Fiction

“Perhaps the elusive great American novel for the twenty-first century.”

It begins with a gunshot: a student's public suicide on a university campus. The blast radius of this tragic explosion expands to encompass 50 years of our history and two of the grandest characters in recent American fiction: Simon Magnus, a comic-book writer who transfigured popular culture turned gender activist who transfigures the English language, and Ash del Greco, an online occultist who by the age of 20 has seen to the end of everything and wants desperately to prove the superiority of mind over matter. With a decades-spanning but tightly-knit plot, written in an expansive style, Major Arcana canvasses America’s inner life and moral history from coast to coast and across two generations in a delirious saga about art, magic, love, and death. 

Originally serialized on the author’s Substack newsletter, Major Arcana is a novel about the transformative power of popular culture. With a nod to Michael Chabon’s The Amazing Adventures of Kavalier & Clay, and for fans of Tomorrow and Tomorrow and Tomorrow, Pistelli reimagines the expansive novel for the 21st century. 

Winner of the Pulitzer Prize in 1923, One of Ours is the story of Claude Wheeler, the son of a Nebraska farmer. As a young man, Claude is dissatisfied with Nebraska farm like as well as his marriage to a childhood friend, desperate for a more cosmopolitan life. When America joins the Great War, Claude decides to enlist, where he finds excitement and fulfillment--as well as tragedy--on the battlefield.

One of Ours was considered a failure by some male critics of the day: H. L. Mencken said it drops to the level of a serial in the Ladies' Home Journal, fought out not in France, but on a Hollywood movie-lot, and Ernest Hemingway panned Cather for not having experienced the front-line herself.

However, the Pulitzer committee considered it the greatest novel of the year, and this accessible, dramatic novel sold many more copies than Cather's more famous ones, O, Pioneers! and My Antonia.

Booth Tarkington's Pulitzer Prize–winning 1921 novel about a young woman's close encounter with her social striving dreams, now republished in a gorgeous new edition. 

Alice Adams is young and pretty, but is struggling to improve her station. Her world revolves around dances put on by richer girls, for which she ingeniously strives to turn her less fashionable dress into something more fashionable and explain away the embarrassing behavior of her younger brother. Money structures this unnamed small town in the Midwest, but Alice’s father has never made much of himself, thus foiling her mother’s constant desire to see Alice and the rest of the family better situated. Will Alice’s future prospects improve when finally Mr. Adams decides to go into business for himself making glue? Will her latest handsome, kind suitor stay around long enough for an engagement? Or will the pernicious forces of greed, gossip, and in 1920s America bring them all down?  

Booth Tarkington’s novel was published when his fame was at its height: Tarkington was considered the preeminent American novelist of the day, a celebrity who would also serve a term representing his native Indiana in Congress. Alice Adams was similarly famous for decades after its publication; the 1935 movie starring Katherine Hepburn based on the novel was nominated for Best Picture by the Academy Awards. Today, this lauded chronicler of the Midwest is lesser read but no less fascinating, and his novels as worthy, suspenseful, and poignant as they were a century ago.

A classic feminist novel originally published in 1915, and set in Iowa in the early years of the 20th century, Susan Glaspell's Fidelity is a surprising, suspenseful work about the strictures that confine women, the risks those who want to flee them take, and the opportunities that await them if they do. 

Ruth Holland, bored in her conventional small town, falls in love with a married man and runs off with him, shocking the community. A decade later she returns to cold shoulders and the disapproval of the town: she is seen as "a human being who selfishly—basely—took her own happiness, leaving misery for others. She outraged society as completely as a woman could outrage it ... One who defies it ... must be shut out from it." 

What Ruth decides to do next will upend most readers' expectations, as will the cryptic scenes that take place in the doctor's office after Ruth becomes involved with her married lover. Ruth Holland deserves to be placed alongside other heroines such as Emma Bovary and Lily Bart, women who wanted "an enlarged experience" and were "zestful for new things from life." Fidelity will shock and fascinate readers today as its heroine did in her day.

Financial ambition, a tortured marriage, and an American city on the rise are brilliantly depicted in Frank Norris’ 1903 masterpiece. Curtis Jadwin is obsessed with speculating on the market, manipulating it so he can control the nation’s wheat supply. He neglects his wife, Laura, who seeks refuge in the arts, and in particular one artist, Sheldon Corthell. The Jadwin’s wealth buys them a mansion on Lincoln Park with an art gallery that strangers gawk at, but inside they struggle. And is Jadwin’s gambling sustainable, or is there a bear market in his future?

Curtis and Laura play out this American Dream scenario in the streets of Chicago, where they attend the opera at the Auditorium Building, visit the new art museum on the lake, and, from the comfort of their carriage, watch the trains and grain elevators. At the Board of Trade, in the pit, men yell and knock against each other, performing the theater of capitalism in front of an always crowded visitor’s gallery.

Few novels depict the struggles of marriage, the world of finance, or the rise of Chicago from the flatlands of the Midwest, as viscerally as this novel, originally published in 1903. Norris’s novel may immerse readers in a historic setting, but it’s punishing and profound themes are anything but dated.

This Belt Revivals edition features archival photographs and an introduction by Whet Moser.

A collection of stories, originally published in 1928, from the author of The Grandmothers and The Pilgrim Hawk.

A couple set fire to an old farmhouse to collect insurance money. A groom contemplates an old sexual escapade while he waits for his bride at the altar. A young farm boy returns to tell his brother about his capers while stationed in France in the Navy. The eleven stories in this collection, including an introductory essay by Wescott on returning to his parents’ West Allis home outside Milwaukee, deal with themes of exile—often self-imposed—and return.

This Belt Revivals edition features a new introduction by Patrick Nathan.