Music

Beginning in the early 1990s, Pittsburgh's South Side neighborhood began to transform from the post-industrial morass it had been suffering for the last few decades. Artists began to rent empty apartments, what were once shot-and-a-beer bars became hip dive bars and entrepreneurs found inexpensive real estate to follow their visions. It was in this landscape that the Beehive Coffeehouse began to attract a new 90s alternative crowd./East Carson Street was soon home to not just coffeehouses but Slacker, Dee's Cafe, Culture Shop, Club Laga and the Lava Lounge. Across a bridge, in the university community of Oakland, The Upstage, Electric Banana and another Beehive catered to the new youth culture. Cappuccinos, thrift shop culture, grunge music, local alternative bands, artists, writers and creative denizens of all stripes would soon enter the city's collective conscious. The South Side Beehive though was where the night often began, and weekends ended.

An estimated four hundred gold records have been recorded in the Muscle Shoals area. Many of those are thanks to Muscle Shoals Sound Studio and the Muscle Shoals Rhythm Section, dubbed the Swampers.

Some of the greatest names in rock, R&B and blues laid tracks in the original, iconic concrete-block building--the likes of Cher, Lynyrd Skynyrd, the Rolling Stones and the Black Keys. The National Register of Historic Places now recognizes that building, where Lynyrd Skynyrd recorded the original version of Free Bird and the Rolling Stones wrote Brown Sugar and Wild Horses. By combing through decades of articles and music reviews related to Muscle Shoals Sound, music writer Carla Jean Whitley reconstructs the fascinating history of how the Alabama studio created a sound that reverberates across generations.

A Portal to Rock ‘N’ Roll History

During the 1970s, Chicagoland venues hosted an eclectic mix of legendary rock ‘n’ roll acts that thrilled audiences. Fans flocked to historic venues like the Auditorium Theater, International Amphitheatre, Arie Crown Theatre, Kinetic Playground and B’Ginnings to forge relationships and hear music that shaped their youth and endured a lifetime. Acts like Led Zeppelin, the Who, Rolling Stones, Black Sabbath, Wings, Genesis and so many others took the stage here during rock’s most prolific and memorable era.  Jim Summaria and Mark Plotnick bring those mind-blowing performances back to life with exclusive concert photos, histories, trivia and more.  

The Record Plant studio in Sausalito, California, was one of America’s top-of-the-line music recording facilities. Opened in 1972, Record Plant was known as the “resort studio,” just across the Golden Gate Bridge in Northern California and away from the big city. One of three studios, the first Record Plant was opened in New York City in 1968 by Chris Stone and Gary Kellgren. The second studio in Los Angeles opened in 1969, followed by the third studio in Sausalito. San Francisco Bay Area–based radio station KSAN FM hosted live studio broadcasts from the Sausalito studio. With its nautical-inspired interior wood artistry, the building known as the “Plant” had a groovy aesthetic that drew in some of the most iconic musical artists of all time, including Fleetwood Mac, Bob Marley, the Grateful Dead, Sly and the Family Stone, Prince, Tom Petty, Metallica, Santana, Aretha Franklin, Mariah Carey, Whitney Houston, Dave Matthews Band, and many more.

Katiana Giacona, a Marin County native, was resident DJ at the former Sausalito Studio location when it was a spa and yoga event center called Harmonia. For Record Plant, Sausalito Studio she has assembled a collection of discography and photographs from the studio as well as interviews from former receptionists, managers, audio engineers, producers, and staff. Ken Caillat was the producer of Fleetwood Mac’s Rumours album, one of the greatest rock and roll albums of all time.

Detroit is famous for its cars and its music. From the 1950s through the 1970s, Motor City fans experienced a golden age of rock and roll.

Rock was the defiant voice of the boomer generation. The 1960s and the 1970s were turbulent decades. Blacks and women asserted themselves, breaking down the establishment. Rock music, and the spirit and events that defined it, advanced these interests. The war in Vietnam brought tension and national conflict. Drugs and a sexual revolution, made possible by the introduction of the birth control pill, added to the volatile mix. Woodstock, May Day protests, and the resignation of Pres. Richard Nixon were just a few of the upheavals that made these decades two of the most important in the nation's history. Motor City Rock and Roll: The 1960s and 1970s features 200 images, capturing local musicians who started in Detroit and then traveled the world, as well as world-famous acts who came to the city to perform. Intimate stories of musicians, bands, and other members of the rock community make this history a must for dedicated fans.

Through stories of people, music, and dreams, King Records of Cincinnati tells the history of a recording company which launched countless musical careers.

Starting with a few songs and a dream in 1943, King Records--a leading American independent--launched musical careers from a shabby brick factory on Brewster Avenue in Cincinnati's Evanston neighborhood. Founder Sydney Nathan recorded country singers Cowboy Copas, Hawkshaw Hawkins, Wayne Raney, and others and later added black acts such as James Brown and the Famous Flames, Bull Moose Jackson, Hank Ballard and the Midnighters, Lonnie Johnson, and Freddy King. Meanwhile, King also explored polka, jazz, bluegrass, comedy, gospel, pop, and instrumental music--anything that Nathan could sell. Although King's Cincinnati factory closed in 1971, the company's diverse catalog of roots music had already become a phenomenon. Its legacy lives on in hundreds of classic recordings that are prized by collectors and musicians.

This is the story of Chicago's vibrant music scene in the 1960s and 1970s.

The 1960s and 1970s was a time when jazz, rock and roll, country and western, folk, blues, and R & B flowed through the streets of Chicagoland. Much has been written about the national and international talent of that time, but not enough has been written regarding local music scenes. This story focuses on the city of Chicago (along with its suburban club scene) and the homegrown performers who made the 1960s and 1970s one of the most electrifying and memorable periods in music history. Some of those players went all the way to the big time, while others made their mark and disappeared. But they all made a difference in their own way, and for those who were there, it is a time they will never forget.

FAME Publishing first opened in 1959 and produced hits for great musicians like Etta James, Clarence Carter and Aretha Franklin.

ot long after, the city of Muscle Shoals became known as the Hit Recording Capital of the World. FAME was the foundation that produced Muscle Shoals Sound Studio, the Nutthouse and Sundrop Sound at Single Lock Records - studios that gave a voice to artists like Drive-By Truckers, Jason Isbell and the 400 Unit and John Paul White. A new generation, including the Pollies and Doc Dailey & the Magnolia Devil, today carries the tradition of great music. Through extensive research, and enriched with interviews from those who lived it, local author Blake Ells chronicles the epic story that started with FAME.

Local historian Seth Bate tells the story of the Walnut Valley Festival with reflections from staff, emcees, performers, campers, and characters from throughout its history.

The Festival was launched in 1972 when a guitar maker, a farmer, and a businessman built their own music festival from the ground up. It has made the small town of Winfield into an annual destination for acoustic musicians and music lovers from around the world and it has always been participatory, with the informal campsite pickin’ as much a part of the event as the stage shows and instrumental contests. The Walnut Valley Festival has always been proud of its deep-rooted traditions, but most of all, it is a community celebration.

Connecticut radio stations and their charismatic disc jockeys played an integral role in the history of rock ‘n’ roll. They served as a vital connection between the music and their audience, providing listeners the one vehicle they most needed—a format for them to listen to their favorite songs. Learn about such memorable moments as the fierce rivalry between WDRC and WPOP, the zany antics of Joey Reynolds, and the on-air “death” of Lee “Baby” Simms. WPLR emerged as a “town hall meeting held in a frat house,” and colorful skits filled the airwaves. With in-depth interviews and timeless photos, author Tony Renzoni captures the spirit of the vibrant music scene and traces the important and influential role of past and present on-air personalities. 

Discover how Jazz shaped the history and enhanced the life of the citizens of New Orleans.

From the days when Buddy Bolden would blow his cornet to attract an audience from one New Orleans park to another, to the brass bands in clubs and on the streets today, jazz in New Orleans has been about simple things: getting people to snap their fingers, tap their toes, get up and clap their hands, and most importantly dance! From the 1890s to World War I, from uptown to Faubourg Treme and out to the lakefront, New Orleans embraced this uniquely American form of music. Local musicians nurtured jazz, matured it, and passed it on to others. Some left the city to make their names elsewhere, while others stayed, playing the clubs, marching in the parades, and sending loved ones home with jazz funerals. Older musicians mentored younger ones, preserving the traditions that give New Orleans such an exciting jazz scene today.

Rock and roll has been as much a part of the north coast city of Cleveland as the lake that hugs it.

Ever since Cleveland disc jockey Alan Freed first called the records he was playing rock and roll, northeast Ohio has been a driving force in this musical phenomenon. From the disc jockeys who spun the music to the musicians who played it, the clubs that welcomed it and fans who encouraged it, rock and roll has been as much a part of this north coast as the lake that hugs it. It was those early years, from the 1950s on, that led Cleveland to becoming the Rock and Roll Capital of the World and ultimately home to the Rock and Roll Hall of Fame and Museum. While the city spawned several widely recognized names, such as the James Gang (with Joe Walsh), the Raspberries (with Eric Carmen), and Bobby Womack, it is the music itself that will keep this town rocking on the shores of Lake Erie, and beyond, for a long time to come.

The Stories Behind the Albums

Carolina beach music—those often-soulful songs about the beach, parties, that special love, dancing or just relaxing in the sun—has long been a mainstay of culture in the Southeast. Yet until the late 1960s, you needed an impressive collection of 45s if you wanted to hear those songs in your home or at a party. But beginning with Atlantic Records’ Beach Beat in 1967, that music slowly became available on albums from Bell, Warner Bros., Ripete and other labels. Through interviews and firsthand accounts, author Rick Simmons examines the stories behind those classic albums, the people who created them and the artists and songs that contributed to the phenomenon known as Carolina beach music.

The nightspots, rock clubs, arenas & more that made the city swing

Cincinnati in the ‘50s and ‘60s offered a stunning array of live music and entertainment venues. Though many of them no longer exist, their memories live on. Fulfilling an “obligation” to mobsters, blues crooner Charles Brown played a residency at the Sportsman’s Club in Newport. Incendiary comedian Lenny Bruce performed at the Surf Club on the city’s conservative west side. Jim Tarbell’s short-lived but iconic Ludlow Garage became a major stop on the national “ballroom” circuit that grew up around rock ‘n’ roll as it matured into its progressive, experimental era. Signaling an end to the ‘60s, Iggy Pop created a sensation at the 1970 Cincinnati Summer Pop Festival at Crosley Field.

Join seasoned journalist Steven Rosen on a tour through historically heady days in the Queen City’s music scene.

Hosting icons and legends of folk, blues, bluegrass, jazz, spoken word and world music since 1969.

A decade after Gerald McCabe opened up a guitar repair shop in Santa Monica, California, legendary folk musicians Elizabeth Cotten and Mike Seeger came looking for a way to earn money to get back home. Their inaugural performance kickstarted a concert series that has featured some of the world’s finest musicians—including Doc Watson, Jackson Browne, Bill Monroe and Linda Ronstadt—in one of the most intimate performance spaces on the West Coast.

Against a backdrop of guitars in a room often packed to the rafters, music rang out to fill every corner. But audiences weren’t the only ones who left with cherished memories. Enjoy behind the scenes stories from artists like Rosanne Cash, Taj Mahal, Lucinda Williams, Arlo Guthrie and many more as they look back on their experiences at McCabe’s. From picking up a new hobby to serendipitous meetings of future bandmates, there was never a dull moment in the shop.

This is your backstage pass to the untold stories of one of California’s most celebrated music venues and those who performed live at McCabe’s Guitar Shop.

Known for The Fest, Less Than Jake and Hot Water Music, Gainesville became a creative hub in the 1980s and '90s for many of punk rock's greats.

Whether playing at the Hardback or wild house parties, earnest acts like Against Me!, Spoke and Roach Motel all emerged and thrived in the small northern Florida city. Radon burst onto the scene with chaotic energy while Mutley Chix helped inspire local torchbearers No Idea Records. Through this succinct history, author Matt Walker traces each successive generation's contributions and amplifies the fidelity of the Gainesville scene.

Chrissie Hynde, Devo..Rubber City Rebels...The Rubber City's rebel musical roots

Music made in Akron symbolized an attitude more so than a singular sound. Crafted by kids hell-bent on not following their parents into the rubber plants, the music was an intentional antithesis of Top 40 radio. Call it punk or call it new wave, but in a short few years, major labels signed Chrissie Hynde, Devo, the Waitresses, Tin Huey, the Bizarros, the Rubber City Rebels and Rachel Sweet. They had their own bars, the Crypt and the Bank. They had their own label, Clone Records. They even had their own recording space, Bushflow Studios. London's Stiff Records released an Akron compilation album, and suddenly there were Akron Nights in London clubs and CBGB was waiving covers for people with Akron IDs. Author Calvin Rydbom of the Akron Sound Museum remembers that short time when the Rubber City was the place.

What's the real meaning of juke joint? Explore these special places for a special brand of the blues.

Juke joint - two words often used, often abused. They convey an inherent promise of something real, edgy, from another time. All juke joints are blues clubs, but not all blues clubs are jukes. Here, artist recollections and insights delve below the murky surface to tell the tales, canonize the characters and explain the special brand of blues bottled in these quasi-legal establishments. Author Roger Stolle works from the inside to educate and entertain with a mix of history, anecdote and discovery. It’s a wild ride.

Shagging in the Carolinas is a history of dance, romance, and the New South.

The Shag defied social conventions as carefree white teenagers were inspired by the possibilities inherent in improvisational black dance and music. This is the story of how Southern society's emerging middle class embraced its multicultural roots while its political leaders continued to debate and deny the outcome of the Civil War.  These are the unique people and circumstances that nurtured the evolution of Shag and Beach Music at places like the jump joints of Carolina Beach, the inland lake retreats, and the pavilions of Ocean Drive, Atlantic, Folly, Wrightsville, and Tybee beaches. With lively music and dancers, the Shag was popular at famous dance clubs, teen canteens, and armories. Venues such as the Coachman and IV, the Cellar, the Bushes, the Embers Clubs, and the Beach Club at Myrtle Beach are captured within these pages. The early pioneers and iconoclasts of dancing brought about a cultural revolution, embodied today by the many societies, competitions, and innumerable entertainers and bands that continue the Beach Music tradition.

Detroit has always been at the forefront of American popular music development, and the ragtime years and jazz age are no exception.

The city's long history of diversity has served the region well, providing a fertile environment for creating and nurturing some of America's most distinctly indigenous music. With a focus on the people and places that made Detroit a major contributor to America's rich musical heritage, Detroit: Ragtime and the Jazz Age provides a unique photo journal of a period stretching from the Civil War to the diminishing years of the big bands in the early 1940s.

Step backstage in this look at little-known and utterly fascinating aspects of Jazz Age Louisiana.

New Orleans’ early jazz greats like Louis Armstrong, Jelly Roll Morton, Kid Ory and Buddy Bolden had fascinating careers, but Hidden History of Louisiana’s Jazz Age is filled with tales of murder, lust and adventure. Clarinetist Joe Darensbourg of Baton Rouge ran away and joined the circus three times before the age of 20. The Martel Band of Opelousas witnessed a legal public hanging of a convicted serial murderer in 1923 Evangeline Parish. Trumpeter Evan Thomas of Crowley could have been a rival to Satchmo but was cut down on the bandstand in the Promised Land neighborhood of Rayne, La. Author Sam Irwin explores the odd and quirky in these fascinating stories of the Roaring Twenties.

The Connecticut Hurricanes Drum & Bugle Corps was founded in Derby, Connecticut, in 1932 as the John H. Collins Post Fife, Drum, and Bugle Corps.

Since its transformation to a competitive drum and bugle corps in 1955, the group has garnered notoriety throughout the region as well as national acclaim for its competitive success.Over the course of their 87-year history, the Hurricanes have become a highly regarded institution of the Lower Naugatuck Valley.They were first sponsored by the John H.Collins American Legion Post 24 and subsequently by the Sutter-Terlizzi American Legion Post 16 of Shelton, Connecticut.They are currently sponsored by the Emil Senger American Legion Post 10 of Seymour, Connecticut, and have continued to maintain strong community ties across the Naugatuck Valley region for nearly nine decades.

Washington, DC, Jazz focuses, primarily, on the history of straight-ahead jazz, using oral histories, materials from the William P. Gottlieb Collection at the Library of Congress, the Felix E. Grant Jazz Archives at the University of the District of Columbia, and Smithsonian Jazz.

Home to Black Broadway and the Howard Theatre in the Greater U Street area, Washington, DC, has long been associated with American jazz. Duke Ellington and Billy Eckstine launched their careers there in the early 20th century. Decades later, Shirley Horn and Buck Hill would follow their leads, and DC's jazz millennials include graduates of the Duke Ellington School of the Arts. For years, Bohemian Caverns and One Step Down were among the clubs serving as gathering places for producers and consumers of jazz, even as Rusty Hassan and other programmers used radio to promote the music. This volume also features the work of photographers Nathaniel Rhodes, Michael Wilderman, and Lawrence A. Randall.

A never-before-seen collection of photos and stories about Bob Barry, the iconic celebrity DJ of Milwaukee.

Bob Barry ruled Milwaukee's airwaves in the '60s and '70s. The only time the Beatles performed here, Barry introduced them to the audience, and he was the only local personality who spent time in private with the Fab Four. If a band or musician came to town, he met them with a microphone. Chuck Berry, the Animals, Wings, the Rolling Stones—the list goes on. His popular Bob Barry Calls the World segment entertained thousands with cold calls to famous personalities, including Bob Hope, Sophia Loren, Elton John and Cher. Through it all, Barry maintained a calm and fun-loving demeanor, even when mocked by the WOKY Chicken or nearly eaten by wolves on the air. Packed with never-before-seen photos, this revealing memoir recalls the iconic DJ's many celebrity encounters, his career highlights and setbacks and the hijinks that made Milwaukee radio rock.

Go inside the people and places that made Atlanta the pop music capital of the United States in the second half of the 20th century.

Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, production and promotion. In 1956, the Lowery Music Company had its first million copy–selling hit single with “Be-Bop-a-Lula,” by Gene Vincent. Under Lowery’s direction, popular artists like Tommy Roe and Billy Joe Royal flourished. Audio engineer Rodney Mills teamed up with Lowery and future Atlanta Rhythm Section manager Buddy Buie to build Studio One, a recording studio that produced albums from legendary acts such as Joe South, Lynyrd Skynyrd, 38 Special and others. Andy Lee White and John M. Williams offer a comprehensive portrait of the vibrant postwar Atlanta music scene.

Although many bluesmen began leaving the Magnolia State in the early twentieth century to pursue fortune and fame up north, many others stayed home.

These musicians remained rooted to the traditions of their land, which came to define a distinctive playing style unique to Mississippi. They didn't simply play the blues, they lived it. Travel through the hallowed juke joints and cotton fields with author Roger Stolle as he recounts the history of Mississippi blues and the musicians who have kept it alive. Some of these bluesmen remain to carry on this proud legacy, while others have passed on, but Hidden History of Mississippi Blues ensures none will be forgotten.

From the Seattle streets to studio beats.

In the early 1980s, a subterranean shift in Seattle’s music scene began. Disco’s reign over parties and dance clubs faded, and hip-hop became the new attraction. A generation of young musicians emerged, and local rappers catapulted the genre into the spotlight. From Sir Mix-A-Lot, who won a Grammy in 1993, to Silver Chain Gang and Jam Delight, the Emerald City produced some incredible talent. These formative years of hip-hop set the tone for the decades that followed, and this once-fledgling music still resonates in pop culture today.

Author and producer Novocaine132 explores Seattle’s early rap artists and their groundbreaking sound.

From the Roaring Twenties to a Rock 'N' Roll Landmark

Since it opened in 1925, the Gramercy Park Hotel has always been one of New York’s premiere cultural hotspots. Early in its history it served as the backdrop to Humphrey Bogart’s first marriage and housed a young John F. Kennedy. Soon Babe Ruth was a regular at the bar, and Joe DiMaggio was feted there. Most famous, perhaps, was the period in the 1970s, when rock ’n’ roll royalty dubbed the hotel “the Glamercy,” and acts such as the Clash, David Bowie, Bob Dylan, Lou Reed, Madonna, and more stayed “on the way up or on the way down.” The hotel’s history also includes the harrowing personal story of the Weissberg family who owned it for many years and lived there. Author Max Weissberg reveals an inside look at the hotel’s storied past as a rock ’n’ roll muse and a New York icon. 

Established in 1924 by freshman Irving Harris, the Brown University Band is one of the school’s oldest student-run organizations. Its participation at sporting events, convocation and commencement makes it an integral part of campus life, providing music and spirited fun for the Brown and Providence communities.

A “scramble” band, rather than a traditional marching band, the Band provides cheeky entertainment on and off campus. Legendary antics from the world’s only ice-skating band include the infamous bass drum heist by the “Foxboro Four” and notable halftime shows at hundreds of football games. While invariably adapting over the years, the band keeps school songs and spirit alive and maintains its long-standing traditions. Author and former percussionist Sean Briody pays homage to the band’s roots and vibrant history.

North Carolina musicians pioneered and mastered the genres of old-time and bluegrass music.

The roots of American music are deeply grounded in North Carolina's music history. Doc Watson played mountain fiddle tunes on guitar. He emerged as the father of flatpicking and forever changed the role of the guitar in American music. Charlie Poole created techniques that eventually defined bluegrass, and folks around the state heard his banjo on some of the most important old-time recordings. Rising star Rhiannon Giddens keeps the music alive today through new interpretations of classic old-time and bluegrass songs. Elizabeth Carlson profiles these and other masters of string music in this fascinating record of North Carolina's musical past, present and future.

Blues legend B.B. King spent his life sharing the music of his soul, which shone relentlessly through hardship and triumph alike.

Born on a cotton plantation in 1925, the man born Riley B. King would grow up to be one of the most influential blues musicians of all time, being crowned The King of the Blues. He never wavered from his vocation, even as he gathered up other musicians in his wake and melded them into the harmony of his animating passion. In this intimate portrait of King, author Diane Williams offers a brief account of the monumental blues man’s life before settling in for a series of interviews with his bandmates and beloved family members, offering readers an invaluable opportunity to feel like they know King too.

Blues history is steeped in Chicago's sidewalks; it floats out of its restaurants, airport lounges and department stores.

It is a fundamental part of the city's heritage that every resident should know and every visitor should be afraid to miss. Allow Rosalind Cummings-Yeates to take you inside the Checkerboard and Gerri's Palm Tavern, where folks like Muddy Waters, Howlin' Wolf, Willie Dixon and Ma Rainey transformed Chicago into the blues mecca. Continue on to explore the contemporary blues scene and discover the best spots to hear the purest sounds of Sweet Home Chicago.

Manhattan is an important site in the evolution of all the major innovations in American music, ranging from vaudeville and big bands to folk music, modern jazz, and rock and roll. Manhattan's Musical Heritage, a fascinating postcard history, takes readers on a journey back in time and place to the scenes of seminal musical events and performances. Individual musical greats from Al Jolson to John Lennon are featured, as this book details the locations forever associated with their lives and careers. Armchair travelers and those who enjoy walks in the streets of Manhattan will find this volume useful in discovering the amazing musical history of this special place.

San Francisco is probably best known for its hills, ubiquitous fog, dungeness crab and the Golden Gate Bridge. But jazz music's threads are similarly woven into the fabric of the city and its environs.  Whether performed in renowned clubs like So Different, Jimbo's Bop City, Black Hawk, and the Jazz Workshop or in halls like the Primalon Ballroom and Great American Music Hall, jazz has infused the city from the Barbary Coast to the Fillmore, thrilling audiences for over a century. San Franciscans have grooved to and incubated scores of jazz acts, hot and cool, raucous and contemplative.

Two centuries of Oregon’s homegrown music history are explored and documented in this new retrospective.

Rare photographs evoke bygone days, digging deep into the area’s rich folk and country roots; old-timey 1890s brass bands; Roaring Twenties dance orchestras; 1950s jazzniks, rockabilly cats, and doo-wop groups; 1960s “Louie Louie”– fueled garage rockers andpsychedelic hippie bands; 1970s blues dudes and punk pioneers; 1980s New Wave artistes, metalheads, hip-hop heroes, and pop stars; and Oregon’s quirky post-grunge, alt-rock, and Americana movements. Discover how a scrappy backwoods region built a fiercely independent music scene that has produced scores of beloved musicians along with gold and platinum record award-winning stars.

Long neglected in the annals of American music, the Nutmeg State's influence on the history of rock'n'roll deserves recognition.

Connecticut's musical highlights include the beautiful harmonies of New Haven's Five Satins, Gene Pitney's rise to fame, Stamford's the Fifth Estate and notable rockers such as Thurston Moore of Sonic Youth, Rivers Cuomo of Weezer and Saturday Night Live Band's Christine Ohlman. Rock Hall of Famers include Tina Weymouth and Chris Frantz of the Talking Heads and Dennis Dunaway of the Alice Cooper Band. Some events became legend, like Jimi Hendrix's spellbinding performance at Yale's Woolsey Hall, Jim Morrison's onstage arrest at the New Haven Arena and teenage Bob Dylan's appearance at Branford's Indian Neck Folk Festival. With in-depth interviews as well as rare, never-before-seen photos, author Tony Renzoni leads a sonic trip that captures the spirit and zenith of the local scene.

From 1920's Speakeasy to mid-century haunt of the famous and infamous, discover the tantalizing history of a legendary New Jersey Nightclub.

Where did Frank Sinatra, Mickey Mantle, Sugar Ray Robinson, Joan Crawford and hundreds of other A-listers along with mobsters like Meyer Lansky eat, drink and dance? It wasn't in Hollywood or at the Copacabana but at Bill Miller's Riviera in Fort Lee. The Riviera's breathtaking views of New York, its stunning showgirls and its gambling hall drew the famous and infamous to its tables. After it was originally run as a speakeasy by Ben Marden during the 1920s, Bill Miller, a Russian Jewish immigrant, attracted the most sought-after performers and turned it into one of the most popular nightclubs during the 1940s and 1950s. Relive Bill Miller's Riviera and experience the excitement of his lucky patrons.

Aloha, Texas!

Texas may be famous as the birthplace of both Willie Nelson and western swing, but its thriving ukulele community also boasts a rich heritage. Say howdy to the cowboy who plays ukulele and washtub bass at the same time. Don’t leave Austin’s famous music scene without visiting one the country’s biggest ukulele clubs. Jeff Campbell picks his way across the Lone Star State, where the ukulele jams with reggae among the eastern pines and a former Singing Bellhop of Amarillo attempts to strum for fifty hours straight.