Texas

Name: Historic Movie Houses of Austin
Brand: Susan B. Rittereiser
SKU: 9781467117180
Price: 24.99 USD
Availability: InStock

Salute the swagger of a Texas history timeline that features leading ladies, legendary lawmen, and the braintrust that put humanity into orbit. Celebrate the subtle pleasures of a day bracketed by an Austin breakfast taco and a sunset cruise through Galveston history. Our Texas history books don’t shy away from the state’s shameful excesses either—unconscionable tragedies like the 1910 Slocum Massacre demand an accounting. From a promenade down the San Antonio Riverwalk to a furtive exit from the Texas Chicken Ranch, step out with Texas history. [View all Texas books]

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Historic Movie Houses of Austin

$24.99

The Dallas Music Scene

$24.99

Fort Worth's Rock and Roll Roots

$24.99

Historic Dallas Theatres

$24.99

Texas Entertainers

$21.99

Texas Jailhouse Music

$21.99

Historic Movie Houses of Austin

9781467117180

$24.99

Motion pictures came to Austin on October 10, 1896, debuting at the Hancock Opera House. Since then, movies have continued to enchant, entertain, and inform the citizens of the capital of Texas. And, the places—the movie houses and theaters—where people saw motion pictures played just as important a role in the moviegoing experience as the movies themselves. As the city's population grew and motion picture technology changed, so too did Austin's movie houses, from the first kinetoscope parlor on Congress Avenue to the city' s first four-plex, the Aquarius 4, in southeast Austin. While most of these places are long gone, some withstood the test of time and are still showing movies or have been repurposed for other uses. Through the rich archival collections of the Austin History Center, Historic Movie Houses of Austin explores the stories of these important historic spaces and of the lives of those who were connected with them.

The Dallas Music Scene

9781467131513

$24.99

For much of the 20th century, Dallas was home to a wide range of vital popular music. By the 1920s, the streets, dance halls, and vaudeville houses of Deep Ellum rang with blues and jazz. Blind Lemon Jefferson was discovered singing the blues on the streets of Deep Ellum but never recorded in Dallas. Beginning in the 1930s, however, artists from Western swing pioneer Bob Wills to blues legend Robert Johnson recorded in a three-story zigzag moderne building at 508 Park Avenue. And from the late 1940s to the mid-1960s, a wrestling arena called the Sportatorium was home to a Saturday night country and rock-and-roll extravaganza called the Big D Jamboree.

Fort Worth's Rock and Roll Roots

9780738584997

$24.99

On the evening of February 9, 1964, Ed Sullivan introduced the Beatles to America. Across the country, teens were glued to their TV sets and witnessed a turning point in rock and roll history. Vibrant and creative teen scenes sprang up all across the country. The scene in Fort Worth, Texas, produced an exceptional burst of creativity in songwriting and musicianship. Weekend concerts and battles of the bands drew thousands of fans. Primitive teen recordings were pressed into 45s and received radio airplay in rotation with national acts. Local television shows featured live bands; fashions changed with go-go girls' skirts growing shorter; long hair became the style for women and men; and the seeds of the counterculture were planted and flourished. The music of this generation birthed every rock subgenre for the next 40 years (acid rock, heavy metal, punk, new wave, grunge), and today's musicians still reach back to these recordings for inspiration.

Historic Dallas Theatres

9781467131285

$24.99

Dallas was the show business capital of Texas and much of the South throughout the 20th century. More than 100 theatres served the city's neighborhoods, and Elm Street once boasted more than 15 vaudeville and movie theatres—second in number to Broadway. The quality of the show houses in Dallas were surpassed by few cities and all major, and most minor, Hollywood studios maintained Dallas offices. Notable names figuring in this history include Margo Jones, Blind Lemon Jefferson, Karl Hoblitzelle, Baruch Lumet, Bob Hope, Greer Garson, Linda Darnell, Howard Hughes, Clyde Barrow, Gene Autry, Oliver Stone, Pappy Dolson, Jack Ruby, Lee Harvey Oswald, Nicola Rescigno, Don Henley, and Frank Lloyd Wright.

Texas Entertainers

9781467141512

$21.99

In keeping with its reputation for size and spectacle, Texas has produced a staggering number of stars. Although many hailed from towns too small to have a post office, they occupied the spotlight on the largest of stages. Roger Miller's songs made him the "King of the Road,'? and Howard Hughes stretched his vision across the skies of the silver screen. Gene Autry won fame as a singing cowboy and Van Cliburn wore a tuxedo to international piano competitions, but both hailed from the Lone Star State. Texans penned Old Yeller and voiced Daffy Duck. From Buddy Holly to Ginger Rogers and Joan Crawford to Jimmy Dean, Bartee Haile charts the brightest constellations of Texas entertainers.

Texas Jailhouse Music

9781626198678

$21.99

Inside the Texas State Prison is a surprising story of ingenuity, optimism and musical creativity. During the mid-twentieth century, inmates at the Huntsville unit and neighboring Goree State Farm for Women captured hearts all over Texas during weekly radio broadcasts and live stage performances. WBAP's Thirty Minutes Behind the Walls took listeners inside the penitentiary to hear not only the prisonersʼ songs but also the stories of those who sang them. Captivating and charismatic, banjo player Reable Childs received thousands of fan letters with the Goree All-Girl String Band during World War II. Hattie Ellis, a young black inmate with a voice that rivaled Billie Holiday's, was immortalized by notable folklorist John Avery Lomax. Cowboys, songsters and champion fiddlers all played a part in one of the most unique prison histories in the nation. Caroline Gnagy presents the decades-long story of the Texas convict bands, informed by prison records, radio show transcripts and the words and music of the inmates themselves.