Name: Record Plant, Sausalito Studios
Brand: Katiana Giacona
SKU: 9781467109468
Price: 23.99 USD
Availability: InStock

Record Plant, Sausalito Studios

9781467109468

$23.99

The Record Plant studio in Sausalito, California, was one of America’s top-of-the-line music recording facilities. Opened in 1972, Record Plant was known as the “resort studio,” just across the Golden Gate Bridge in Northern California and away from the big city. One of three studios, the first Record Plant was opened in New York City in 1968 by Chris Stone and Gary Kellgren. The second studio in Los Angeles opened in 1969, followed by the third studio in Sausalito. San Francisco Bay Area–based radio station KSAN FM hosted live studio broadcasts from the Sausalito studio. With its nautical-inspired interior wood artistry, the building known as the “Plant” had a groovy aesthetic that drew in some of the most iconic musical artists of all time, including Fleetwood Mac, Bob Marley, the Grateful Dead, Sly and the Family Stone, Prince, Tom Petty, Metallica, Santana, Aretha Franklin, Mariah Carey, Whitney Houston, Dave Matthews Band, and many more.

Katiana Giacona, a Marin County native, was resident DJ at the former Sausalito Studio location when it was a spa and yoga event center called Harmonia. For Record Plant, Sausalito Studio she has assembled a collection of discography and photographs from the studio as well as interviews from former receptionists, managers, audio engineers, producers, and staff. Ken Caillat was the producer of Fleetwood Mac’s Rumours album, one of the greatest rock and roll albums of all time.

Cover image for Record Plant, Sausalito Studios, isbn: 9781467109468

Bakersfield

9781467109918

$23.99

Bakersfield was established in 1863 in the western shadow of the Sierra Nevada at the intersection of two of the country’s defining events: the California Gold Rush and the Civil War. Bakersfield’s first generation of pioneers—gold-seekers, Southern sympathizers, and European immigrants—tamed the region’s confluence of swamps and built a frontier town. Over the next century, the town at the southern tip of California’s San Joaquin Valley produced a noteworthy array of heroes, poets, leaders, and scoundrels, including the most influential Supreme Court chief justice in the nation’s history, two best-selling country artists, decorated athletes, brilliant innovators, and corrupt lawmen. Founded by Col. Thomas Baker, Bakersfield prospered atop fertile soil unmatched anywhere on the planet and crude oil reserves that had few peers. During the Dust Bowl migration, it became a beacon of hope to the refugees of the nation’s most dire ecological disaster and, consequently, a unique region that writer Gerald Haslam came to call the Other California. Today, Bakersfield is California’s ninth-largest city and among its fastest-growing. The story of its first century is presented here in words and pictures.

Cover image for Bakersfield, isbn: 9781467109918

King Records of Cincinnati

9780738560793

$24.99

Through stories of people, music, and dreams, King Records of Cincinnati tells the history of a recording company which launched countless musical careers.

Starting with a few songs and a dream in 1943, King Records--a leading American independent--launched musical careers from a shabby brick factory on Brewster Avenue in Cincinnati's Evanston neighborhood. Founder Sydney Nathan recorded country singers Cowboy Copas, Hawkshaw Hawkins, Wayne Raney, and others and later added black acts such as James Brown and the Famous Flames, Bull Moose Jackson, Hank Ballard and the Midnighters, Lonnie Johnson, and Freddy King. Meanwhile, King also explored polka, jazz, bluegrass, comedy, gospel, pop, and instrumental music--anything that Nathan could sell. Although King's Cincinnati factory closed in 1971, the company's diverse catalog of roots music had already become a phenomenon. Its legacy lives on in hundreds of classic recordings that are prized by collectors and musicians.

Cover image for King Records of Cincinnati, isbn: 9780738560793

Motor City Rock and Roll

9780738552361

$24.99

Detroit is famous for its cars and its music. From the 1950s through the 1970s, Motor City fans experienced a golden age of rock and roll.

Rock was the defiant voice of the boomer generation. The 1960s and the 1970s were turbulent decades. Blacks and women asserted themselves, breaking down the establishment. Rock music, and the spirit and events that defined it, advanced these interests. The war in Vietnam brought tension and national conflict. Drugs and a sexual revolution, made possible by the introduction of the birth control pill, added to the volatile mix. Woodstock, May Day protests, and the resignation of Pres. Richard Nixon were just a few of the upheavals that made these decades two of the most important in the nation's history. Motor City Rock and Roll: The 1960s and 1970s features 200 images, capturing local musicians who started in Detroit and then traveled the world, as well as world-famous acts who came to the city to perform. Intimate stories of musicians, bands, and other members of the rock community make this history a must for dedicated fans.

Book cover for Motor City Rock and Roll featuring a sepia photo of a Detroit rock band.

Southern California Surf Music, 1960-1966

9781467133203

$24.99

Dick Dale & the Del-Tones began holding weekend dances at the Rendezvous Ballroom in Balboa, California, in the summer of 1960. Over the next year and a half, Dale developed the sound and style that came to be known as surf music. The result was the development of more powerful guitar amplifiers, a dramatic increase in the sales of Fender guitars and amplifiers, and a shift from New York to West Coast recording studios. More and more people were drawn to the sport of surfing, which became an important part of teen beach culture at the time. Even landlocked teenagers were captured by the moment, carrying surfboards atop their woodies in Phoenix or bleaching their hair blonde in St. Paul. For hundreds of thousands of kids, though, the attraction was not the connection to surfing; it was the connection to the music pioneered by Dick Dale.

Cover image for Southern California Surf Music, 1960-1966, isbn: 9781467133203

New York City Jazz

9780738599144

$24.99

New York City Jazz explores many of the haunts and hideaways that have played host to iconic jazz musicians and singers like Charlie Parker, Miles Davis, John Coltrane, Bill Evans, Billie Holiday, Dizzy Gillespie, and Lester Young. Considered the jazz capital of the world, New York City is known for its flashy venues. The stages of the Latin Quarter, Apollo Theater, Minton's Playhouse, Onyx, Stork Club, Downbeat Club, Birdland, Roseland, and Copacabana came to life with the sounds of pianos, drums, horns, and gypsy guitars. This collection of images presents why Fifty-second Street was nicknamed Swing Street and how musicians made timeless names for themselves in the Empire City.

Cover image for New York City Jazz, isbn: 9780738599144

The Chicago Music Scene

9780738577296

$24.99

This is the story of Chicago's vibrant music scene in the 1960s and 1970s.

The 1960s and 1970s was a time when jazz, rock and roll, country and western, folk, blues, and R & B flowed through the streets of Chicagoland. Much has been written about the national and international talent of that time, but not enough has been written regarding local music scenes. This story focuses on the city of Chicago (along with its suburban club scene) and the homegrown performers who made the 1960s and 1970s one of the most electrifying and memorable periods in music history. Some of those players went all the way to the big time, while others made their mark and disappeared. But they all made a difference in their own way, and for those who were there, it is a time they will never forget.

Cover of The Chicago Music Scene from Images of America with a guitarist on stage and a cheering crowd in a sepia photo.

Philadelphia Jazz

9781467107846

$23.99

Many scholars have traced improvised music in Philadelphia back through ragtime to the prominent Black orchestras that played quadrilles and marches for high-society dances in the 19th century, with one of the most famous led by Philadelphian Francis “Frank” Johnson. The Black migrations from the South to the North after World War I carried performers and their music to Chicago; New York City; Washington, DC; and Philadelphia. Musicians like Dizzy Gillespie and John Coltrane came from the Carolinas and started careers in Philadelphia, while homegrown talent from the city’s multiethnic neighborhoods—including violinist Joe Venuti, saxophonists Jimmy Heath and Charlie Ventura, organists Shirley Scott and Trudy Pitts, and pianist McCoy Tyner—made the world take notice of the musical gifts that contributed to the celebrated Philly sound. Philadelphia Jazz celebrates the immense contributions that the city’s jazz community has made to America’s true classical music.

Cover image for Philadelphia Jazz, isbn: 9781467107846

The University of Georgia Redcoat Band: 1905-2005

9780738516844

$24.99

The University of Georgia Redcoat Marching Band has grown from 20 military cadets in 1905 to more than 350 musicians and auxiliary members performing complex and entertaining halftime shows all over the Southeast today. Throughout the past century the Redcoats have been invited to participate in every major bowl game in the country and in the inaugural parade of Jimmy Carter in 1977. The University of Georgia Redcoat Band: 1905-2005 covers the first 100 years of one of the finest musical organizations in America.

Cover image for The University of Georgia Redcoat Band: 1905-2005, isbn: 9780738516844

New Orleans Jazz

9781467111713

$24.99

Discover how Jazz shaped the history and enhanced the life of the citizens of New Orleans.

From the days when Buddy Bolden would blow his cornet to attract an audience from one New Orleans park to another, to the brass bands in clubs and on the streets today, jazz in New Orleans has been about simple things: getting people to snap their fingers, tap their toes, get up and clap their hands, and most importantly dance! From the 1890s to World War I, from uptown to Faubourg Treme and out to the lakefront, New Orleans embraced this uniquely American form of music. Local musicians nurtured jazz, matured it, and passed it on to others. Some left the city to make their names elsewhere, while others stayed, playing the clubs, marching in the parades, and sending loved ones home with jazz funerals. Older musicians mentored younger ones, preserving the traditions that give New Orleans such an exciting jazz scene today.

Cover image for New Orleans Jazz, isbn: 9781467111713

Knoxville Music Before Bluegrass

9781467104357

$23.99

Since colonial times, generations of families from Ireland, Scotland, Wales, and England have settled in Knoxville and East Tennessee. Early on, they arrived with ballads, stories, instruments, and folk music from their former homes. “Songcatchers,” including Francis James Child, Olive Dame Campbell, Maud Pauline Karpeles, Cecil J. Sharp, William Francis Allen, Lucy McKim Garrison, Charles Pickard Ware, and George Pullen Jackson, journeyed deep into the remotest areas of East Tennessee to capture their songs in the late 19th and early 20th centuries. This music existed almost unchanged until the introduction of commercial recording and radio broadcasting in the 1920s. The historic recording sessions in Bristol, Tennessee, in the summer of 1927 sparked new genres of music, and through the contribution of musicians like Lester Flatt, Josh Graves, Dolly Parton, Earl Scruggs, Ralph Stanley, the Carter Family, Bill Monroe, and many others, Knoxville and East Tennessee are acknowledged for the roles they played in the birth of country and bluegrass music.

Cover image for Knoxville Music Before Bluegrass, isbn: 9781467104357

Gennett Records and Starr Piano

9781467117258

$24.99

The Starr Piano Company, based in Richmond, Indiana, quickly became one of the largest piano manufacturers in the United States during the 19th century. In 1915, the Starr Piano Company opened a recording division, Gennett Records, that led to a dynamic change in the music industry and American culture. Gennett embraced the vastly under-recorded genres of jazz, blues, and country music in the 1920s. They recorded artists who were groundbreakers and innovators in both popular and vernacular music, including Louis Armstrong, Charley Patton, Gene Autry, Hoagy Carmichael, Blind Lemon Jefferson, Uncle Dave Macon, and Jelly Roll Morton, often for the first time. The company, like many others, suffered a steep decline in the sale of their pianos and records due to the Great Depression, but the music recorded at Gennett continues to reach new generations and influence musicians as they discover it on reissues and streaming media services.

Gennett Records and Starr Piano book cover with a vintage jazz ensemble photo.

Cleveland's Rock and Roll Roots

9780738577869

$24.99

Rock and roll has been as much a part of the north coast city of Cleveland as the lake that hugs it.

Ever since Cleveland disc jockey Alan Freed first called the records he was playing ""rock and roll,"" northeast Ohio has been a driving force in this musical phenomenon. From the disc jockeys who spun the music to the musicians who played it, the clubs that welcomed it and fans who encouraged it, rock and roll has been as much a part of this north coast as the lake that hugs it. It was those early years, from the 1950s on, that led Cleveland to becoming the ""Rock and Roll Capital of the World"" and ultimately home to the Rock and Roll Hall of Fame and Museum. While the city spawned several widely recognized names, such as the James Gang (with Joe Walsh), the Raspberries (with Eric Carmen), and Bobby Womack, it is the music itself that will keep this town rocking on the shores of Lake Erie, and beyond, for a long time to come.

Cover of Cleveland's Rock and Roll Roots showing a sepia beach scene with a band performing for a TV crew.

Traditional Country & Western Music

9781467105392

$24.99

Traditional Country & Western Music presents historical photographs, memorabilia, and stories about an enduring music genre that took root in America from the late 1920s through the mid-1930s. Although many of our early folk songs originated from the British Isles, Jimmie Rodgers (the "Father of Country Music") and Gene Autry ("America's Favorite Singing Cowboy") became the foundation of modern country and western music. Many regional styles and variations of country and western music developed during the first half of the 20th century, including hillbilly, bluegrass, honky-tonk, rockabilly, southern gospel, Cajun, and Texas swing. Local artists, live radio shows, and regional barn dance programs provided entertainment throughout the Great Depression, World War II, and into America's postwar years. During the 1950s, country and western music became homogenized with the Nashville sound and the Bakersfield sound. By the end of the 1960s, country music completed its move to Nashville, and "western" was dropped from the equation. This book recalls the golden age of country and western music from the late 1920s through the 1960s. Each of the featured artists and programs in this book were once household names. We celebrate these early legends, live radio and television shows, unsung heroes, and local performers from Maine to California.

Vintage trio of country musicians with guitars and accordion under Traditional Country & Western Music label Karl Anderson

The Birth of the Detroit Sound

9780738520339

$24.99

From the 1940s through the early 1960s, a new form of popular music was born in the United States-one that would take the world by storm. Detroit disc jockey Alan Freed, among the very first to play and promote new music, christened it "Rock 'n Roll" from an old blues lyric. Detroit, like New York, Philadelphia, Chicago, Los Angeles, and Memphis, contributed its own distinctive regional character to the music and became a hub of industry activity. An epicenter of American music by the mid-1950s, Detroit built its reputation upon a wealth of talented singers and musicians, the vast amount of clubs and theaters available to them, and a multitude of enthusiastic industry professionals who helped bring their unique sound to the world. Many record labels, including Fortune and Fox, also thrived in the metro Detroit area in the days before Berry Gordy's Motown Records gained international recognition. This book documents the extraordinary style of music that took shape in Detroit well before Motown was a gleam in Gordy's eye. The Birth of the Detroit Sound chronicles great talents like John Lee Hooker, Hank Ballard & the Midnighters, Jackie Wilson, Jack Scott, Andre Williams, and Nolan Strong. Featuring a rare collection of vintage photographs, the book also spotlights record industry personalities, deejays, and long-forgotten venues where the giants of Detroit music once performed.

Book cover for The Birth of the Detroit Sound featuring a vintage Detroit theater facade and marquee.

Boston's Theater District

9781467105897

$24.99

Downtown Boston once thrived as a dazzling bohemia of burlesque halls, movie palaces, dime museums, and regal stages. By 1915, more than 20 theaters crowded along a quarter-mile stretch of lower Washington Street. The theater district gave birth to vaudeville and incubated some of America’s most darling musicals and daring new dramas en route to Broadway. Theatergoers flocked to Tremont and Boylston Streets to watch the latest tryouts. Some productions flopped; others, like Oklahoma! and Paul Robeson’s Othello, were runaway hits. Still others earned the coveted seal of disapproval, “Banned in Boston,” from zealous city censors. Overrun by seedy venues in the 1970s, the Combat Zone, as it came to be known, seemed to justify old Puritan fears that the stage would corrupt public morals. Only in recent years has the district rebounded through careful restoration of storied playhouses like the Boston Opera House, the Majestic, and the Colonial—grand vestiges of a booming cultural corridor still vibrant today.

Cover image for Boston's Theater District, isbn: 9781467105897

Memphis

9781467127394

$24.99

The music that has been produced in Memphis over the past 100 years is as unique and diverse as the city itself. Growing out of the Mississippi Delta, the Memphis blues have been transported worldwide by such ambassadors as B.B. King and Howlin' Wolf. Rock's first baby steps were taken at the tiny Sun Studio by a group of artists who have inspired generations of musicians to follow in their beat. Soul music found its groove at Stax with a homegrown sound that exploded onto the American music scene. Music producers, including Sam Phillips, Willie Mitchell, Chips Moman, and Jim Stewart, found in Memphis a sound as distinctive as their individual personalities. Each one inspired, motivated, and encouraged their artists and, in doing so, produced a volume of work that has become the sound track of their generation.

Cover image for Memphis, isbn: 9781467127394

West Virginia's Traditional Country Music

9781467123112

$24.99

West Virginia has been known for a century as a rich repository of traditional country music and musicians. Beginning in the mid-1920s, phonograph recordings and radios brought this music to a wider audience. With the passing of time and the influence of commercialization, this music developed into what became first known as hillbilly and then into the more refined country because of its long appeal to those of rural background. Although modernization has caused the traditional element to recede considerably, much still remains. Many folk still cling to the older sounds exemplified by the raw traditionalists and the neo-traditional bluegrass style that emerged in the 1940s. From the earliest recording artists, such as the Tweedy Brothers and David Miller, who was blind, to contemporary stars like Kathy Mattea and Brad Paisley, West Virginians and others have held their musicians in high esteem.

Cover image for West Virginia's Traditional Country Music, isbn: 9781467123112

Delta Music and Film

9781467113953

$24.99

The Delta Lowlands, a place of stunning innovation and creativity in music and film, has laid an incredible foundation for American entertainment. Talented singers, producers, and musicians from a narrow stretch of Arkansas Delta land--traversing U.S. Highway 65 south near England down to Pine Bluff and on through Lake Village/Eudora--have garnered every conceivable distinction, including Grammys as well as Country Music Association (CMA), Gospel Music Association (GMA), Stellar, Dove, Soul Train, Rock and Roll Hall of Fame, and other music awards. The mosaic of cotton blossoms, catfish farms, blues juke joints, foot-stomping churches, and rich Delta dirt has also served as the training ground for legends in blues, R&B/soul, country music, jazz, and gospel. In film and television, the Delta Lowlands has birthed the invention of sound in movies, the development of slow-motion footage, the creation of television's Neilson's ratings, the first western-genre movie star, a cadre of Emmy and Oscar award-winning personalities, and a television tower that was once the second tallest man-made structure in the world.

Delta Music and Film cover showing two men with a guitar in a vintage outdoor scene

Detroit

9780738561134

$24.99

Detroit has always been at the forefront of American popular music development, and the ragtime years and jazz age are no exception. The city's long history of diversity has served the region well, providing a fertile environment for creating and nurturing some of America's most distinctly indigenous music. With a focus on the people and places that made Detroit a major contributor to America's rich musical heritage, Detroit: Ragtime and the Jazz Age provides a unique photo journal of a period stretching from the Civil War to the diminishing years of the big bands in the early 1940s.

Cover image for Detroit, isbn: 9780738561134

Los Angeles's Central Avenue Jazz

9781467131308

$24.99

From the late 1910s until the early 1950s, a series of aggressive segregation policies toward Los Angeles's rapidly expanding African American community inadvertently led to one of the most culturally rich avenues in the United States. From Downtown Los Angeles to the largely undeveloped city of Watts to the south, Central Avenue became the center of the West Coast jazz scene, nurturing homegrown talents like Charles Mingus, Dexter Gordon, and Buddy Collette while also hosting countless touring jazz legends such as Duke Ellington, Louis Armstrong, and Billie Holiday. Twenty-four hours a day, the sound of live jazz wafted out of nightclubs, restaurants, hotel lobbies, music schools, and anywhere else a jazz combo could squeeze in its instruments for nearly 50 years, helping to advance and define the sound of America's greatest musical contribution.

Cover image for Los Angeles's Central Avenue Jazz, isbn: 9781467131308

Hollywood Studios

9780738547084

$24.99

Just after the turn of the 20th century, the motion picture industry moved to the West Coast, and the largest land of make-believe was created in Hollywood, California. From the silent-era beginnings of primitive, open-air stages to the fabled back lots of the studios' heyday, Hollywood Studios presents a bygone era of magical moviemaking in rare postcards. Assembled from the author's private collection, these images from the Chaplin Studios to Metro-Goldwyn Mayer depict an insider's look back at the dream factories known as the Hollywood studios.

Hollywood Studios postcard history cover showing a vintage film crew on a set with early cinema equipment.

Cleveland's Gospel Music

9780738532004

$24.99

Cleveland's Gospel Music documents the history of black gospel music from the 1920s through the 1980s. The gospel quartet groups, radio announcers, solo artists, and promoters established Cleveland as the gospel singers' metropolitan hub. An integral part of Cleveland's history and its rich African-American community, gospel singers didn't sing for money or fame, but sang to the glory of God, often beyond the point of exhaustion. This work is a celebration of the past praises of those who sang tirelessly for some 60 years.

Cleveland's Gospel Music book cover featuring three male gospel singers in matching suits.

Racine

9780738561332

$24.99

Many activities become short-lived fads. Not so for the drum and bugle corps in Racine. Here, after 150 years, drum and bugle corps activity still flourishes as a proud tradition. Racine is the self-proclaimed drum corps capital of the world. Racine had six competing drum and bugle corps during the 1960s and 1970s—very impressive for a community of 90,000. In fact, it would be difficult to find a longtime resident who is unaware of this activity. Everyone in Racine either was a member of or had family or friends who were members of a drum and bugle corps.

Cover image for Racine, isbn: 9780738561332

The Dallas Music Scene

9781467131513

$24.99

For much of the 20th century, Dallas was home to a wide range of vital popular music. By the 1920s, the streets, dance halls, and vaudeville houses of Deep Ellum rang with blues and jazz. Blind Lemon Jefferson was discovered singing the blues on the streets of Deep Ellum but never recorded in Dallas. Beginning in the 1930s, however, artists from Western swing pioneer Bob Wills to blues legend Robert Johnson recorded in a three-story zigzag moderne building at 508 Park Avenue. And from the late 1940s to the mid-1960s, a wrestling arena called the Sportatorium was home to a Saturday night country and rock-and-roll extravaganza called the Big D Jamboree.

Cover image for The Dallas Music Scene, isbn: 9781467131513

The Cincinnati Sound

9780738550763

$24.99

From 1940 to 1970, Cincinnati overflowed with musical opportunities. Hank Williams recorded his hit "Lovesick Blues." Andy Williams, Rosemary and
Betty Clooney, and Doris Day appeared regularly on WLW Radio, which also broadcast Boone County Jamboree. Then came the network television show
Midwestern Hayride and stardom for Kenny Price. Meanwhile, King and Fraternity Records released hundreds of hits for James Brown, Hank Ballard and the Midnighters, Cowboy Copas, Lonnie Mack, and the Casinos. In the late 1960s, the Lemon Pipers sang "Green Tambourine," and rock bands ruled Coney Island's Moonlite Gardens. It was a wild, incredible ride while it lasted, and it left such an indelible impression that today Cincinnati is remembered as one of America's top music capitals.

Cover image for The Cincinnati Sound, isbn: 9780738550763

Blues Musicians of the Mississippi Delta

9781467103091

$24.99

The Mississippi Delta blues run as deep and mysterious as the beautiful land from where the music originates. Blues legends B.B. King, Muddy Waters, John Lee Hooker, Howlin' Wolf, Sonny Boy Williamson, and countless other greats came from this region. The Delta blues, born as work songs in Mississippi cotton fields, was played on city street corners and in rural juke joints. With the Great Migration of African Americans in the first half of the 20th century, the Delta blues also made its way from Mississippi to Chicago. The sound of the blues would become the blueprint for the birth of rock and roll in Memphis in the 1950s. The era of the great Delta blues musicians is over, but their legacy remains an important chapter in American music. This book contains images of these important performers and the rich Delta landscapes that influenced their music.

Cover image for Blues Musicians of the Mississippi Delta, isbn: 9781467103091

Washington, DC, Jazz

9781467127837

$24.99

Washington, DC, Jazz focuses, primarily, on the history of straight-ahead jazz, using oral histories, materials from the William P. Gottlieb Collection at the Library of Congress, the Felix E. Grant Jazz Archives at the University of the District of Columbia, and Smithsonian Jazz.

Home to Black Broadway and the Howard Theatre in the Greater U Street area, Washington, DC, has long been associated with American jazz. Duke Ellington and Billy Eckstine launched their careers there in the early 20th century. Decades later, Shirley Horn and Buck Hill would follow their leads, and DC's jazz millennials include graduates of the Duke Ellington School of the Arts. For years, Bohemian Caverns and One Step Down were among the clubs serving as gathering places for producers and consumers of jazz, even as Rusty Hassan and other programmers used radio to promote the music. This volume also features the work of photographers Nathaniel Rhodes, Michael Wilderman, and Lawrence A. Randall.

Cover image for Washington, DC, Jazz, isbn: 9781467127837

New York City Vaudeville

9780738545622

$24.99

New York City Vaudeville provides a unique pictorial record of America's preeminent entertainment medium in the late 1800s through the early 1930s. New York's Palace Theatre
served as the flagship for vaudeville, on which stage every
vaudevillian aspired to perform. New York City Vaudeville
features photographs of some of the greatest names from
the Palace Theatre, including Jack Benny, George Burns
and Gracie Allen, Anna Held, the Marx Brothers, and Eva Tanguay, as well as legendary African American performers such as Bill Robinson, Ethel Waters, and Bert Williams. Through the photographs and the capsule biographies, the reader is transported back to a time when vaudeville was the people's entertainment, with a new bill of fare each week and an ever-changing number of performers with ever-changing styles of presentation.

Cover image for New York City Vaudeville, isbn: 9780738545622

Memphis Blues:

9780738542379

$24.99

The blues was born in the Mississippi Delta, and since that fateful night in 1903 when W. C. Handy heard the mournful sound of a pocketknife sliding over the strings of an acoustic guitar and the plaintive song of a long-forgotten musician in the hot night of Tutwiler, Mississippi, the blues has been on a journey around the world. From the cotton fields and juke
joints of the Delta, up Highway 61 to Memphis's Beale Street, St. Louis, the Southside of Chicago, England, and points beyond, the blues is America's unique form of music. Blues is incisive in its honesty, elemental in its rhythm,
and powerful in its almost visceral sensation. Nearly every style of popular music has its roots in the blues. Muddy Waters said it best: "The blues had a baby, and they called it rock and roll." Memphis has become the heart of the blues world, with a re-born Beale Street acting as its spiritual center. People come from the world over to experience its beat, savor its emotion, and feel its power. In the end . . . "it ain't nothin' but the blues."

Blue bordered cover with street musicians playing brass in Memphis for Memphis Blues Birthplace of a Music Tradition by William Bearden

Cleveland's Rock and Roll Venues

9781467104463

$23.99

Cleveland has always been a music town. And thanks to Cleveland deejay Alan Freed, who booked the first venue for rock enthusiasts, music fans have never lacked for places to go see their favorite acts perform in person. This book honors the astute owners and their venues-from yesterday to today-that present fans with the music they crave. The early clubs helped usher in Cleveland as the designated Rock and Roll Capital of the World. Today's venues continue the tradition, thus ensuring that music lovers of all ages, and attitudes, get to enjoy their rock and roll on the North Coast, with all its variety and talent. Because of them, musical memories continue to be made.

Live band on stage with drums and guitarist at a Cleveland rock venue with an Abbey Road banner.

Pittsburgh Jazz

9780738549804

$24.99

Pittsburgh Jazz documents the almost forgotten magic created in the city of Pittsburgh by a host of artists, uptown inner city streets, and jazz joints that served patrons from a menu packed full of delightful music. The magical improvised songs, compositions, and unique styles of hundreds of those who were born, raised, or influenced by what occurred in the smoke filled clubs, bars, restaurants, and theaters is difficult to comprehend. And yet, every jazz artist in the world was attracted here to "stand the test" waiting in the Steel City. This book is committed to connecting Pittsburghstyle jazz as the synthesis that resulted in the art form called bebop. This photographic presentation was captured by Pittsburgh Courier photographers between the 1930s and 1980s.

Cover of Pittsburgh Jazz from Images of America featuring a sepia group photo of musicians.

Memphis Music

9780738544113

$24.99

Memphis means music. That relationship was solidified in 1909 when W. C. Handy wrote the song Mr. Crump and later published it as the Memphis Blues. As Handy's songs were sung and played in streets and music halls, a spotlight began to shine on a new mecca for innovation in music—Memphis, Tennessee. Memphis Music: Before the Blues surveys the people, music, and events that contributed to the rich musical life that emerged against the backdrop of the Civil War and yellow fever in the 19th century. The story is not just one of the building blocks to what has been called America's greatest export—popular music—but rather it is a story of ongoing innovation and creativity that came from a convergence of people of different cultures.

Cover image for Memphis Music, isbn: 9780738544113

Fort Worth's Rock and Roll Roots

9780738584997

$24.99

On the evening of February 9, 1964, Ed Sullivan introduced the Beatles to America. Across the country, teens were glued to their TV sets and witnessed a turning point in rock and roll history. Vibrant and creative teen scenes sprang up all across the country. The scene in Fort Worth, Texas, produced an exceptional burst of creativity in songwriting and musicianship. Weekend concerts and battles of the bands drew thousands of fans. Primitive teen recordings were pressed into 45s and received radio airplay in rotation with national acts. Local television shows featured live bands; fashions changed with go-go girls' skirts growing shorter; long hair became the style for women and men; and the seeds of the counterculture were planted and flourished. The music of this generation birthed every rock subgenre for the next 40 years (acid rock, heavy metal, punk, new wave, grunge), and today's musicians still reach back to these recordings for inspiration.

Fort Worth's Rock and Roll Roots cover with a vintage band performing inside a record store to a standing crowd.

Kentucky's Bluegrass Music

9780738585611

$24.99

It is likely that most fans of bluegrass music would concede that no state should be more associated with bluegrass music than Kentucky--and rightly so. Bluegrass music draws its name from the band that Kentuckian Bill Monroe formed during the late 1930s and 1940s. Bill named his band Bill Monroe and The Blue Grass Boys to honor his home state. Eventually, the music these bands and others like them were playing came to be known as bluegrass music. Later, another Kentuckian, Ebo Walker, while playing with the Bowling Green-based bluegrass band, New Grass Revival, coined the phrase "newgrass" to describe the band's progressive style of music. Other Kentuckians such as Bobby and Sonny Osborne, J. D. Crowe, Ricky Skaggs, and Dale Ann Bradley have become bluegrass stars. Some of the musicians from Kentucky covered in this book are quite famous--some are not. Famous or not, all of them have a deep-rooted passion for the music they play.

Kentucky's Bluegrass Music cover showing performers on stage with guitars and a banner in the background.

Spanish Harlem's Musical Legacy

9780738550060

$24.99

Spanish Harlem's musical development thrived between the 1930s and 1980s in New York City. This area was called El Barrio by its inhabitants and Spanish Harlem by all others. It was a neighborhood where musicians from the Caribbean or their descendants organized musical groups, thereby adding to the diaspora that began in Africa and Spain. The music now called salsa had its roots in Cuba, Puerto Rico, and Santo Domingo, and it continued developing on
another island: Manhattan.

Spanish Harlem's Musical Legacy cover featuring two musicians at drums on stage with a red framed title at top

Chicago Blues

9781467112208

$24.99

Blues was once described as the devil's music. It eventually became some of the most beloved American music that was embraced by a global audience. Originating in African American communities in the South in the late 1800s, it was inspired by gospel and spiritual music sung by field hands and sharecroppers who worked on plantations. During the Great Migration from the early 1900s to the mid-1970s, many African Americans moved north for a better quality of life. Chicago was one of America's leading industrialized cites, and manufacturing jobs were plentiful and provided better wages than sharecropping. Many blues musicians who worked as field hands and sharecroppers moved to Chicago not only for those jobs, but also to pursue their love of music. Greats such as Big Bill Broonzy, Tampa Red, Muddy Waters, Jimmy and Estelle Yancey, Robert Nighthawk, Elmore James, Willie Dixon, Earl Hooker, Koko Taylor, Sly Johnson, Buddy Guy, Howlin' Wolf, Eddie Burns, Zora Young, Junior Wells, and a host of others came with their own styles and gave birth to Chicago blues.

Cover image for Chicago Blues, isbn: 9781467112208

Tampa Bay Music Roots

9781467104098

$24.99

When the Peerless Quartet wrote “Way Down On Tampa Bay” in 1914, Tampa Bay’s musical roots started growing.

Tampa Bay is where Ray Charles created his first song, Hank Ballard wrote and recorded “The Twist,” and the Rolling Stones cranked out their hit “Satisfaction.” Stephen Stills attended both Plant High School and Admiral Farragut Academy, and Jim Morrison studied at St.Petersburg Junior College. Ella Fitzgerald kicked off her career on the storied Central Avenue in Ybor City. Savatage, Stranger, Diamond Grey, the Outlaws, Bleeding Hearts, Blackkout, the Arena Twins, Tampa Red, and Cheeky Monkey are all artists who have made a huge impact both locally and nationally. From its rock ‘n’ roll boom in the 1960s to the birth of death metal in the 1980s ...Tampa Bay has had a rich musical history!

In this book, national recording artist Charlie Souza (the Tropics, Tom Petty’s Mudcrutch, and the New Rascals) and Keith Wilkins (longtime bay-area music columnist, concert promoter, and founder of the Tampa Bay Music Scene Historical Society) have compiled over 150 photographs and accompanying details in order to help preserve and honor Tampa Bay’s rich musical history and give the talented artists who comprise it the respect they rightfully deserve.

Cover image for Tampa Bay Music Roots, isbn: 9781467104098

Milwaukee Jazz

9781467103107

$24.99

Milwaukee's jazz scene has forever stood in the shadow of Chicago's illustrious institution, but it stands strong. Cream City has produced a wealth of talent, attracted top-notch transplants, and hosted legends like Duke Ellington, Dizzy Gillespie, Herbie Hancock, Billie Holiday, and Wynton Marsalis. From the heyday of the 1940s and 1950s to the renaissance of the 1970s, from the streets to the classrooms, from grand ballrooms to outdoor festivals, from swing to bebop, from smoky bars to dimly lit clubs like the Flame, Thelma's Back Door, and the Jazz Gallery, Milwaukee has been a hotbed of improvised music, providing a noteworthy contribution to the story of jazz in America.

Cover image for Milwaukee Jazz, isbn: 9781467103107

Charleston Jazz

9780738543505

$24.99

Charleston Jazz sets out to reveal the rich, untold story of the evolution of American jazz in one of its major cradles: Charleston, South Carolina. The text and images show that what happened on the Gullah coast of South Carolina in terms of history, culture, and entertainment had a huge impact on jazz as we know it today. By all accounts, jazz is America's classical music. It now stands at the dawn of its second century and is poised to take its place as one of the more meaningful cultural phenomena ever to come along. Since Charleston was the gateway for enslaved Africans into the United States, it is no wonder that this uniquely beautiful place produced key creators of what many believe to be this country's most important influence on world culture. An international Charleston diaspora of jazz musicians attests to the fact that the likes of Freddie Green, William "Cat" Anderson, and Edmund Thornton Jenkins spread the Charleston style everywhere. Charleston jazz is one of the last great unknown stories in American history.

Charleston Jazz book cover featuring a vintage jazz quartet performing on stage.

Chicago Entertainment

9780738523309

$24.99

Chicago has historically been a place of great energy and a showcase of modernity. Determined to wash away the recent memories of World War I, Chicagoans in the 1920s and into the 1930s set out to enjoy themselves, creating a Golden Age of popular entertainment envied throughout the world. Chicago Entertainment Between the Wars, 1919-1939 explores in detail the various old and new playing fields of entertainment that blossomed during this time period, such as dance halls, radio studios, rodeos, theaters, public mechanical musical machines, and movie palaces.

Book cover in sepia showing four musicians with an accordion and guitar and the title Chicago Entertainment Between the Wars 1919-1939.

Music Makers of the Blue Ridge Plateau

9780738554105

$24.99

During the late 1920s, Ralph Peer and the Victor Recording Company visited the city of Bristol to look for new talent. They stumbled upon Jimmie Rodgers and the Carter Family, two future legends of country music; however, other amazing musicians were unable to make the trip to Bristol for the auditions because of work and family obligations. For the locals, music was more than a way to earn fame and fortune; the music was part of the fabric of life in this rural environment. Some individuals did become famous, including the Stoneman Family, who recorded "The Ship That Didn't Return/ The Titanic," and Henry Whitter, who recorded "The Wreck of Old 97," but that was never the focus. The songs they played and created accompanied an entire generation through the Great Depression and World War II and into the vigorous growth of the 1950s and 1960s. All of these musicians influenced the birth, growth, and continued development of the Galax Fiddlers Convention, which is known around the world by old-time mountain music fans.

Music Makers of the Blue Ridge Plateau cover featuring two men with a guitar in a sepia outdoor scene

Manhattan's Musical Heritage

9780738544502

$24.99

Manhattan is an important site in the evolution of all the major innovations in American music, ranging from vaudeville and big bands to folk music, modern jazz, and rock and roll. Manhattan's Musical Heritage, a fascinating postcard history, takes readers on a journey back in time and place to the scenes of seminal musical events and performances. Individual musical greats from Al Jolson to John Lennon are featured, as this book details the locations forever associated with their lives and careers. Armchair travelers and those who enjoy walks in the streets of Manhattan will find this volume useful in discovering the amazing musical history of this special place.

Cover of the Postcard History Series book Manhattan's Musical Heritage featuring a vintage theater photo.

The Jamboree in Wheeling

9781467105682

$24.99

Beginning in the mid-1920s, radio stations that catered to rural audiences sponsored programs featuring country music, generically termed "barn dances." Ranking second in terms of longevity and perhaps in significance to the Grand Ole Opry from WSM Nashville came the Jamboree in Wheeling, West Virginia. It became the springboard for such country stars as Wilma Lee and Stoney Cooper, Hawkshaw Hawkins, the Osborne Brothers, Doc and Chickie Williams, Lee Moore, Big Slim the Lone Cowboy, and most recently, Brad Paisley. Under slightly varying names, the Jamboree flourished from 1933 through 2005 over the airwaves of 50,000-watt WWVA 1170 AM and now airs on WWOV 101.1 FM.

Group portrait of performers in vintage Western outfits posing for The Jamboree in Wheeling

Indianapolis Rhythm and Blues

9781467129473

$24.99

Indiana Avenue was traditionally the host to some of America's premier, world-renown entertainment icons in various genres. Along this winding, brightly lit thoroughfare were nightclubs, lounges, supper clubs, taverns, juke joints, and holes-in-the-wall that celebrated the best of the best in entertainment that America had to offer, from the 1920s on into the 1970s. On the bandstand at Denver Ferguson's Sunset Terrace Ballroom, the elegantly attired crooner Nat King Cole, in a sparkling blue silk suit, delivered his signature song Mona Lisa. Nearby, B.B. King sang his 1973 down-home blues classic To Know You is to Love You. At Tuffy Mitchell's Pink Poodle nightclub, Moms Mabley made the audience roar with laughter during her sidesplitting comedy routine. Indiana Avenue truly was the place to be for the best in entertainment.

Cover image for Indianapolis Rhythm and Blues, isbn: 9781467129473

Oklahoma City Music

9780738584270

$24.99

Oklahoma City's rich music history traces back to Deep Deuce, the heart of the African American community that became an important resource for national jazz and blues bands seeking talented musicians who were often classically trained. Two icons and many legends are among the famous sons and daughters who lived in this cultural Mecca. Oklahoma City's Music: Deep Deuce and Beyond details the birth and growth of music in Oklahoma City's African American community from the 1920s until the late 1990s. Musical influences of families and individuals, venues, dance, and fashion blend with new-era traditions such as parades, jam sessions, and street parties to create a culture that became well known. This book explores how the seeds of music so deeply planted in the early days continue to produce great musicians and how the influences of those icons will vibrate throughout future international generations.

Cover image for Oklahoma City Music, isbn: 9780738584270

Music in Washington

9780738548180

$24.99

For more than 100 years, the Pacific Northwest has been making music history. In this new retrospective, rare photographs evoke the musical memories of days gone by, from the earliest 19th-century brass bands to Roaring Twenties jazz combos, 1940s hillbilly twangers, 1950s rhythm-and-blues singers, and generations of rock 'n' rollers, including the original 1950s rockabillies, 1960s "Louie Louie"-era garage bands and psychedelic acid-rock acts, 1970s punks, and 1980s new-wave artistes and heavy metal headbangers. Readers will discover how a scrappy backwoods region struggled to build the necessary infrastructure to eventually create a viable music industry and an underground scene that would ultimately earn global recognition as the home base of the 1990s grunge movement.

Book cover for Music in Washington Seattle and Beyond showing a vintage concert crowd.

Seattle's Music Venues

9780738599984

$24.99

The varieties of music venues in Seattle have been as vital and vibrant for the people of the Emerald City as the genres that have graced these famous halls. These houses of music have nurtured the entertainment legacy of this region. Each holds a beautiful, haunting, and unique history that has helped shape the Pacific Northwest's musical culture, which, in turn, has helped shape our community. Out of the ashes of the Great Seattle Fire of 1889, the vaudeville age took Seattle by storm. The cultural and community centers harmonized with operas and symphonies. From the 1962 World's Fair to world-famous street musicians, Seattle's Music Venues will take the reader on a pictorial journey through 100 years of images compiled from the photographic collections of the Seattle Public Library, Seattle Municipal Archives, Library of Congress, and the author's personal collection.

Cover image for Seattle's Music Venues, isbn: 9780738599984

San Francisco Jazz

9781467132879

$24.99

San Francisco is probably best known for its hills, ubiquitous fog, dungeness crab and the Golden Gate Bridge. But jazz music's threads are similarly woven into the fabric of the city and its environs. Whether performed in renowned clubs like So Different, Jimbo's Bop City, Black Hawk, and the Jazz Workshop or in halls like the Primalon Ballroom and Great American Music Hall, jazz has infused the city from the Barbary Coast to the Fillmore, thrilling audiences for over a century. San Franciscans have grooved to and incubated scores of jazz acts, hot and cool, raucous and contemplative.

Cover image for San Francisco Jazz, isbn: 9781467132879

Gershwin in Pittsburgh

9781467106498

$24.99

The great American composer George Gershwin was a product of the energetic Jazz Age city of New York. Yet Pittsburgh may have been his adopted town, through road tours of his Broadway shows, his appearances as a concert pianist, and his myriad associates with ties to the Steel City. Meticulously researched, Gershwin in Pittsburgh chronicles these surprisingly consequential connections. Theatrical venues such as the Nixon and Alvin Theatres and colleagues like Ned Wayburn, Oscar Levant, George S. Kaufman, Dolores Costello, Fritz Reiner, and Pandro S. Berman are all spotlighted. Most revealing are the visits Gershwin personally made to the city--as accompanist to vaudeville star Nora Bayes, during his Rhapsody in Blue tours with the Paul Whiteman and Leo Reisman orchestras, and for his 1933 guest appearance with the Pittsburgh Symphony.

Gershwin in Pittsburgh book cover featuring a sepia street scene and a bold black title plaque with a red border.

The Oklahoma Cowboy Band

9780738552453

$24.99

The Oklahoma Cowboy Band was the first western string band in the nation to broadcast over the radio and appear on vaudeville, drawing large audiences throughout the Midwest and Northeast. The band began in Ripley as Billy McGinty's Cowboy Band and first played over radio station KFRU in Bristow in May 1925. Billy McGinty was a Rough Rider with Theodore Roosevelt and performed in Buffalo Bill's Wild West Show. The public responded to the broadcast of his band with a steady stream of telegrams, telephone calls, and letters asking for more of that old-time cowboy music. Soon Otto Gray and his wife, Mommie, of Stillwater joined the band, with both performing rope tricks, Mommie singing sad songs, and their son, Owen, performing comedy routines as the Uke Buster. Renamed Otto Gray and His Oklahoma Cowboys, the band traveled for a decade to such cities as St. Louis, Chicago, Cincinnati, Indianapolis, Pittsburgh, and Syracuse. Its custom-built Cadillacs drew crowds wherever the band went. By the early 1930s, other acts were copying the band's cowboy themes and songs, and Otto Gray's lawyers threatened legal action. The lawyers met with only limited success, though, and today the cowboy image is firmly established in country music, thanks in large part to the early success of Billy McGinty, Otto Gray, and the Oklahoma Cowboy Band.

Cover image for The Oklahoma Cowboy Band, isbn: 9780738552453

Boston Youth Symphony Orchestras Revised Edition

9781467126915

$24.99

In 1958, under the founding music director, Prof. Marvin Rabin, the Boston University College of Fine Arts established a youth orchestra for junior and senior high school students from the Greater Boston area. The Boston Youth Symphony Orchestras (BYSO), formerly known as the Greater Boston Youth Symphony Orchestras, has flourished over the past 60 years, impacting the lives of thousands of young musicians. BYSO members have experienced countless unforgettable moments, including performances at the White House, Carnegie Hall, and renowned concert venues across the world. Today, under the musical leadership of Federico Cortese, BYSO serves 500 students from over 120 communities throughout New England. BYSO is one of Boston's most prestigious arts organizations, with a programmatic scope that includes three full symphonic orchestras, two young string training orchestras, six chamber orchestras, a preparatory wind ensemble, a chamber music program, and a nationally recognized outreach program that provides rigorous instrument instruction to students from underrepresented communities. In 2008, BYSO established an opera program that has become an integral part of the season repertoire. BYSO has selected images from its extensive archives to exhibit its rich history.

Cover image for Boston Youth Symphony Orchestras Revised Edition, isbn: 9781467126915

Nashville Music before Country

9780738553986

$24.99

Nashville is a name synonymous with music. Years before the first radio broadcast of country music from Nashville's Grand Ole Opry, music and publishing were central to Nashville's self-identity. Thousands of songs flooded into the Cumberland and Tennessee River valleys from Southern Appalachia, sung by folk performers. These songs became the foundation for the folk-hymn traditions that grew throughout Tennessee. Into this stream flowed a body of African American spirituals, gospel, and minstrel songs. The arrival of trained German musicians brought classical styles to this gathering stream of musical confluences. These musicians found a home in the academies and businesses of Nashville. Nashville Music before Country is the story of how music merged with education, publication, entertainment, and distribution to set the stage for a unique musical metropolis. The images for Nashville Music before Country come from private collections as well as public libraries and archives.

Vintage sepia cover showing musicians at a piano for Nashville Music before Country.

Columbus

9780738561530

$24.99

Columbus has long been known for its musicians. Unlike New York, San Francisco, Kansas City, Nashville, or even Cincinnati, however, it has never had a definable scene. Still, some truly remarkable music has been made in this musical crossroads by the many outstanding musicians who have called it home. Since 1900, Columbus has grown from the 28th- to the 15th-largest city in the United States. During this period, it has developed into a musically vibrant community that has nurtured the talents of such artists as Elsie Janis, Ted Lewis, Nancy Wilson, Rahsaan Roland Kirk, Dwight Yoakam, Bow Wow, and Rascal Flatts. But, in many instances, those who chose to remain at home were as good and, perhaps, even better.

Cover image for Columbus, isbn: 9780738561530

Canton Entertainment

9781467110846

$24.99

Everyone loves to have fun! Over the years, Cantonians have enjoyed a wide variety of amusements, from traveling theatrical shows to community-wide celebrations. Louis Schaefer opened the town's first opera house in 1868, attracting some of the 19th century's biggest stars to Canton. The tradition of first-rate entertainment continued in the 20th century, with stars like Benny Goodman, Tommy Dorsey, and Guy Lombardo gracing the stage of the Moonlight Ballroom. During the Great Depression in the 1930s, Canton enjoyed a cultural renaissance with the development of many arts organizations still cherished today, including the Players' Guild, Canton Symphony Orchestra, and Canton Museum of Art. In 1955, the city celebrated its sesquicentennial with the biggest parade in Canton's history.

Cover image for Canton Entertainment, isbn: 9781467110846

Kentucky's Bluegrass

9780738505657

$24.99

Within these pages are vintage postcards, created between 1900 and 1950, that depict an area known across the country as Kentucky's Bluegrass. From its horse farms to its military forts and river commerce, this seventeen county region exemplifies the spirit and pride of Kentucky, and the images preserved on these postcards bring the history of this unique area to life.

Postcard History Series book cover Kentucky's Bluegrass featuring an old bridge photograph.

The Music Hall, Portsmouth

9780738512495

$24.99

On Christmas Eve 1876, Portsmouth citizens watched flames reduce their largest meetinghouse and entertainment hall to ashes. During the following year, local families, businessmen, and craftsmen combined their resources to build a new auditorium with state-of-the-art lighting, rigging, staging, and seating-a comfortable venue for public addresses, charity functions, and international entertainment. The Music Hall, Portsmouth, was born.

Twain spoke from her stage, Sousa's brass echoed from her walls, and Edison's films brought her silver screen to life. Enduring war, depression, and multiple threats of destruction, this grand hall today stands as New Hampshire's oldest operating theater. Showcasing the world's finest stage and screen talent, offering artistic education to young and old, and hosting fundraisers and private events, the Music Hall is a testament to the necessity of arts in local culture and the strength of a community's resolve.

The Music Hall Portsmouth cover depicting a theater interior with seating and a stage banner.

South Carolina Blues

9781467114721

$24.99

The history of South Carolina blues is a long, deep—and sometimes painful—story. However, it is a narrative with aspects as compelling as the music itself. Geographical differences in America led to variations in the styles of music that developed from African rhythms. The wet, marshy landscape and hot, muggy weather of the Carolina Lowcountry combined to cultivate not only rice, but a Gullah-based style of South Carolina blues. In drier climates, toward the Midlands and the Upstate, the combination of European influences led to the emergence of Piedmont blues, which in turn spawned country music as well as bluegrass. Those same Gullah roots resulted in four major dance crazes, starting with the Charleston.

Cover coming soon placeholder for South Carolina Blues product

The Ohio Valley Jazz Festival

9781467124621

$24.99

Cincinnati, Ohio, might have seemed like an unlikely choice to host the nation's largest annual R&B concert, but thanks to local promoter Dino Santangelo, the Ohio Valley Jazz Festival would become the Granddaddy of Them All. The first festival was held in 1962 at the Carthage Fairgrounds, but the event would continue to grow—moving to Crosley Field in 1964 and then Riverfront Stadium in 1971—to become the nation's biggest two-day stadium concert. The Ohio Valley Jazz Festival would eventually feature the most popular R&B artists of the day and draw audiences from as far as 500 miles away. The festival pioneered stadium concert production, generated millions for the regional economy, and eased the Greater Cincinnati community's difficult cultural transition throughout the turbulent 1960s and 1970s.

Cover image for The Ohio Valley Jazz Festival, isbn: 9781467124621

The University of Pennsylvania Band

9780738545578

$24.99

The University of Pennsylvania Band, among the first collegiate marching bands in the country, was founded in 1897. Ever since, it has been a cornerstone of student life on campus, serving as a guardian of musical traditions and all things red and blue. The University of Pennsylvania Band is a distinctive photographic collection tracing the evolution of the student-led organization from its start as the prototype for the modern collegiate marching band, through the dramatic social changes during the middle of the 20th century, to the comedic Ivy League-style "scramble" band it became towards the end of its first 100 years. By following the evolution of the band, this pictorial collection traces the changes that occurred within the student body over the decades, including times of war and social inequality.