Belt Revivals

The true story of Marshall "Major" Taylor, who overcame racial prejudice to become one of the most dominant cyclists in history. Part of Belt's Revival series and with an introduction by Zito Madu.

The Fastest Bicycle Rider in the World, which Taylor self-published in 1928, gives a riveting first-person account of his rise to the highest echelons of professional cycling. Born in Indianapolis, he eventually became the first African American cycling world champion, going on to set seven world records in the sport. Readers will learn about Taylor's exploits as an athlete, including his early taste of success in a grueling six-day race, his unparalleled dominance as a sprinter, and some of his most bitter defeats. But the man who achieved international fame as the "Black Cyclone" also details the extreme prejudice he faced both on and off the track. It's a story about one of the greatest athletes in American history but also a moving testament to Taylor's resilience and determination in the face of overt racism and seemingly impossible odds.

As he tells us himself, "I am writing my memoirs . . . in the spirit calculated to solicit simple justice, equal rights, and a square deal for the posterity of my down-trodden but brave people, not only in athletic games and sports, but in every honorable game of human endeavor."

From the best-selling author of Giant and So Big, a sweeping look at the lives of three generations of women on Chicago's South Side. Part of Belt's Revivals series and with a new introduction by Kathleen Rooney (Lillian Boxfish Takes a Walk).First published in 1921, Edna Ferber's The Girls revolves around the three Charlottes of the Thrift family--Great-Aunt Charlotte, her niece Lottie, and Lottie's niece Charley. All single old maids, as the narrator describes them, their lives weave together as they deal with issues involving money, work, friendship, family, and love as they strive to join Chicago's growing middle class in the early twentieth century. With a historic span that travels from the Civil War to World War I, Ferber highlights how the three generations of Charlottes lead very different lives. But we also see the ways their experiences rhyme with one another and how, despite the social advances in America, as Kathleen Rooney writes in her introduction, all three have to confront a sexist and claustrophobic societal atmosphere in which any little act of self-assertion can feel like a leap from a precipice. Told through Ferber's assured and generous style, and full of her signature strong female characters, this rediscovered American classic deserves a spot on the shelf next to other great Chicago novels like Sister Carrie and The Adventures of Augie March.