Images of America Sale

Round Top’s African American pioneers came into Texas in 1825 when Stephen F. Austin brought in 300 Anglo-Americans, and the people they enslaved, for the purpose of colonizing the area. Soon afterward, more slaves were bought in from other slaveholding states. After the Civil War ended, the descendants of these original Round Top pioneers began building their own community. Many earned money by toiling away in the cotton fields for the very men who had once enslaved them. Others earned money working as cowboys, washerwomen, barbers, or blacksmiths. In 1867, the group founded the Concord Missionary Baptist Church as a communal space for them to come together and pool their resources to buy their own land, build their own homes, and hire teachers, which led to the creation of the Concord Missionary Baptist Church Colored School. For generations, this school successfully educated freedmen, their children, and their descendants before finally closing its doors due to desegregation. Despite many challenges, they overcame obstacles that grew into a prosperous community. 

Cincinnati played a large part in creatng a refuge for escaped salaves and in the Underground Railroad movement.

Nearly a century after the American Revolution, the waters of the Ohio River provided a real and complex barrier for the United States to navigate. While this waterway was a symbol of freedom and equality for thousands of enslaved black Americans who had escaped from the horrible institution of enslavement, the Ohio River was also used to transport thousands of slaves down the river to the Deep South. Due to Cincinnati's location on the banks of the river, the city's economy was tied to the slave society in the South. However, a special cadre of individuals became very active in the quest for freedom undertaken by African American fugitives on their journeys to the North. Thanks to spearheading by this group of Cincinnatian trailblazers, the Queen City became a primary destination on the Underground Railroad, the first multiethnic, multiracial, multiclass human-rights movement in the history of the United States.

Seen on the roadways of Charleston County and in museums and galleries worldwide, handmade sweetgrass baskets have been crafted in the Christ Church Parish of Mount Pleasant, SC for more than 300 years.

An ancient African art, sweetgrass basket making utilizes sweetgrass, bullrush, pine needles, and palm leaves to create unique, handmade pieces. Traditionally, artisans use a piece of the rib bone of a cow and a pair of scissors as their only tools for construction. When English settlers founded Christ Church Parish in the late 1600s, they saw a place rich in natural beauty and ideal for harvesting rice, cotton, and indigo. Skilled agricultural laborers were needed, and consequently, South Carolina became the top importer of enslaved West Africans. Finding a landscape similar to their homeland, those who came kept many of their traditional practices. Today, the richness of the West African presence can be seen in Charleston's architecture, basketry, and ironworks.

Here is the black Chicago family album, of African Americans leaving the violent, racist South and goin' to Chicago to find the American Dream.

The story of black Chicago is so rich that few know it all. It began long before the city itself. Wells, the Eighth Regiment, Jesse Jackson, Oprah, and much more . . . including a guy named Obama. The first white man here was a black man, Potowatami natives reportedly said about Jean Baptiste Point DuSable, the brown-skinned man recognized as Chicago's first non-Indian settler. It's all here: from the site of DuSable's cabin—now smack-dab in the middle of Chicago's Magnificent Mile—to images of famous and infamous residents like boxers Jack Johnson, Muhammad Ali, and Joe Louis. Here are leaders and cultural touchstones like Jesse Binga's bank, Robert S. Abbott's Chicago Defender, legendary filmmaker Oscar Micheaux, Ida B. Here is the black Chicago family album, of folks who made and never made the headlines, and pictures and stories of kinship and fellowship of African Americans leaving the violent, racist South and goin' to Chicago to find their piece of the American Dream. Chicago has been called the Second City, but black Chicago is second to none.

Between 1914 and 1951, Black Bottom's black community emerged out of the need for black migrants to find a place for themselves.

Because of the stringent racism and discrimination in housing, blacks migrating from the South seeking employment in Detroit's burgeoning industrial metropolis were forced to live in this former European immigrant community. During World War I through World War II, Black Bottom became a social, cultural, and economic center of struggle and triumph, as well as a testament to the tradition of black self-help and community-building strategies that have been the benchmark of black struggle. Black Bottom also had its troubles and woes. However, it would be these types of challenges confronting Black Bottom residents that would become part of the cohesive element that turned Black Bottom into a strong and viable community.

From the Siege of Petersburg to the struggle for civil rights, the history of Petersburg's African American community is detailed in this volume.

The city of Petersburg has distinguished itself as a special place for African American history. African Americans in Petersburg have overcome racial and political obstacles placed in their paths. The city was the site of one of the largest free black populations in the South leading up to the Civil War, and more black soldiers participated in the Siege of Petersburg than in any other Civil War engagement. The city is the location of First Baptist Church, the nation's oldest black church; has produced trailblazers in political life, including Virginia's first black mayor; and is the site of the famous Halifax Triangle, a thriving black business district. This diverse and poignant collection of photographs reveals a heritage rich in entrepreneurial spirit, devotion to church life, and unshakable courage in the struggle for civil rights.

See why and how Pine Bluff/Jefferson County has been one of the Arkansas Delta's most culturally-rich areas since its inception in 1829.

Serving as a haven for runaway slaves during the late years of the Civil War, the Pine Bluff/Jefferson County area attracted droves of African-Americans throughout the Delta and south Arkansas. Brimming with talent and expectations, they and their descendants traveled a road full of extremes. Although they endured what appears to have been the largest mass lynching in United State history in 1866, they also attained one of the largest per-capita concentrations of black wealth in the entire South by 1900.

As the hands that labored in the area's boundless cotton fields and sawmills joined with the hands that held books at the state's only historically black public college, astonishing accomplishments were churned out in every imaginable field. Naturally, Pine Bluff/Jefferson County's Delta roots made its blues, jazz, and gospel contributions a source of pride, with native or area-affiliated artists receiving multiple Grammy awards and nominations, as well as other distinctions.

Once considered the most famous African-American resort community in the country, Idlewild was referred to as the Black Eden of Michigan in the 1920s and '30s, and as the Summer Apollo of Michigan in the 1950s and '60s.

Showcasing classy revues and interactive performances of some of the leading black entertainers of the period, Idlewild was an oasis in the shadows of legal segregation. Idlewild: Black Eden of Michigan focuses on this illustrative history, as well as the decline and the community's contemporary renaissance, in over 200 rare photographs. The lively legacy of Lela G. and Herman O. Wilson, and Paradise Path is included, featuring images of the Paradise Club and Wilson's Grocery. Idlewild continued its role as a distinctive American resort throughout the 1950s, with photographs ranging from Phil Giles' Flamingo Club and Arthur Braggs's Idlewild Revue.

African Americans have lived in Boyle County, Kentucky, since the first settlement of the area in 1775. Mostly enslaved, by the Civil War, the county had one of the largest population of free Blacks in the area with the exception of Jefferson and Fayette Counties.

Their presence in Danville, the county seat, but also in population centers scattered throughout the county resulted in a deep and broad influence, much of which was lost in the early 1900s due to out-migration, deaths, and especially urban renewal between 1963 and 1975. Within Danville, the South Second Street area was the heart of the Black community. Restaurants, groceries, pool halls, barbershops, and beauty shops were the center of commerce from the 1890s until the 1970s. The Bate School also drew students from the outlying settlements that did not have high schools of their own. Today, the majority of the African American community continues to live in the city of Danville, with small pockets in Perryville and outlying areas of Boyle County.

Michael Thomas Hughes is a native of Boyle County and grew up in a segregated society. Michael J. Denis is a retired history teacher from Maine who moved to Boyle County and immediately fell in love with its history. The photographs in this book are mostly from the Danville Boyle County African American Historical Society Inc. collection (DBCAAHS), of which the authors are charter members.

African Americans are greatly responsible for the impressive growth of Durham County in North Carolina, once known as the Capital of the Black Bourgeoisie.

Durham County, North Carolina, once called the Chicago of the South and the Capital of the Black Bourgeoisie, has long occupied an important place in the hearts and minds of those who called Durham County home. African Americans have played a vital role in the growth and development of the region over the years, from antebellum times to Reconstruction to the Civil Rights era and in the present. The African American citizens of this historic Tar Heel county share an impressive story marked by determination, economic achievement, and resilience, and they have made a difference in all walks of life - educational, religious, civic, and commercial. This pictorial history reflects upon the rich and vibrant role that African Americans played in the area following emancipation. In its earliest stages, residents in such neighborhoods as Hayti, Hickstown, Crest Street, Pearsontown, the West End, the East End, and Walltown each created sturdy surviving communities that have shaped Durham.

African Americans of Fauquier details the perseverance the African American population of this town had through centuries of slavery and segregation.

Fauquier County, in Northern Virginia, was established in 1759. It was formed from Prince William County and was named for Virginia lieutenant governor Francis Fauquier. In 1790, there were 6,642 slaves in Fauquier County. By the eve of the Civil War, there were 10,455. From 1817 to 1865, the county was home to 845 free black people. The African American population declined at the end of Reconstruction, and by 1910, the white population was double that of blacks. The population imbalance continues today. Through centuries of slavery and segregation, Fauquier County's African American population survived, excelled, and prospered. This minority community established and supported numerous churches, schools, and businesses, as well as literary, political, and fraternal organizations that enhanced the quality of life for the entire county.

The fourth president of the United States, James Madison, and his wife, Dolley, stamped their influence throughout Culpeper, Orange, Madison, and Rappahannock Counties with their plantation, Montpelier, and the enslaved men and women who supported them.

One of those enslaved men, Paul Jennings, whose sons later became Union soldiers during the Civil War, penned his memoir in 1865. The legacy of slavery undergirds the region, and its ravages are undeniably on the faces of minority residents. The Civil War also has a footprint throughout the region; one example is the Battle of Cedar Mountain where, more than 85 years later, the first regional high school for minority children was built. Celebrants include World War I veteran Newman Nighten Gibson, of the 370th Infantry; Nannie Helen Burroughs, who founded a school for African American girls in Washington, DC; and Edna Lewis, who became a master chef in New York in her 30s and later was honored by the US Postal Service on a forever stamp.

Nestled between the Chesapeake Bay and the Patuxent River, this tiny peninsula county is home to one of the oldest African American communities, established when the first settlers arrived.

Located just south of Washington, D.C., Calvert County's African American community can be traced back to the county's beginning in the 17th century. From a time when Calvert County's black population grew to approximately 60 percent of the populace to its present-day residents representing the national average of 12 percent, Calvert's African Americans have attempted to hold on to many of their rich cultural traditions. Although their livelihoods as farmers and watermen have mostly ceased to exist these days, they continue to maintain strong ties to the land and an unwavering commitment to family values and community. The beautiful photographs and documents in this volume give a glimpse into the past of these proud people who continue to flourish while holding onto their distinctive identity.

Using the heritage area’s archival images and photographs sourced from partners and the community, Arabia Mountain National Heritage Area is a photographic tour through time and place on the nature, culture, and history of southeast Metro Atlanta.

Beginning 20 miles east of Atlanta, the Arabia Mountain National Heritage Area encompasses portions of DeKalb, Henry, and Rockdale Counties, with Arabia Mountain and its lunar-like landscape and the historic city of Lithonia at its heart. Dominated by two granite mountains, Arabia and Panola, the area once contained the nation’s biggest rock quarrying and chicken grit operations. Over time, these businesses, along with agrarian industries, would weave a uniquely diverse cultural tapestry that centered on family, faith, and fortitude. Some of these stories include civil rights heroes from Lithonia like Lucious Sanders and Marcia Glenn Hunter, Trappist monks in Conyers who marched with Dr. King, quarry workers at Arabia who helped build DeKalb’s first public school for Blacks, and a landscape architect who worked at the White House and helped preserve Panola Mountain.

An Atlanta-based writer and journalist, Jeff Dingler has written for New York Magazine, the Washington Post, Newsweek, Atlanta Magazine, the Atlanta Journal-Constitution, and more. Brigette Jones is a historian, speaker, writer, and thought leader whose work has been recognized by the Smithsonian Institute, National Public Radio, the Tennessean, and the New York Times best-selling The Moth Presents: A Point of Beauty.

Jacksonville, Florida’s Gullah Geechee heritage is an integral part of the city’s story.

Gullah Geechee people, descendants of west and central Africans forcibly brought to the southeastern coast of the United States, have retained many of their indigenous African traditions through architecture, food, culture, religion, and occupations. This legacy, combined with northeast Florida’s unique blend of Indigenous, French, Spanish, and English colonial history, has contributed to the African American journey in Jacksonville. Today, Jacksonville is the largest city in the federally designated Gullah Geechee Cultural Heritage Corridor, which stretches from Wilmington, North Carolina, to St. Augustine, Florida.

Ennis Davis is a Gullah Geechee descendant, urban planner, heritage advocate, and writer. Adrienne Burke is a historian, urban planner, and heritage advocate. Together they own Community Planning Collaborative, a firm working to assist communities with heritage-based urban planning solutions. Drawing from archival photographs housed in the Library of Congress, State Archives of Florida, National Archives, Jacksonville Public Library, University of Florida, University of North Florida, the Ritz Theatre & Museum, and the Jaxson magazine, each image illuminates the unique stories of the past that continue to shape Jacksonville’s character today. The foreword is provided by Saundra Morene with the Jacksonville Gullah/Geechee Nation Community Development Corporation.

Located north of Cincinnati in the Mill Creek Valley, Lincoln Heights was the first African American self-governing community north of the Mason-Dixon Line.

The development of Lincoln Heights began in 1923 when the Haley-Livingston Land Companyof Chicago sold lots to black families in an unincorporated area called the Cincinnati Industrial Subdivision, now the southern section of Lincoln Heights.

Water and sewerage were provided by special assessment through the Works Progress Administration, there were no building and zoning code services, fire and police protection were virtually nonexistent, and street maintenance and lighting were extremely inadequate. In 1939, residents of the area began efforts to incorporate so they could provide safety and necessary services for their growing community. Several of the original petitioners for incorporation lived in the Valley View subdivision, which later became the Wright Aeronauticalplant, where many black migrants from the South came to help manufacture the famous B-29 bomber.

Long before it came to prominence as the model city of the New South, Atlanta was a hotbed of entertainment, business, and civic life for African Americans.

At the same time that Harlem was undergoing its acclaimed renaissance, Atlanta could boast of excellent colleges, a thriving social environment, and an entertainment scene that could rival those of much larger cities, eventually earning the title “the new Motown. ” From Auburn Avenue, the hub of the city’s African American activity, a spirit of vibrant change and excitement radiated out to reach people across America, and draw them into the Hollywood of the South.

Aptly named for the area’s rich land, Lower Richland County encompasses approximately 360 miles in the heart of South Carolina’s geographic center.

Discovered by Virginia settlers over 250 years ago, this fertile swath of land, with the Wateree River in the east and the Congaree River bordering the south, the area immediately attracted settlers eager to make their fortunes. They became wealthy planters and accumulated large land tracts, creating plantation systems that sustained the economy built on cotton crops and the labor of enslaved Africans. The area became some prosperous that the state legislature voted to move the state capital from Charleston in 1786 to the city that would become Columbia, South Carolina’s capital to this day.

For generations, African Americans have enriched South Carolina's history, and the black families of Chesterfield County are no different.

During slavery, many African Americans in Chesterfield County were forced to provide domestic services and labor to build the towns in which they were never considered citizens. Many slaves mastered their crafts and used those skills to start a new life for their families after the Civil War. The images in African Americans of Chesterfield County are a testament to the contributions of black families who lived in the county from the 1800s to the mid-1900s, including entrepreneurs, educators, entertainers, farmers, ministers, and other individuals who assisted in making their county a better place to live. Most of the photographs were provided by private collections and archives in hope of preserving the black history of Chesterfield County.

Within these pages, discover little-known facts about the county's past residents, including Bukumbo, the young girl who was brought from Africa to Decatur to serve as a nurse, who quickly became a beloved member of the family and died only a short while later.

Learn about the great impact that the Clark and Oliver families had on Decatur, and view famous sections and landmarks of the county, including Lithonia, Ellenwood, Stone Mountain, Doraville, Tucker, Chamblee, Clarkston, Lynwood Park, Scottdale, and South DeKalb. Whether one is well acquainted with the county's rich heritage or a newcomer just becoming familiar with the people and places that make up the county's history, African-American Life in DeKalb County: 1823–1970 offers something for everyone.

After the American Civil War, many African Americans found a new life in River Town, later to become a major city in Kentucky.

Louisville became a historic marker for freed men and women of color who bought acres of land or leased shotgun cottages and lots from whites to begin their new emancipated life. Smoketown is the only neighborhood in the city of Louisville with such continuous presence. By 1866, Smoketown was settled by these freemen, and by 1871 the first public building, the Eastern Colored School, was erected. By the 1950 census, 10,653 people lived in Smoketown, and other historic black neighborhoods—such as Petersburg/Newburg, Parkland, California, Russell, Berrytown, Griffytown, and Black Hill in Old Louisville—were thriving. As these new neighborhoods sprang up, another historic event was taking place: in 1875, the first Kentucky Derby convened, and 13 of the 15 jockeys were black. Such astounding history embraces this city, and Images of America: Louisville's Historic Black Neighborhoods relives its magnificent and rich narrative.

Georgia and the Power of the Vote traces the history of Georgia’s enfranchisement and its influence on American politics from 1865 to 2023.

Since Reconstruction, Georgia’s enfranchisement history has captured the nation’s attention. During multiple waves, massive voter registration, mobilization, and suppression efforts were influenced by the pull-pull forces of those wanting to sustain power and those untiringly committed to acquiring it; those hoping to maintain the status quo and those steadfastly determined to disrupt it; and those trying to exercise their right to vote and those trying to suppress it. This historical tug-of-war amongst Georgians has consistently had national implications. The outcome, nevertheless, has shaped national policy, influenced landmark court decisions, ignited social movements, and produced national leaders.

This volume pays homage to religion, work, service, education, and the human touch that brought families through undeniably difficult times.

Spotsylvania County, Virginia, was established in 1721, but it was not until after the Civil War that the names of approximately 4,700 African Americans born and/or living in the county were recorded for the first time. More than 150 African Americans were over the age of 70 as recorded in the 1870 census report. The county is best known as the namesake of its dynamic governor, Alexander Spotswood, and for its bloody Civil War battles. The African American community emerged from the ravages of war after more than 140 years of slavery. The community formalized the institutions they developed for survival during those years and charted a path for their growth.

Louisville's African-American community dates back to the early 1800s. Before the 1850s, many Black churches such as the Quinn Chapel A.M.E. Church were founded in the area.

Prominent African Americans, including Whitney M. Young, Woodford Porter, Frank Stanley, and Calvin Winstead, became Louisville's pioneer families in modern business and politics. Within the pages of this volume are many of the families who worked to become institution builders and leaders––in Louisville and around the world. African-American Life in Louisville covers the period from the late nineteenth century to the 1960s and focuses on the people and places in the Greater Louisville area, including Shelbyville. Author Bruce Tyler, Associate Professor of History at the University of Kentucky, Louisville, has created this unique collection of vintage photographs as a tribute to his community.

Jacksonville, Florida’s Gullah Geechee heritage is an integral part of the city’s story.

Gullah Geechee people, descendants of west and central Africans forcibly brought to the southeastern coast of the United States, have retained many of their indigenous African traditions through architecture, food, culture, religion, and occupations. This legacy, combined with northeast Florida’s unique blend of Indigenous, French, Spanish, and English colonial history, has contributed to the African American journey in Jacksonville. Today, Jacksonville is the largest city in the federally designated Gullah Geechee Cultural Heritage Corridor, which stretches from Wilmington, North Carolina, to St. Augustine, Florida.

Ennis Davis is a Gullah Geechee descendant, urban planner, heritage advocate, and writer. Adrienne Burke is a historian, urban planner, and heritage advocate. Together they own Community Planning Collaborative, a firm working to assist communities with heritage-based urban planning solutions. Drawing from archival photographs housed in the Library of Congress, State Archives of Florida, National Archives, Jacksonville Public Library, University of Florida, University of North Florida, the Ritz Theatre & Museum, and the Jaxson magazine, each image illuminates the unique stories of the past that continue to shape Jacksonville’s character today. The foreword is provided by Saundra Morene with the Jacksonville Gullah/Geechee Nation Community Development Corporation.

The story begins in 1794, when evidence points to the first black inhabitant of Fort Wayne. The first known, free black in the area was identified in 1809. During the early part of the 1800s, Indiana state funds partially financed a movement to send Indiana blacks to Liberia.  Few left, and those who remained worked diligently to make Fort Wayne their own. The fruits of their labor can be partially seen in the development of the first black church, Turner Chapel A.M.E., which was started in 1849 and has been a pillar of the community since its completion. A migration of African Americans from the south, due to industrialization, greatly increased the population from 1913 through 1927, and new churches, organizations, and opportunities were developed. Today, the black community in Fort Wayne is rightfully proud of its extensive past.