art residency using a converted agricultural grain elevator as their venue. 

Author Tonia Shoumatoff presents these and other fascinating stories from Life at the End of the Line in the Harlem Valley.

The acclaimed artist and architect shares a strolling, personal tour of a city that has become his creative muse and home away from home.

Over the years, Danish architect and artist Mikael Olrik has developed a special relationship with New York City, finding endless inspiration in the vibrant and ever-changing metropolis. In Walks in My New York, Olrik shares his fascinating perspective on New York life through a combination of watercolor, photography and text.

Olrik explores the city with the broad view of an architect, the specificity of an artist, the straight-forwardness of a photographer, and the companionable text of a diarist. He captures everything from street scenes of everyday life to pastoral views of Central Park and landmarks such as the Empire State Building and the Brooklyn Bridge. Small maps accompany each entry and act as a sort of ‘GPS’ in print.

Casting the Cowboy State’s Past

Wyoming’s history is enshrined in the bronze sculptures lining Capitol Avenue and across Cheyenne. The idea, conceived only a decade prior, rapidly grew into the most successful public arts project in city history. Inspired by and committed to preserving the history of the state, private citizens donated bronze sculptures depicting important figures and contributions. Tribal leaders, explorers and governors are represented. The contributions of architects, artists and suffragettes are celebrated. And dedication to service in politics, agriculture and the military are honored. Authors Starley Talbott and Michael Kassel explore the state’s rich past cast in bronze. 

Tour a stunning gallery of Gulf Coast artists that includes the overlooked treasures of nineteenth-century studios, the heroic advocacy of the Galveston Art League and the visual pioneers who earned the island community its overdue acclaim.

Since Audubon visited Galveston in 1837, artists have flocked to the island, some just passing through and others staying their entire lives. But because Galveston remained remote from the nation's cultural centers, its artistic contributions were initially largely ignored. However, the recovery effort from Great Storm of 1900 spurred a new sense of local pride and civic determination. The Cotton Carnivals attracted people throughout the state, the city's artists united to promote local art through the creation of the Galveston Art League, and photographers modernized their practices. In the early 1920s, a new generation, freed from nineteenth century traditions, started to gain attention both on and off the island. Explore Galveston's artistic heritage with Patricia Jakobi, from the landscapes of Boyer Gonzales to the sculptural portraits of Caroline Burton Claassen.

Authors Deb Schillo and Barbara Miller take the reader through the fascinating history of the Southern Highland Craft Guild through a series of charming images and narratives of the craftspeople and artists throughout the 20th and into the 21st century that have made the Guild the world-renown cultural staple that it is today.

The life and work of the famous Cherokee sculptor.

Eddie Morrison is perhaps the best-known living Native American sculptor. Morrison’s pieces embody the best of Cherokee tradition by combining the heart, spirituality, and philosophy of his culture. His work is displayed in galleries all across the US, in private collections, and in several foreign countries. This lushly illustrated work is not just a compendium of Morrison’s art: it is the story of a humble man with a deep passion for his heritage and a drive to ensure a thriving future for his people. With more than 100 images of Morrison’s works and a foreword by Principal Chief Bill John Baker, this volume is a beautiful and invaluable resource.

From the best-selling book "R is for Rocky Mountains" this graphic and colorful print of a ski resort quad lift is the perfect addition to any ski house. Seen from below you can see the colorful soles of the skiers and snowboarders from this unique angle. This colorful print will brighten the decor of all skiers and snowboarders from Aspen to Vail and Steamboat Springs to Jackson Hole, Wyoming, Park City Utah and beyond.

From the best-selling book "R is for Rocky Mountains" this graphic and colorful print of a ski resort gondola is the perfect addition to any ski house. Modeled on Aspen, Colorado's famed red gondolas, this colorful print will brighten the decor of all skiers and snowboarders. From Aspen to Vail and Steamboat Springs to Jackson Hole, Wyoming and Park City Utah, this gondola print is a must-have.

The iconic home of the Chicago Cubs and one of the greatest American ballparks, Wrigley Field is captured in this bright, graphic print from the best-selling book "C is for Chicago". Featuring the world-famous red and white "Wrigley Field home of the Chicago Cubs" sign and the ivy covered walls of the outfield, this print is perfect for any Cubs fan or anyone who loves Chicago. Printed on high-quality paper, this print is ready for framing.

This graphic print of the Field Museum of Chicago's world-famous "Sue" Tyrannosaurus rex dinosaur. Sue is the largest and most complete T.rex specimen and on display at the museum. This bright, bold print is ideal for anyone who is a dinosaur lover. Printed on high-quality paper, this print is ready for framing and the perfect gift for anyone who loves T.rex Dinos!

A graphic print of Chicago's favorite players' jerseys from the book "C is for Chicago".

The ultimate office, man-cave or fan-cave decoration for the Chicago sports fan, this full-color matted poster print features the jerseys of five Chicago sports legends - Michael Jordan #23 of the Chicago Bulls, Chicago Cubs legend #14 Ernie Banks, "Sweetness" Walter Payton #34 Chicago Bears jersey, the "Big Hurt" Frank Thomas' #35 of the Chicago White Sox, and Chicago Blackhawks icon, #9 Bobby Hull.

The poster art is from "C is for Chicago," the beloved alphabet book that features the things that make Chicago great, including Chicago Sports Legends. This bold, graphic print is printed on high-quality paper and is ready for framing. This print makes the perfect gift for fans of Chicago sports.

The ultimate office, man-cave or fan-cave decoration for the Boston sports fan, this full-color matted poster print features the jerseys of five Boston sports legends - Boston Red Sox legend Ted Williams #9, the great Larry Bird #33 of the Boston Celtics, iconic Boston Bruins player Bobby Orr #4 and the winningest Super Bowl Quarterback of all-time, Tom Brady #12 of the New England Patriots. The poster art is from "B is for Boston," the beloved alphabet book that features the the things that make Boston so special, including the most iconic Boston players. This bold, graphic print is printed on high-quality paper and is ready for framing. This print makes the perfect gift for fans of Boston sports.

A comprehensive volume on the famous children�s-book illustrator�s works. With work from his early days as a comic-book illustrator to the Caldecott Award-winning A Snowy Day, and including his many other graphic and book-illustration work, this book stands as a superb companion to Alderson�s first volume.