Belt Publishing
Founded in 2013, Belt promotes voices from the Rust Belt, smart narrative and serious nonfiction on any topic, as well as commercial fiction with a regional foothold.
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The Last Children of Mill Creek
9781948742641
Regular price $18.95 Sale price $14.21 Save 25%A bestselling memoir of a vibrant childhood spent in a thriving St. Louis African American community before “urban renewal” changed everything.
Vivian Gibson grew up in Mill Creek Valley, a segregated working-class neighborhood in St. Louis that was razed in 1959 to build a highway, an act of racism disguised under urban renewal as “progress.” A moving memoir of family life at a time very different from the present, The Last Children of Mill Creek chronicles the everyday lived experiences of Gibson’s large family―her seven siblings, her crafty, college-educated mother, and her hard-working father―and the friends, shop owners, church ladies, teachers, and others who made Mill Creek into a warm, tight-knit African American community. In Gibson’s words, “This memoir is about survival, as told from the viewpoint of a watchful young girl―a collection of decidedly universal stories that chronicle the extraordinary lives of ordinary people.”
Winner of a Missouri Humanities award for literary achievement, The Last Children of Mill Creek is an important book for anyone interested in urban development, race, and community history―or for anyone who was once a child.
Praise for The Last Children of Mill Creek
2022 Missouri Author of the Year Winner
Missouri's “Great Reads from Great Places” Selection for the 2023 National Book Festival
“This is a story borne aloft by the sheer human joy of storytelling, of memory, of tender love for a mother and a father and for a vanished time and place. It is a book that, while steadfastly refusing the American fiction of color blindness, just as steadfastly refuses to portray Black life through the single warped lens of white-induced pain.” —TheLos Angeles Review of Books
Chicago House Music
9781953368737
Regular price $24.00 Sale price $18.00 Save 25%An inside look at the music born, bred, and perfected in Chicago.
Chicago house music originated in the city’s Black, gay underground in the late seventies and became one of the most popular musical genres in the world by the end of the century. In Chicago House Music: Culture and Community, Marguerite Harrold tells the story of the genre’s rise and the prolific creators who have sustained it for decades. You’ll learn about house music’s early innovators, like Ron Hardy and Frankie Knuckles, who transformed the social and political turmoil around them into a revolution in dance music. You’ll also hear remembrances from contemporary figures in the house community, like DJ Lady D, Avery R. Young, Czboogie and Edgar “Artek” Sinio, who have forged new paths as the genre has evolved. It’s a story about much more than music—it’s about a community struggling for acceptance, love, liberation, and freedom, and about the creative pioneers whose resilience helped turn house music into a worldwide phenomenon.
Full of interviews and first-hand accounts from the people who stood behind the turntables, carried crates of records, or danced until dawn, Chicago House Music is the history of an art form that continues to be a force for social interaction, spiritual liberation, and community today.
Black in the Middle
9781948742696
Regular price $20.00 Sale price $15.00 Save 25%
“[A] timely, compelling collection that allows predominantly Black Midwesterners to reclaim their home, histories, and future.”―Jen Cox, Chicago Review of Books
Black Americans have been among the hardest hit by the rapid deindustrialization and accompanying economic decline that have become so synonymous with the Midwest. Since the 2016 election, many traditional media outlets have renewed attention on the conditions of “Middle America,” but the national discourse continues to marginalize the Black people who live there. Black in the Middle brings the voices of Black Midwesterners front and center.
Filled with compelling personal narratives, thought-provoking art, and searing commentaries, this anthology explores the various meanings and experiences of blackness throughout the Rust Belt, the Midwest, and the Great Plains. Bringing together people from major metropolitan centers like Detroit and Chicago as well as smaller cities and rural areas where the lives of Black residents have too often gone unacknowledged, this collection is a much-needed corrective to the narrative of the region.
“Ambitious and eclectic, with African American humanity on display.” ―Joseph P. Williams, Minneapolis Star-Tribune
“The honesty in the essays, the emergency in the poetry, and the intensity of the photographs and paintings help to sharpen the edge of what it means to be Black in the middle of anything, which is the sum of our fears and the hope that manifests itself in our dreams.” ―Jason Vasser-Elong, St. Louis Post-Dispatch
“Timely and evocative . . . By calling forth the full range of the Black Midwestern experience, this bracing anthology offers crucial insights into why the region is the epicenter of current protests against police brutality and racial injustice.” ―Publishers Weekly
Black Americans have been among the hardest hit by the rapid deindustrialization and accompanying economic decline that have become so synonymous with the Midwest. Since the 2016 election, many traditional media outlets have renewed attention on the conditions of “Middle America,” but the national discourse continues to marginalize the Black people who live there. Black in the Middle brings the voices of Black Midwesterners front and center.
Filled with compelling personal narratives, thought-provoking art, and searing commentaries, this anthology explores the various meanings and experiences of blackness throughout the Rust Belt, the Midwest, and the Great Plains. Bringing together people from major metropolitan centers like Detroit and Chicago as well as smaller cities and rural areas where the lives of Black residents have too often gone unacknowledged, this collection is a much-needed corrective to the narrative of the region.
“Ambitious and eclectic, with African American humanity on display.” ―Joseph P. Williams, Minneapolis Star-Tribune
“The honesty in the essays, the emergency in the poetry, and the intensity of the photographs and paintings help to sharpen the edge of what it means to be Black in the middle of anything, which is the sum of our fears and the hope that manifests itself in our dreams.” ―Jason Vasser-Elong, St. Louis Post-Dispatch
“Timely and evocative . . . By calling forth the full range of the Black Midwestern experience, this bracing anthology offers crucial insights into why the region is the epicenter of current protests against police brutality and racial injustice.” ―Publishers Weekly
