Discover Black History

In the years leading up to the Civil War, Ohio had more African American settlements than any other state. Owing to a common border with several slave states, it became a destination for people of color seeking to separate themselves from slavery. Despite these communities having populations that sometimes numbered in the hundreds, little is known about most of them, and by the beginning of the twentieth century, nearly all had lost their ethnic identities as the original settlers died off and their descendants moved away. Save for scattered cemeteries and an occasional house or church, they have all but been erased from Ohio's landscape. Father-daughter coauthors David Meyers and Elise Meyers Walker piece together the stories of more than forty of these black settlements.

In 1941, a real estate developer in northwest Detroit faced a dilemma. He needed federal financing for white clients purchasing lots in a new subdivision abutting a community of mostly African Americans. When the banks deemed the development too risky because of potential racial tension, the developer proposed a novel solution. He built a six-foot-tall, one-foot-thick concrete barrier extending from Eight Mile Road south for three city blocks—the infamous Birwood Wall. It changed life in West Eight Mile forever. Gathering personal interviews, family histories, land records and other archival sources, author Gerald Van Dusen tells the story of this isolated black enclave that persevered through all manner of racial barriers and transformed a symbol of discrimination into an expression of hope and perseverance.

As they watched construction of the block-long flatiron building brick by brick throughout 1927, African American residents of Indianapolis could scarcely contain their pride. This new headquarters of the Madam C.J. Walker Manufacturing Company, with its terra-cotta trimmed facade, was to be more than corporate offices and a factory for what then was one of America's most successful black businesses. In fact, it was designed as a city within a city, with an African Art Deco theater, ballroom, restaurant, drugstore, beauty salon, beauty school, and medical offices. Generations of African American families met for Sunday dinner at the Coffee Pot, enjoyed first-run movies and live performances in the Walker Theatre, and hosted dances in the Casino. Today, this National Historic Landmark is an arts center anchoring the Indiana Avenue Cultural District.