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Located in Forsyth County in northwestern North Carolina, Winston-Salem was formed in 1913 from the consolidation of the city of Winston and the town of Salem. The city has a long, thriving African American community which prospered through its own initiatives and through the economic opportunity offered by the tobacco industry. Cheryl Street Harry, a cultural curator at Old Salem Museum and Gardens, offers a photographic history of the Winston-Salem African American community in her book "Winston-Salem's African American Legacy" (2012). Her book is part of the Images of America series of photographic histories of local American communities.
Harry's book describes the growth of Winston-Salem's African American community from the early nineteenth to the end of the twentieth century. The book is deeply oriented towards specific people and specific local cultural institutions and thus includes many photographs of individuals and of members of community organizations. The individuals in the photos are frequently named one by one and then the purpose of the organization, if a group picture, is briefly explained and described. The book gives a feeling of closeness and individuality for the people making up the community and it encourages community members justly to take pride in their accomplishments and those of their neighbors. In some places, interested readers who lack a close familiarity with Winston-Salem might have learned more from a broader-based approach with more photographs of places and a more extended discussion of historical background.
The middle chapters of the book do offer something of a historical account. Harry presents photographs of some early African American communities and their pioneering residents. Even here, the book shifts quickly to a discussion of reunion efforts among contemporary descendants of the historic communities rather than fleshing out these fascinating communities in more detail.
The various chapters of the book show the Winston-Salem African American community's large achievements in education (including an early woman PhD in mathematics), theater, literature, music, radio and communication, social empowerment, business, and more. For example, I learned about George Black, the son of a former slave, who became renowned for his ability to make bricks and founded his own company. I learned about the doo-wop group the Five Royales who recorded a classic song "Dedicated to the one I love" before it was covered and became a large hit for the Shirelles. In 2015, the Five Royales were inducted into the Rock and Roll Hall of Fame. The book also taught me about Armenta Adams Hummings a renowned classical pianist. In 1993, Hummings founded and directed the Gateways Music Festival to increase the visibility of African American classical musicians. The Festival still takes place but has moved to Rochester, New York. Many inspiring photos in this book document the high cultural and civic accomplishment of Winston-Salem's African American community over the years.
The book also describes the role of Winston-Salem's African American community in the Civil Rights Movement, focusing on the early lunch counter sit-in movement in February, 1960. There are discussions of Dr Martin Luther King Jr's visit to Winston-Salem and of the sometimes overlooked role of the Black Panthers in providing economic assistance to the poor. The book is a reminder that the Civil Rights Movement was a product of strong local community leadership as well as of national leadership. A final section of the book describes the prominent role of religion in community life with an emphasis on the social activism that supported and followed the Civil Rights Movement.
In his Foreword to the book, Winston-Salem Pastor Dr. Sir Walter Mack Jr. eloquently observes: "The spirit of this book is marked by the faith of people to succeed and achieve in the areas of the arts, athletics, education, business, medicine, music, manufacturing, spirituality, economics, and political and civic leadership." Dr. Mack continues: "Although the primary focus of this book is the African American community, the knowledge, wisdom, and information gained from this pictorial collage are significant to any community that is serious about valuing the journey and the story of people."
I enjoyed visiting and learning about Winston-Salem and its African American community through this book. The book tells an inspiring story and shows the importance of a spirit of community and loyalty in the development of life for all people in the United States.
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Venice, 2020. As a pandemic rages across the globe, Zito Madu finds himself in a nearly deserted city, its walls and basilicas humming with strange magic. As he wanders a haunted landscape, we see him twist further into his own past: his family’s difficult immigration from Nigeria to Detroit, his troubled relationship with his father, the sporadic joys of daily life and solitude, his experiences with migration, poverty, foreignness, racism, and his own rage and regret. But as it is with all labyrinths, after finding its center, will he come away unscathed, or will he transform into the gripping, fantastical monstrousness that’s out to consume him whole?
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9781429095631
Regular price $12.95 Save Liquid error (snippets/product-template line 248): Computation results in '-Infinity'%One of the most memorable speeches in American history, Frederick Douglass’s What to the Slave is the Fourth of July? is now available in an elegant hardcover edition.
Douglass first delivered the famous speech on July 5, 1852, to the Rochester Ladies' Anti-Slavery Society. After paying respect to the patriotic architects of America’s independence, Douglass exposed the hypocrisy of a nation that enshrined the inalienable rights of man yet enslaved millions. The signing of the Declaration of Independence was meaningless to slaves, Douglass argued, and the annual celebration of a freedom not afforded to them was the worst possible insult.
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9781948742641
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Vivian Gibson grew up in Mill Creek Valley, a segregated working-class neighborhood in St. Louis that was razed in 1959 to build a highway, an act of racism disguised under urban renewal as “progress.” A moving memoir of family life at a time very different from the present, The Last Children of Mill Creek chronicles the everyday lived experiences of Gibson’s large family―her seven siblings, her crafty, college-educated mother, and her hard-working father―and the friends, shop owners, church ladies, teachers, and others who made Mill Creek into a warm, tight-knit African American community. In Gibson’s words, “This memoir is about survival, as told from the viewpoint of a watchful young girl―a collection of decidedly universal stories that chronicle the extraordinary lives of ordinary people.”
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