Performing Arts

Beginning with Calman Zamoiski’s unlicensed and short-lived “wireless telephone” station in 1921, Baltimore would boast five commercial radio stations within the next 20 years.

Before the 1940s ended, commercial television appeared with the debut of WMAR, Channel 2, in 1947. WMAR was unique in that it had no personnel with television experience and, initially, no studios, broadcasting instead from various remote locations. Over the years, Baltimore radio and television stations served as the launchpad or stopover point of some of the most beloved personalities in the industry. Garry Moore, Arthur Godfrey, and Jim McKay all got their starts here, while Gene Rayburn, Jon Miller, Oprah Winfrey, John Saunders, Nick Charles, Spencer Christian, Bob McAllister, and others passed through en route to national broadcasting prominence. Baltimoreans did not just bond with the people and programs of their local stations. It was a genuine love affair.

The story of Charm City on stage.

Baltimore's dynamic theatrical tradition had hard-scrabble beginnings in the eighteenth century.  The popularity of the theater only grew, continuing to the vaudeville and burlesque boom of the early 20th century. Discover the sometimes brilliant, sometimes heart-breaking stories of the actors Baltimore clamored to see and the riots that broke out when they hated what they saw. Key figures such as Lewis Hallam, the Peales, Laura Keene, John T. Ford and James Kernan sought to stage their own versions of the world in playhouses that reflected an ever changing American culture.

Let theatrical historian Charlie Mitchell take you on a fascinating journey through this bygone era.

Since movies were first exhibited in the late 19th century, Maryland has been home to hundreds of theaters. Some of these theaters were built for movies, but others were traditional theaters, academies of music, lodge halls, and even town halls. This volume illustrates the development of movie theaters throughout Maryland with historic photographs from the author's extensive collection as well as from the collections of several historical societies, libraries, and individuals. Contemporary theaters have not been neglected; as the average life span of a movie theater is 25 years or fewer, these theaters may vanish almost overnight. This has been the fate of almost all of the theaters built in the 1960s and the multiplexes built between 1964 and 1990. Readers can relive the nostalgia of past trips to the movies as they explore the pages of this book.