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Galveston, Oh Galveston. Galveston, Texas has a rich and diverse history. "African Americans of Galveston" (2013) focuses on the vibrant African American presence in Galveston from the city's earliest days. The book is part of the "Images of America" series of Arcadia Publishing which documents many places and aspects of American local history in short, uniform volumes of photographs and textual commentary. The authors of this book, Tommie Boudreaux and Alice Gatson, are lifelong residents of Galveston who have both served as chairs of the Galveston Historical Foundation's African American Heritage Committee.
As the book explains, Galveston, founded in 1839, is a city on an island located in the Gulf of Mexico about 45 minutes south of Houston. The city's location gave it a rich maritime heritage and exposed it to the vagaries of the weather. It became home to an unusually diverse group of people and nationalities. As a somewhat remote island, Galveston also acquired the reputation of an "open city" where vices and other activities flourished in a way that would not be tolerated on the mainland. The diversity and free culture of Galveston worked to the benefit of African Americans.
The book shows both the national and the local nature of African American life in Galveston. It begins with the notorious pirate and slave trader Jean Lafitte (1776 -- 1823) who smuggled slaves into Galveston for years. Texas had a large slave population and became the last state of the Union to abolish slavery. On June 19, 1865, a Union general read a proclamation in Galveston formally decreeing the end of slavery. The Galveston proclamation, General Order No. 1, is the basis for the holiday of Juneteenth.
In the Reconstruction years, Galveston produced an African American leader of note in Norris Wright Cuney (1846 -- 1898) whose many accomplishments as a businessman, labor leader, civil rights activist, and political leader are well, if briefly depicted in the book. Perhaps the most famous incident in Galveston's history was the hurricane of 1900 which killed at least 6000 people, the most destructive storm in United States' history. The book shows the impact of the storm together with the heroic efforts of Galveston's African American community to help relieve the suffering in the storm's wake and to rebuild the city.
The book includes many rare old photographs of Galveston which show the harbor, the maritime workers and the distinctive city streets and buildings in the African American community. Chapters of the book describing African American community leaders, educational institutions, churches, medical facilities, and community organizations give a sense of the local life of Galveston's African Americans. The final chapter of the book describes African Americans from Galveston who achieved fame in education, business, music, sports, and other fields. Among these figures are Jack Johnson, the first African American heavyweight boxing champion, the renowned singer Esther Phillips and the blues singer and pianist Camille Howard. The book reminded me of these artists and moved me to listen to their music.
The portrayal of the city may have been sanitized somewhat as the book does little more than mention the wide-open quality of Galveston life. It would have been valuable to see the city beyond domestication. Still, the book fascinated me. I have never been to Galveston and I would like to go or at least to learn more. Readers with an interest in Galveston or in local African American life will enjoy this photographic history of the African American community of Galveston.
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Creative Nonfiction
9781953368812
Regular price $28.00 Save Liquid error (snippets/product-template line 248): Computation results in '-Infinity'%The very best writing from one of America’s most groundbreaking literary magazines.
When Creative Nonfiction debuted in 1994, the literary genre it championed was largely the target of skepticism or downright ridicule. But at a time when few editors were interested in the personal essay, the magazine doggedly explored new ideas and fresh modes of expression, and over the next three decades, its contributors pioneered what would come to be known as the “fourth genre.”
The thirty-two essays collected here bring together some of the finest work Creative Nonfiction published over its seventy-eight issues. Read Pulitzer Prize-winner Charles Simic’s boyhood remembrances of the bombing of Belgrade, Carolyn Forche’s haunting, lyric catalog of her daily life as she faced down a cancer diagnosis, and John Edgar Wideman’s meditation on the photo of a murdered boy his same age—Emmett Till—and how the image haunted him forever. Here, you'll find work by such luminaries as Adrienne Rich and John McPhee, but also essays from more contemporary voices like Brian Broome, Elizabeth Fortescue, and Anne McGrath.
With an introduction by Lee Gutkind, Creative Nonfiction’s founder and editor, this collection captures the evolution of a genre and the amazing work of the little magazine that helped make it all happen.
The Last Will and Testament of an Extremely Distinguished Dog
9781429096072
Regular price $12.95 Save Liquid error (snippets/product-template line 248): Computation results in '-Infinity'%A Touching Tribute to a Beloved Pet from America’s Foremost Playwright
Renowned playwright Eugene O’Neill composed this work in 1940 to comfort his wife about the death of their Dalmatian, Blemie. Better known for his despairing and pessimistic dramas, O’Neill’s touching piece, written in the voice of the dying pet, is somehow uplifting and joyous in its touching memory of a life shared between owner and animal. It is sure to comfort anyone experiencing the loss of a beloved, furry member of the family.
This short work is part of Applewood’s American Roots series, tactile mementos of American passions by some of America’s most famous writers.
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9781953368669
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Venice, 2020. As a pandemic rages across the globe, Zito Madu finds himself in a nearly deserted city, its walls and basilicas humming with strange magic. As he wanders a haunted landscape, we see him twist further into his own past: his family’s difficult immigration from Nigeria to Detroit, his troubled relationship with his father, the sporadic joys of daily life and solitude, his experiences with migration, poverty, foreignness, racism, and his own rage and regret. But as it is with all labyrinths, after finding its center, will he come away unscathed, or will he transform into the gripping, fantastical monstrousness that’s out to consume him whole?
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The Rockford Anthology
9781540270122
Regular price $24.00 Save Liquid error (snippets/product-template line 248): Computation results in '-Infinity'%Screw Capital of the World. Forest City. Home of the Rockford Peaches of A League of Their Own fame. Rockford, Illinois, has many identities, most oriented toward the past. These days, the fastener industry has mostly rusted away, the trees are less plentiful than they once were, and professional women’s baseball is no more. What defines Rockford today?
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In this installment of Belt’s City Anthology series, the people of Rockford represent themselves in essays, poetry, and photographs. Here, you’ll meet someone who found the space to start a business after leaving the crowd in Chicago. Academy Award–nominee Bing Liu takes you on a personal tour of his childhood houses and the ghosts that lurk there. A local attorney and activist shares how the city pushed back when ICE wanted to bring a detention center to Rockford. And you’ll learn why New York Times bestselling author Kimberla Lawson Roby, stand-up comedian Ashley Ray-Harris, and an introverted expat living in Taiwan always say they’re from Rockford . . . not Chicago. Whether through stories of growing up or chronicles of fights to make the city better, a sense of Rockford’s present—and future—starts to come into focus.
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9781948742498
Regular price $24.00 Save Liquid error (snippets/product-template line 248): Computation results in '-Infinity'%The Chicago Neighborhood Guidebook offers an intimate, idiosyncratic look at the third-largest city in the country, exploring community history and identity in a global city through essays, poems, photo essays, and art articulating the lived experience of its residents.
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With contributions from more than forty writers, including Megan Stielstra, Audrey Petty, Dmitry Samarov, Lily Be, and many others, covering forty-three of Chicago’s diverse neighborhoods, it is a snapshot of a city at an inflection point, representing grassroots history at its finest—and a must for anyone keen to understand what makes Chicago tick.
“Required reading.” —Chicago Tribune
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9781953368706
Regular price $19.99 Save Liquid error (snippets/product-template line 248): Computation results in '-Infinity'%The best personal essays from a contested region, from Belt Publishing’s ten years as a press.
Many have an opinion on what the Rust Belt is. It’s the "blue wall," "Trump country," the "flyover states," or the “real America.” Or maybe, as our own president has said, it's a place that no longer exists called by a name that has long outlived its usefulness. But undeniably, there’s something that connects the region. Maybe the question isn’t what defines that connection, but who.
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