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Houston's African American Community In Photographs
The Images of America series of Arcadia Publishers offers readers the opportunity to explore the diverse, local character of American life through small, uniformly-bound collections of photographs and texts. Books in the Images of America series feature African American communities in places such as Washington, D.C., Chicago, San Francisco, Milwaukee, Pine Bluff Arkansas, and many others. The Washington, D.C. public library system has a strong collection of African American related books which has allowed me to visit many communities through the Images of America volumes.
Ronald Goodwin's book "African Americans of Houston" (2013) is one of the best and most recent in the Images of America series. The book consists of an excellent collection of photographs of Houston together with a nuanced ahd perceptive historical discussion. Goodwin is a young historian with an interest in urban history and in the African American communities of Texas.
The book taught me both about Houston and about its African American community The opening pages of the book concentrate on photographs of a growing downtown Houston during the early years of the 20th Century. Goodwin shows a strong interest in studying the public places of city life and in emphasizing their importance to the community. He discusses how the city tried to present itself as a lively, diverse metropolis in its urban spaces while minimizing the presence of African Americans and subjecting them to the rules of Jim Crow. Goodwin also shows a fascination with urban transportation, especially with streetcars. He offers many photographs of Houston's once-flourishing streetcar system, which could easily be the subject of a separate Images of America book. He describes how streetcars and other means of public transportation discriminated against African Americans and their neighborhoods. African Americans frequently were not allowed on the streetcars or on public transit. There were some African American cars and some cars that allowed segregated seating.
The book also focuses on Houston's African American communities which began to flourish in the city just after the Civil War. There are pictures of unpaved, litter-filled streets, which the city did not maintain in the early years, and long rows of identical cheaply constructed houses. Goodwin discusses the effects of Jim Crow while he also emphasizes the strong positive aspects of African American life during the years of segregation. He presents photographs of African American businesses, professionals, theaters churches, libraries, and schools.He shows local events such as parades which instilled a sense of neighborhood. Goodwin argues that the community developed a substantial degree of cohesiveness and economic strength during the segregation years. With the civil rights era, many African American businesses faded as members of the community became welcome elsewhere and as middle-class residents abandoned the once strong local areas for the suburbs.
The book discusses educational opportunities in African American Houston. Goodwin presents photographs of old segregated primary and secondary schools and of trade schools for the training of beauticians. His primary interest, however, is in the growth of college and professional education. As Goodwin indicates, in 1946, an African American man, Heman Sweatt, represented by Thurgood Marshall, went to the Supreme Court to secure admission to the University of Texas Law School. In an attempt to avoid an unfavorable decision, Texas established a college for African Americans in Houston called Texas State University for Negroes,later renamed Texas Southern University. TSU plays a large role in this book as Goodwin offers photographs of students, professors, athletic events, and presidents of the institution. Former Congresswoman Barbara Jordan was a TSU graduate and developed her formidable ability as a public speaker through the school's debating program.
Goodwin discusses the desegregation of Houston in the 1960s. Although there were protests in the city and harsh police action at TSU, the city integrated relatively peacefully and quietly. African American leaders worked behind the scenes with city businesses and government officials to provide for a low-key end to Jim Crow.
This book offers a brief, insightful look at Houston and at its African American community and its history.
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The Minotaur at Calle Lanza
9781953368669
Regular price $19.95 Sale price $14.96 Save 25%A “hauntingly effective” surrealist travel memoir about the mysterious transformations that may lurk inside us all (Library Journal, starred review).
Venice, 2020. As a pandemic rages across the globe, Zito Madu finds himself in a nearly deserted city, its walls and basilicas humming with strange magic. As he wanders a haunted landscape, we see him twist further into his own past: his family’s difficult immigration from Nigeria to Detroit, his troubled relationship with his father, the sporadic joys of daily life and solitude, his experiences with migration, poverty, foreignness, racism, and his own rage and regret. But as it is with all labyrinths, after finding its center, will he come away unscathed, or will he transform into the gripping, fantastical monstrousness that’s out to consume him whole?
With nods to Italo Calvino and Jorge Luis Borges, this surrealist debut memoir takes us into the labyrinth of memory and the monsters lurking there.
The Last Children of Mill Creek
9781948742641
Regular price $18.95 Sale price $14.21 Save 25%A bestselling memoir of a vibrant childhood spent in a thriving St. Louis African American community before “urban renewal” changed everything.
Vivian Gibson grew up in Mill Creek Valley, a segregated working-class neighborhood in St. Louis that was razed in 1959 to build a highway, an act of racism disguised under urban renewal as “progress.” A moving memoir of family life at a time very different from the present, The Last Children of Mill Creek chronicles the everyday lived experiences of Gibson’s large family―her seven siblings, her crafty, college-educated mother, and her hard-working father―and the friends, shop owners, church ladies, teachers, and others who made Mill Creek into a warm, tight-knit African American community. In Gibson’s words, “This memoir is about survival, as told from the viewpoint of a watchful young girl―a collection of decidedly universal stories that chronicle the extraordinary lives of ordinary people.”
Winner of a Missouri Humanities award for literary achievement, The Last Children of Mill Creek is an important book for anyone interested in urban development, race, and community history―or for anyone who was once a child.
Praise for The Last Children of Mill Creek
2022 Missouri Author of the Year Winner
Missouri's “Great Reads from Great Places” Selection for the 2023 National Book Festival
“This is a story borne aloft by the sheer human joy of storytelling, of memory, of tender love for a mother and a father and for a vanished time and place. It is a book that, while steadfastly refusing the American fiction of color blindness, just as steadfastly refuses to portray Black life through the single warped lens of white-induced pain.” —TheLos Angeles Review of Books
Chicago House Music
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Regular price $24.00 Sale price $18.00 Save 25%An inside look at the music born, bred, and perfected in Chicago.
Chicago house music originated in the city’s Black, gay underground in the late seventies and became one of the most popular musical genres in the world by the end of the century. In Chicago House Music: Culture and Community, Marguerite Harrold tells the story of the genre’s rise and the prolific creators who have sustained it for decades. You’ll learn about house music’s early innovators, like Ron Hardy and Frankie Knuckles, who transformed the social and political turmoil around them into a revolution in dance music. You’ll also hear remembrances from contemporary figures in the house community, like DJ Lady D, Avery R. Young, Czboogie and Edgar “Artek” Sinio, who have forged new paths as the genre has evolved. It’s a story about much more than music—it’s about a community struggling for acceptance, love, liberation, and freedom, and about the creative pioneers whose resilience helped turn house music into a worldwide phenomenon.
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The Pennsylvania Wilds and the Civil War
9781467153072
Regular price $23.99 Sale price $17.99 Save 25%The Call of Service and the Trial of War
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What to the Slave is the Fourth of July?
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Regular price $12.95 Sale price $9.71 Save 25%One of the most memorable speeches in American history, Frederick Douglass’s What to the Slave is the Fourth of July? is now available in an elegant hardcover edition.
Douglass first delivered the famous speech on July 5, 1852, to the Rochester Ladies' Anti-Slavery Society. After paying respect to the patriotic architects of America’s independence, Douglass exposed the hypocrisy of a nation that enshrined the inalienable rights of man yet enslaved millions. The signing of the Declaration of Independence was meaningless to slaves, Douglass argued, and the annual celebration of a freedom not afforded to them was the worst possible insult.
Throughout the speech, Douglass directly quoted passages from the Declaration of Independence, the U.S. Constitution, and the Bible to support his argument that slavery must be abolished in the United States. Douglass was especially critical of the faith leaders in America that used the church to justify slavery rather than to spearhead positive societal change.
Despite Douglass’s condemnation of the institutions that protected slavery, the speech also emphasized America’s young age and her potential to change for the better. In keeping with this belief in an America that would one day guarantee freedom for all, Douglass delivered “What to the Slave is the Fourth of July?” to audiences nationwide in the decade preceding the Civil War.
Famous figures such as James Earl Jones, Morgan Freeman, and Douglass’s descendants have performed small sections of the hour-long speech. Abridged editions of the speech are also disseminated for educational purposes. Because “What to the Slave Is the Fourth of July?” is an incredibly nuanced speech, it is often misrepresented or shared out of context. Now you can read the speech as it was meant to be experienced, in its entirety.
Frederick Douglass’s most famous speech is as relevant today as when it was first delivered in 1852. A defining document of the United States, What to the Slave Is the Fourth of July? is essential reading for all Americans.