Literary Collections

The best personal essays from a contested region, from Belt Publishing’s ten years as a press.

Everyone has an opinion on the Rust Belt—whether it’s the “real America” or a place that no longer exists called by a name that has long outlived its usefulness, as our own president has said. But undeniably, there’s something that connects the post-industrial cities. Maybe the question isn’t what defines that connection, but who.

Over the past ten years, Belt Publishing has been putting out books that prioritize the voices of the many people who live here. We’ve collected our favorite writing from across our collections, from Pittsburgh to Detroit, Chicago to St. Louis, Milwaukee to Cleveland, and more. Here, writers document growing up in segregated St. Louis and elucidate the coded Islamophobia of southern Michigan. Writers include Megan Stielstra, 2022 Missouri Author of the Year Vivian Gibson, Aaron Foley, Kathleen Rooney, Sarah Kendzior, and more.

PEN/Diamonstein-Spielvogel Award for the Art of the Essay-Finalist

Sonya Huber, author of the award-winning Pain Woman Takes Your Keys, and Other Essays from a Nervous System, offers a candid, lyrical look inside the unsung world of exurban Illinois.New Lenox, Illinois, is a small town deep in the corn grid of the Midwest, where it runs up against the grid of south Chicagoland, a placeless location marked by geographical flatness and dwindling industry. It's also where Sonya Huber grew up, and in the twenty essays collected here, she lovingly explores the ways New Lenox--and the Midwest more generally--has come to define her life. Here, you'll find portraits of Huber's parents as they tirelessly run a small business, homages to the Gen-X joys of wearing flannel, secret insights about being a Pizza Hut waitress, and odes to the ecstasy of blasting classic rock as your car hurls along I-80. Whether she's writing about All in the Family, detailing the region's influence on David Foster Wallace, or exploring the poetry embedded in a can of Miller High Life, her vision is astute and her prose convincing. Sometimes experimental and always inventive, Love and Industry: A Midwestern Workbook takes seriously Chicagoland's farthest reaches--gritty, sweeping, a region full of its own distinct feelings of almostness--and transforms them into a map of the heart, a ramshackle territory marked by memory, family, regret, determination, and wonderment

A virtuoso book about midwestern identity and the future of the region. Named a Commonweal Notable Book of 2020, a finalist for a Midwest Independent Book award, and winner of the Independent Publisher Awards' 2020 Bronze Medal for Great Lakes Nonfiction.

The Midwest: Is it middle? Or is it Western? As Phil Christman writes in this idiosyncratic, critically acclaimed essay collection, these and other ambiguities might well be the region's defining characteristic. Deftly combining history, criticism, and memoir, Christman breaks his exploration of midwestern identity, past and present, into a suite of thirty-six brief, interconnected essays. Ranging across material questions of religion, race, class, climate, and Midwestern myth making, the result is a sometimes sardonic, often uproarious, and consistently thought-provoking look at a misunderstood place and the people who call it home.

As James Fallows of The Atlantic noted, it's A combination of history, memoir, reportage, and lit-crit that taught me a lot about a region I've reported on.... Check it out.

For anyone who has ever wondered why being from the Midwest is synonymous with normalcy, even when nothing could be further from the truth.

Phil Christman is one of the best cultural critics working today. Or, as a reviewer of his previous book, Midwest Futures, put it, one of the most underappreciated writers of [his] generation.You may also know Phil from his columns in Commonweal and Plough, or his viral essay What Is It Like To Be A Man?, the latter adapted in his new book, How to Be Normal.

Christman's second book includes essays on How To Be White, How to Be Religious, How To Be Married, and more, in addition to new versions of the above. Find in it also brilliant analyses of middlebrow culture, bad movies, Mark Fisher, Christian fundamentalism, and more.

With exquisite attention to syntax and prose, the astoundingly well-read Christman pairs a deceptively breezy style with radical openness. In his witty, original hands, seemingly normal subjects are rendered exceptional, and exceptionally.

What does the future hold for the Midwest?

A vast stretch of fertile farmland bordering one of the largest concentrations of fresh water in the world, the Midwestern US seems ideally situated for the coming challenges of climate change. But it also sits at the epicenter of a massive economic collapse that many of its citizens are still struggling to overcome. The question of what the Midwest is (and what it will become) is nothing new. As Phil Christman writes in this idiosyncratic new book, ambiguity might be the region's defining characteristic. Taking a cue from Jefferson’s grid, the famous rectangular survey of the Old Northwest Territory that turned everything from Ohio to Wisconsin into square-mile lots, Christman breaks his exploration of Midwestern identity, past and present, into 36 brief, interconnected essays. The result is a sometimes sardonic, often uproarious, and consistently thought-provoking look at a misunderstood place and the people who call it home.

A part of Belt's City Anthology Series. A lively grab bag of essays, fiction and poetry that reads at times like a who's who of contemporary Chicago writers/residents.--The Chicago Tribune

Chicago is a city built on meat, railroads, and steel, on opportunity and exploitation. But its identity has long involved so much more than manufacturing. Today, the city continues to lure new residents from around the world, and from across a region rocked by recession and deindustrialization.

The problems that plague the region don't disappear once you pass the Indiana border, though. In fact, they're often amplified. And Chicago is a complicated city because of that, defined by movement that's the anchor of the Midwest, but bound to its neighbors by a shared ecosystem and economy.

Rust Belt Chicago collects essays, fiction, and poetry from more than fifty writers who speak directly to the concerns the city shares with the region at large, and the elements that set it apart. With contributions from writers like Aleksandar Hemon, Kathleen Rooney, and Zoe Zolbrod, and here you'll find stories about:

- Buying Bread on Devon Street

- The Cantinas of Pilsen

- Bike commutes through the North Side

- Adventures on the El.

Writing with affection, frustration, anger, and joy, the writers in this collection capture all the harmony and dissonance that define one cacophonous place.

A wide-ranging insider's look at one of the world's most iconic cities.

Part of Belt's city anthology series, a reconsideration of one of America's most misunderstood cities.

Is Indianapolis just another midwestern city to fly over on the way to bigger and better destinations? Or is it, as locals know, a place where different peoples and ideals converge to create a rich cultural center? The Indianapolis Anthology showcases Naptown's vibrancy and diversity with pieces from journalists, poets, historians, established community voices, and first-time writers. The Circle City is more than the home of the Indianapolis 500, John Dillinger, Kenneth Babyface Edmonds, Kurt Vonnegut, Prozac, and Wonder Bread. In these pages, you'll find:

- lawn chairs in the beds of pick-ups

- Punk rock in Naptown

- suffragists and entrepreneurs

- cement pietàs

- dog bakeries and yoga studios

- red brick bungalows and war memorials

- steakburgers and Mexican seafood; pho and sauerbraten.

In other words, you'll find images from a city that is truly a cross section of today's America. Edited by Norman Buzz Minnick and with contributions from Etheridge Knight, Terrance Hayes, Michael Martone, and Karen Kovacik.

An insiders' look that will make you see a great midwestern city in a brand-new light.

Phil Christman is one of the best cultural critics working today. Or, as a reviewer of his previous book, Midwest Futures, put it, one of the most underappreciated writers of [his] generation.You may also know Phil from his columns in Commonweal and Plough, or his viral essay What Is It Like To Be A Man?, the latter adapted in his new book, How to Be Normal.

Christman's second book includes essays on How To Be White, How to Be Religious, How To Be Married, and more, in addition to new versions of the above. Find in it also brilliant analyses of middlebrow culture, bad movies, Mark Fisher, Christian fundamentalism, and more.

With exquisite attention to syntax and prose, the astoundingly well-read Christman pairs a deceptively breezy style with radical openness. In his witty, original hands, seemingly normal subjects are rendered exceptional, and exceptionally.

A sleek volume that expands our understanding of the Midwest through the writers who have portrayed it. Hailed by The Chicago Tribune for seeing the Midwest for what it really is.

In the public imagination, Midwestern literature has not evolved far beyond stories of heartland laborers and hardscrabble immigrants from past centuries. But as the region has changed, so has its fiction. In this book, Mark Athitakis explores how shifts in work, class, place, race, and culture have been reflected or ignored by contemporary novelists and short story writers. Authors Athitakis considers include Marilynne Robinson, Toni Morrison, Jane Smiley, Leon Forrest, Aleksandar Hemon, Bonnie Jo Campbell, and Stewart O'Nan.

This book is a call to reconsider the way we think about Midwestern fiction, and one that is sure to prompt some new must-have additions to your reading list.

Here is the black Chicago family album, of African Americans leaving the violent, racist South and ""goin' to Chicago"" to find the American Dream.

The story of black Chicago is so rich that few know it all. It began long before the city itself. Wells, the Eighth Regiment, Jesse Jackson, Oprah, and much more . . . including a guy named Obama. ""The first white man here was a black man,"" Potowatami natives reportedly said about Jean Baptiste Point DuSable, the brown-skinned man recognized as Chicago's first non-Indian settler. It's all here: from the site of DuSable's cabin--now smack-dab in the middle of Chicago's Magnificent Mile--to images of famous and infamous residents like boxers Jack Johnson, Muhammad Ali, and Joe Louis. Here are leaders and cultural touchstones like Jesse Binga's bank, Robert S. Abbott's Chicago Defender, legendary filmmaker Oscar Micheaux, Ida B. Here is the black Chicago family album, of folks who made and never made the headlines, and pictures and stories of kinship and fellowship of African Americans leaving the violent, racist South and ""goin' to Chicago"" to find their piece of the American Dream. Chicago has been called the ""Second City,"" but black Chicago is second to none.

From musicians and mobsters to mayors and men of the cloth, discover the fascinating history of Chicago's Irish history.

The history of the Irish in Chicago goes back to the days when the city was little more than an outpost on the prairie shores of Lake Michigan. Drawn by opportunities in the growing frontier town, Irish men and women who were fleeing economic hardship and famine in Ireland were quick to make their mark on Chicago's political, religious, and economic life. The unique position of the Irish among immigrant groups-English speaking and more culturally attuned to Anglo-American institutions, yet Catholic-allowed them to flourish in occupations and social positions for which they have become known. Most notably, the Irish in Chicago have produced eight mayors and many bishops. But Irish Chicago is also the story of those who built and enlivened the city: the policemen, firemen, priests, nuns and brothers, tavern owners, educators, transit workers, musicians, and ward politicians made good, and the north, south, and west side neighborhoods and parishes they inhabited.

Part of Belt's City Anthology Series. [A] mosaic of a book.--Milwaukee Journal Sentinel

The Milwaukee Anthology is a book about hope and hurt in one of America's toughest zip codes. In the essays, narratives, poems, and art included here, you won't find Summerfest or Laverne and Shirley, but you will find honest first-hand stories about Riverwest, Sherman Park, Hmong New Year's shows, 7 Mile Fair, and the Rolling Mill commemoration. Edited by Justin Kern, and with more than 50 contributors including Dasha Kelly, Pardeep Kaleka, and Michael Perry, this collection includes stories about:

- Redlining in the city

- Painting a community mural in Sherman Park

- Reflections after the Oak Creek Sikh Temple Shooting

- The city's upstart microbrewing industry

- The rise of Giannis Antetokounmpo and the Milwaukee Bucks.

It's an anthology about a place on the lake that can make you say yes and wonder why in the same thought. A place that's both a big town and small city, run down and redeveloped, tararrel and terror.

A collection that shows the Cream City is much weirder and more wonderful than you may think it is.

Considered to be one of the largest neighborhood-based St. Patrick's Day parades outside Dublin, Chicago's South Side Irish Parade began quite modestly, with 17 children under the age of 10 marching twice around the block.

Dubbing themselves the ""Wee Ones of Washtenaw and Talman,"" the founders of this great parade marched with homemade signs, costumes, and a baby buggy while neighbors and family members cheered them on. Over the next 31 years, the parade grew into an annual event, attracting hundreds of thousands who came to celebrate Irish heritage with family and friends. In 2009, Pres. Barack Obama encouraged Taoiseach Brian Cowen of Ireland to visit the parade, calling it ""one of the great events in America.""

Located north of Cincinnati in the Mill Creek Valley, Lincoln Heights was the first African American self-governing community north of the Mason-Dixon Line.

The development of Lincoln Heights began in 1923 when the Haley-Livingston Land Companyof Chicago sold lots to black families in an unincorporated area called the Cincinnati Industrial Subdivision, now the southern section of Lincoln Heights.

Water and sewerage were provided by special assessment through the Works Progress Administration, there were no building and zoning code services, fire and police protection were virtually nonexistent, and street maintenance and lighting were extremely inadequate. In 1939, residents of the area began efforts to incorporate so they could provide safety and necessary services for their growing community. Several of the original petitioners for incorporation lived in the Valley View subdivision, which later became the Wright Aeronauticalplant, where many black migrants from the South came to help manufacture the famous B-29 bomber.

The honesty of the voices within this illuminating oral history will draw you into the Grant County of yesteryear, and leave you feeling as if you were really there.

There's a story that goes like this . . . So begins Delores Betts, one of the dozens of people whose memories and recollections of African-American life in Grant County over the past century and a half are preserved within what may well be the most intriguing and inspiring history you will ever read. We invite you to join Barbara Stevenson and the dozens of others in this delightful journey back in time. It is an experience that we promise you will never forget.

This visual history captures the story of Milwaukee's Irish community in photographs, covering everything from the early wave of immigration to today's annual Irish Fest.

Milwaukee's Irish can claim a long and distinguished heritage throughout the city's history. The fact that Irish immigrants could speak English gave them an advantage and enabled them to become community leaders and gain economic independence. Irishman Thomas Gilbert was village president in 1844, two years before Milwaukee became incorporated. In 1839, Fr. Patrick Kelly built Milwaukee's first Catholic Church, St. Peter's.