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$24.99
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Texas dance halls are iconic structures that have played a prominent role in the state's culture from its earliest stages. They became central institutions in the earliest European settlements and provided these immigrant communities with a common, central space in which to build new ways of life in a new land. The settlement patterns of the mostly German, Czech, Polish, and other central European migrants of this period gave East Central Texas the state's greatest concentration of dance halls. Thousands of these halls were built throughout the 19th and early 20th centuries, but at present, their numbers have dwindled considerably, and many are at risk.
The Dallas Music Scene
9781467131513
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$24.99
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For much of the 20th century, Dallas was home to a wide range of vital popular music. By the 1920s, the streets, dance halls, and vaudeville houses of Deep Ellum rang with blues and jazz. Blind Lemon Jefferson was discovered singing the blues on the streets of Deep Ellum but never recorded in Dallas. Beginning in the 1930s, however, artists from Western swing pioneer Bob Wills to blues legend Robert Johnson recorded in a three-story zigzag moderne building at 508 Park Avenue. And from the late 1940s to the mid-1960s, a wrestling arena called the Sportatorium was home to a Saturday night country and rock-and-roll extravaganza called the Big D Jamboree.
The Yellow Rose of Texas
9781467142571
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$23.99
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The legend of the Yellow Rose of Texas holds an indisputable place in Lone Star culture, tethered to a familiar song that has served as a Civil War marching tune, a pop chart staple and a halftime anthem. Almost two centuries of Texas mythmaking successfully muddled fact with fable in song. The true story of Emily D. West remains mired in dispute and unrecognizable beneath the manipulative tales that grew up around it. The complete truth may never be recovered, but author Lora-Marie Bernard seeks an honest account honoring the grit and determination that brought a free black woman from the abolitionist riots of Connecticut to the thick of a bloody Texas revolution. A Lone Star native who grew up immersed in the Yellow Rose legend, Bernard also traces other stories that legend has obscured, including the connection between Emily D. West and plans for a free black colony in Texas.
Fort Worth's Rock and Roll Roots
9780738584997
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$24.99
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On the evening of February 9, 1964, Ed Sullivan introduced the Beatles to America. Across the country, teens were glued to their TV sets and witnessed a turning point in rock and roll history. Vibrant and creative teen scenes sprang up all across the country. The scene in Fort Worth, Texas, produced an exceptional burst of creativity in songwriting and musicianship. Weekend concerts and battles of the bands drew thousands of fans. Primitive teen recordings were pressed into 45s and received radio airplay in rotation with national acts. Local television shows featured live bands; fashions changed with go-go girls' skirts growing shorter; long hair became the style for women and men; and the seeds of the counterculture were planted and flourished. The music of this generation birthed every rock subgenre for the next 40 years (acid rock, heavy metal, punk, new wave, grunge), and today's musicians still reach back to these recordings for inspiration.
Texas Jailhouse Music
9781626198678
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$21.99
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Inside the Texas State Prison is a surprising story of ingenuity, optimism and musical creativity. During the mid-twentieth century, inmates at the Huntsville unit and neighboring Goree State Farm for Women captured hearts all over Texas during weekly radio broadcasts and live stage performances. WBAP's Thirty Minutes Behind the Walls took listeners inside the penitentiary to hear not only the prisonersʼ songs but also the stories of those who sang them. Captivating and charismatic, banjo player Reable Childs received thousands of fan letters with the Goree All-Girl String Band during World War II. Hattie Ellis, a young black inmate with a voice that rivaled Billie Holiday's, was immortalized by notable folklorist John Avery Lomax. Cowboys, songsters and champion fiddlers all played a part in one of the most unique prison histories in the nation. Caroline Gnagy presents the decades-long story of the Texas convict bands, informed by prison records, radio show transcripts and the words and music of the inmates themselves.
Oklahoma City Music
9780738584270
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$24.99
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Oklahoma City's rich music history traces back to Deep Deuce, the heart of the African American community that became an important resource for national jazz and blues bands seeking talented musicians who were often classically trained. Two icons and many legends are among the famous sons and daughters who lived in this cultural Mecca. Oklahoma City's Music: Deep Deuce and Beyond details the birth and growth of music in Oklahoma City's African American community from the 1920s until the late 1990s. Musical influences of families and individuals, venues, dance, and fashion blend with new-era traditions such as parades, jam sessions, and street parties to create a culture that became well known. This book explores how the seeds of music so deeply planted in the early days continue to produce great musicians and how the influences of those icons will vibrate throughout future international generations.
Texas Ukulele
9781467156844
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$24.99
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Aloha, Texas!
Texas may be famous as the birthplace of both Willie Nelson and western swing, but its thriving ukulele community also boasts a rich heritage. Say howdy to the cowboy who plays ukulele and washtub bass at the same time. Don’t leave Austin’s famous music scene without visiting one the country’s biggest ukulele clubs. Jeff Campbell picks his way across the Lone Star State, where the ukulele jams with reggae among the eastern pines and a former Singing Bellhop of Amarillo attempts to strum for fifty hours straight.
Austin in the Jazz Age
9781626199187
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$24.99
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Though renowned, Austin's contemporary music scene pales in comparison with the explosion of creative talent the city spawned during the Jazz Age. Dozens of musicians who started out in the capital city attained national and international fame—but music was just one form of artistic expression that marked that time of upheaval. World War I's death and destruction bred a vehement rejection of the status quo. In its place, an enthusiastic adherence to life lived without question or consequence took root. The sentiment found fertile soil in Austin, with the University of Texas at the epicenter. Students indulged in the debauchery that typified the era, scandalizing Austin and Texas at large as they introduced a freewheeling, individualistic attitude that now defines the city. Join author Richard Zelade in a raucous investigation of the day and its most outstanding and outlandish characters.
Sonobeat Records
9781626192454
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$21.99
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The music scene in Austin is known the world over, but it can place a considerable portion of its roots in a little-known but prolific indie label: Sonobeat Records. A small, independent label founded by father-and-son duo Bill Josey Sr. and Bill Josey Jr., Sonobeat set the stage for the Capital City's musical legacy. The label's brief but powerful tenure produced an enormous amount of music and directly preceded the progressive country movement and the proliferation of a music scene that would earn Austin the nickname of Live Music Capital of the World. Musician and author Ricky Stein explores the roots of Austin's contemporary music history through the story of one small but essential label..
The Oklahoma Cowboy Band
9780738552453
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$24.99
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The Oklahoma Cowboy Band was the first western string band in the nation to broadcast over the radio and appear on vaudeville, drawing large audiences throughout the Midwest and Northeast. The band began in Ripley as Billy McGinty's Cowboy Band and first played over radio station KFRU in Bristow in May 1925. Billy McGinty was a Rough Rider with Theodore Roosevelt and performed in Buffalo Bill's Wild West Show. The public responded to the broadcast of his band with a steady stream of telegrams, telephone calls, and letters asking for more of that old-time cowboy music. Soon Otto Gray and his wife, Mommie, of Stillwater joined the band, with both performing rope tricks, Mommie singing sad songs, and their son, Owen, performing comedy routines as the Uke Buster. Renamed Otto Gray and His Oklahoma Cowboys, the band traveled for a decade to such cities as St. Louis, Chicago, Cincinnati, Indianapolis, Pittsburgh, and Syracuse. Its custom-built Cadillacs drew crowds wherever the band went. By the early 1930s, other acts were copying the band's cowboy themes and songs, and Otto Gray's lawyers threatened legal action. The lawyers met with only limited success, though, and today the cowboy image is firmly established in country music, thanks in large part to the early success of Billy McGinty, Otto Gray, and the Oklahoma Cowboy Band.
Texas Bluegrass Legacies
9781467153676
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$23.99
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Enjoy a breakdown of the Lone Star State’s generational bluegrass harmonies.
From the moment they picked up the radio signal of Bill Monroe’s mandolin, Texans have been enamored with this uniquely American style of music. But the high lonesome sound couldn’t have put down roots without a tradition of mentorship that runs through families and spans generations. Meet the Van Cliburn piano prodigy that became a multi-instrumentalist for Taylor Swift. Travel to the summer bluegrass camp where students develop into teachers. Sit in on a back porch jam session with the Rogers, the Brocks, the Vestals and the Whites. From the state’s first Asian-American bluegrass family to its banjo-building Santa Claus, Jeff Campbell and Braeden Paul set the stage for the stewards of Texas bluegrass.
The Phoenix Sound
9781467118989
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$21.99
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In 1956, a fresh-faced Sanford Clark recorded The Fool with guitarist Al Casey at Floyd Ramsey's small Phoenix recording studio. Written by local deejay Lee Hazlewood, the song became a top-ten Billboard hit nationwide and launched a new trailblazing era of Arizona music. Their success paved the way for other Phoenix acts and producers to chart national hits. Grammy-winning audio engineer Jack Miller started out in Ramsey's studio, and Hazlewood produced rock hall of famer Duane Eddy's debut album, Have ‘Twangy' Guitar, Will Travel. These early artists pioneered a sound that inspired Arizona's best musicians from Waylon Jennings and Buck Owens to Stevie Nicks and Linda Ronstadt. Join former radio and broadcast personality Jim West for the story and soundtrack to the early days of music in the Valley of the Sun.
Texas Bluegrass History
9781467147231
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$21.99
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Texas has nurtured a thriving bluegrass scene since the early 1950s. The Lone Star State boasts the country's first bluegrass college degree and even hosts a Beatles bluegrass cover band. Meet the Pickin' Singin' Professor, the Fiddle Engineer and Blanco's Bluegrass Boy. Hit the trail with cowboys like the Mayfield brothers and go backstage with Grammy-nominated acts like Wood & Wire. Jeff Campbell and Braeden Paul celebrate the musicians who contributed to the harmonious heritage of Texas bluegrass.
