The History Press [New Releases]

For more than a century, Chicago’s leading painters, sculptors, writers, actors, dancers and architects congregated together in close-knit artistic enclaves. After the Columbian Exposition, they set up shop in places like Lambert Tree Studios and the 57th Street Artist Colony. Nationally renowned figures like Theodore Dreiser, Margaret Anderson, Frank Lloyd Wright and Louis Sullivan became colleagues, confidants and neighbors. In the 1920s, Carl Sandburg, Emma Goldman, Ernest Hemingway, Ben Hecht, Edna St. Vincent Millay and Clarence Darrow transformed the speakeasies and bohemian bistros of Towertown into Chicago’s Greenwich Village. In Old Town, Renaissance man Edgar Miller and progressive architect Andrew Rebori collaborated on the Frank Fisher Studios, one of the finest examples of Art Moderne architecture in the country. From Nellie Walker to Roger Ebert, Keith Stolte visits Chicago’s ascendant artistic spirits in their chosen sanctuaries.

A life in buildings

The son of Oregon pioneers, Walter D. Pugh spent his career as an architect building landmarks throughout his home state. From designing the Thomas Kay Woolen Mill and supervising the installation of the State Capitol dome in Salem to drawing the plans for the Crook County Courthouse in Prineville, Pugh had a hand in a wide variety of buildings. In less than twenty-five years, he worked on more than a hundred projects before fading into obscurity. Many of these structures are still standing, a testament to his skill even after his contributions have been all but forgotten.

Join author and historian Terence Emmons as he explores the life and legacy of one of Oregon's foremost architects.

Tour a stunning gallery of Gulf Coast artists that includes the overlooked treasures of nineteenth-century studios, the heroic advocacy of the Galveston Art League and the visual pioneers who earned the island community its overdue acclaim.

Since Audubon visited Galveston in 1837, artists have flocked to the island, some just passing through and others staying their entire lives. But because Galveston remained remote from the nation's cultural centers, its artistic contributions were initially largely ignored. However, the recovery effort from Great Storm of 1900 spurred a new sense of local pride and civic determination. The Cotton Carnivals attracted people throughout the state, the city's artists united to promote local art through the creation of the Galveston Art League, and photographers modernized their practices. In the early 1920s, a new generation, freed from nineteenth century traditions, started to gain attention both on and off the island. Explore Galveston's artistic heritage with Patricia Jakobi, from the landscapes of Boyer Gonzales to the sculptural portraits of Caroline Burton Claassen.