Name: Shagging in the Carolinas
Brand: John Hook
SKU: 9780738567747
Price: 5.99 USD
Availability: InStock

Shagging in the Carolinas

9780738567747

$7.99 $5.99 Save 25%

The Carolinas boast a rich shagging history.

Carolina Bluegrass

9781467118248

$21.99 $16.49 Save 25%

In the Carolinas, bluegrass is more than music—it's a way of life. The origins of the genre date back to the earliest frontier settlements, and banjo music appeared at dances in Greenville, South Carolina, as early as 1780. The genre was essential to socialization in the textile mills of both states. Old-time music of the Blue Ridge Mountains heavily influenced the sound. Bill Monroe, considered by many to be the father of bluegrass, began his recording career in Charlotte in 1936. Many of the most popular bands, such as the Hired Hands and Briarhoppers, regularly performed live on local television stations in Columbia, Spartanburg and Charlotte. Today, bluegrass festivals fill local calendars across the region. Author Gail Wilson-Giarratano uses interviews and the historic record to tell this unique and compelling story.

Cover image for Carolina Bluegrass, isbn: 9781467118248

Carolina Beach Music from the '60s to the '80s

9781609497507

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Carolina Beach Music from the '60s to the '80s The New Wave picks up where Carolina Beach Music The Classic Years left off, covering more of those classic beach music tunes as well as the newer self-aware songs that were the beginning of a new wave of beach music in the late 1970s and early 1980s. This book looks at eighty recordings from the years 1966 through 1982, featuring interviews and insights from the artists who sang them, including Archie Bell, William Bell, Jerry Butler, Clyde Brown of the Drifters, Harry Elston of the Friends of Distinction, Bobbie Smith of the Spinners, Emilio Castillo of Tower of Power, Rob Parissi of Wild Cherry, Billy Scott and many, many others.

Cover image for Carolina Beach Music from the '60s to the '80s, isbn: 9781609497507

Shagging in the Carolinas

9780738517513

$24.99 $18.74 Save 25%

Shagging in the Carolinas is a history of dance, romance, and the New South.

The Shag defied social conventions as carefree white teenagers were inspired by the possibilities inherent in improvisational black dance and music. This is the story of how Southern society's emerging middle class embraced its multicultural roots while its political leaders continued to debate and deny the outcome of the Civil War. These are the unique people and circumstances that nurtured the evolution of Shag and Beach Music at places like the ""jump joints"" of Carolina Beach, the inland lake retreats, and the pavilions of Ocean Drive, Atlantic, Folly, Wrightsville, and Tybee beaches. With lively music and dancers, the Shag was popular at famous dance clubs, teen canteens, and armories. Venues such as the Coachman and IV, the Cellar, the Bushes, the Embers Clubs, and the Beach Club at Myrtle Beach are captured within these pages. The early pioneers and iconoclasts of dancing brought about a cultural revolution, embodied today by the many societies, competitions, and innumerable entertainers and bands that continue the Beach Music tradition.

The Scotch-Irish Influence on Country Music in the Carolinas

9781609499532

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Country music in the Carolinas and the southern Appalachian Mountains owes a tremendous debt to freedom-loving Scotch-Irish pioneers who settled the southern backcountry during the eighteenth and nineteenth centuries. These hardy Protestant settlers brought with them from Lowland Scotland, Northern England and the Ulster Province of Ireland music that created the essential framework for "old-time string band music." From the cabins of the Blue Ridge and Great Smoky Mountains to the textile mills and urban centers of the Carolina foothills, this colorful, passionate, heartfelt music transformed the culture of America and the world and laid the foundation for western swing, bluegrass, rockabilly and modern country music. Author Michael Scoggins takes a trip to the roots of country music in the Carolinas.

The Scotch-Irish Influence on Country Music in the Carolinas

Drink Small

9781626197404

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For fans of the blues, Drink Small is synonymous with South Carolina. Drink rose from the cotton fields of Bishopville to become a music legend in the Palmetto State and beyond. The self-taught guitarist has written hundreds of songs and recorded dozens of albums spanning the genres of country, blues, folk, gospel and shag. The success of that music allowed him countless honors, such as playing the stages of the Apollo and Howard Theaters, touring with legendary R&B singer Sam Cooke and playing the best blues festivals in the world. He even developed his own philosophy: Drinkism. Author Gail Wilson-Giarratano details the dream, the music and the life that created the Blues Doctor.

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Charleston Jazz

9780738543505

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Charleston Jazz sets out to reveal the rich, untold story of the evolution of American jazz in one of its major cradles: Charleston, South Carolina. The text and images show that what happened on the Gullah coast of South Carolina in terms of history, culture, and entertainment had a huge impact on jazz as we know it today. By all accounts, jazz is America's classical music. It now stands at the dawn of its second century and is poised to take its place as one of the more meaningful cultural phenomena ever to come along. Since Charleston was the gateway for enslaved Africans into the United States, it is no wonder that this uniquely beautiful place produced key creators of what many believe to be this country's most important influence on world culture. An international Charleston diaspora of jazz musicians attests to the fact that the likes of Freddie Green, William "Cat" Anderson, and Edmund Thornton Jenkins spread the Charleston style everywhere. Charleston jazz is one of the last great unknown stories in American history.

Carolina Beach Music

9781609492144

$23.99 $17.99 Save 25%

Just as the dances of Beach Music have their twists and turns, so too do the stories behind the hits made popular in shag haunts from Atlantic Beach to Ocean Drive and the Myrtle Beach Pavilion. In Carolina Beach Music, local author and Beach Music enthusiast Rick Simmons draws on first-hand accounts from the legendary performers and people behind the music. Simmons reveals the true meaning behind Oogum Boogum, uncovers just what sparked a fistfight between Ernie K. Doe and Benny Spellman at the recording session of Te-Ta-Te-Te-Ta-Ta, and examines hundreds of other true events that shaped the sounds of Beach Music.

Cover image for Carolina Beach Music, isbn: 9781609492144

Carolina Beach Music Compilation Albums

9781467157728

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The Stories Behind the Albums

Carolina beach music—those often-soulful songs about the beach, parties, that special love, dancing or just relaxing in the sun—has long been a mainstay of culture in the Southeast. Yet until the late 1960s, you needed an impressive collection of 45s if you wanted to hear those songs in your home or at a party. But beginning with Atlantic Records’ Beach Beat in 1967, that music slowly became available on albums from Bell, Warner Bros., Ripete and other labels. Through interviews and firsthand accounts, author Rick Simmons examines the stories behind those classic albums, the people who created them and the artists and songs that contributed to the phenomenon known as Carolina beach music.

Cover image for Carolina Beach Music Compilation Albums, isbn: 9781467157728

South Carolina Blues

9781467114721

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The history of South Carolina blues is a long, deep—and sometimes painful—story. However, it is a narrative with aspects as compelling as the music itself. Geographical differences in America led to variations in the styles of music that developed from African rhythms. The wet, marshy landscape and hot, muggy weather of the Carolina Lowcountry combined to cultivate not only rice, but a Gullah-based style of South Carolina blues. In drier climates, toward the Midlands and the Upstate, the combination of European influences led to the emergence of Piedmont blues, which in turn spawned country music as well as bluegrass. Those same Gullah roots resulted in four major dance crazes, starting with the Charleston.