A “hauntingly effective” surrealist travel memoir about the mysterious transformations that may lurk inside us all (Library Journal, starred review).

Venice, 2020. As a pandemic rages across the globe, Zito Madu finds himself in a nearly deserted city, its walls and basilicas humming with strange magic. As he wanders a haunted landscape, we see him twist further into his own past: his family’s difficult immigration from Nigeria to Detroit, his troubled relationship with his father, the sporadic joys of daily life and solitude, his experiences with migration, poverty, foreignness, racism, and his own rage and regret. But as it is with all labyrinths, after finding its center, will he come away unscathed, or will he transform into the gripping, fantastical monstrousness that’s out to consume him whole?

“The 20 essays . . . pack a punch—not the sort that gives you an immediate bruise, but one that leaves you strangely sore for days . . .” —Kerry Cardoza, Chicago Reader

New Lenox, Illinois, is a small town deep in the corn grid of the Midwest, where it runs up against the grid of south Chicagoland, a placeless location marked by geographical flatness and dwindling industry. It’s also where Sonya Huber grew up, and in the twenty essays collected here, she lovingly explores the ways New Lenox—and the Midwest more generally—has come to define her life. Here, you’ll find portraits of Huber’s parents as they tirelessly run a small business, homages to the Gen-X joys of wearing flannel, secret insights about being a Pizza Hut waitress, and odes to the ecstasy of blasting classic rock as your car hurls along I-80. Whether she’s writing about All in the Family, detailing the region’s influence on David Foster Wallace, or exploring the poetry embedded in a can of Miller High Life, her vision is astute and her prose convincing.

Sometimes experimental and always inventive, Love and Industry: A Midwestern Workbook takes seriously Chicagoland’s farthest reaches—gritty, sweeping, a region full of its own distinct feelings of “almostness”—and transforms them into a map of the heart, a ramshackle territory marked by memory, family, regret, determination, and wonderment.

“A must read” —Library Journal

“Huber is a masterful essayist” —Megan Stielstra, author of The Wrong Way to Save Your Life