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New York City, one of the world's premier urban centers, is also home to the world's most famous and storied municipal law enforcement service: the NYPD.

Policing in New York is as old as the city itself, although much has changed since the first Dutch rattle watch patrolled streets in the 1620s. Technological improvements, advancing professional standards, and historical moments like the 1898 consolidation of New York City and the terrorist attack of September 11, 2001, have each profoundly changed the way New York City police officers do their jobs. Still, as New York City Police emphasizes, certain elements of the job remain true through the decades and centuries. Being a police officer in New York City has always involved a certain amount of danger, sacrifice, and public coordination.

A fascinating history of law and power, Pennsylvania's Coal and Iron Police documents the law enforcement group which ruled these communities from 1865 to 1931.

Pennsylvania's Coal and Iron Police ruled small patch towns and industrial cities for their coal and iron company bosses from 1865 to 1931. Armed with a gun and badge and backed by state legislation, the members of the private police force were granted power in a practically unspecified jurisdiction. Set in Pennsylvania's anthracite and bituminous regions, including Luzerne, Schuylkill, Westmoreland, Beaver, Somerset, and Indiana Counties, at a time when labor disputes were deadly, the officers are the story behind American labor history's high-profile events and attention-grabbing headlines. Paid to protect company property, their duties varied but unfortunately often resulted in strikebreaking, intimidation, and violence.

From a hot springs attraction to a central location for gangsters, gambling, moonshine and organized crime, trace the evolution of this loose buckle in the Bible belt, now a resort and major tourist destination.

In the late 1800s, Hot Springs, Arkansas, was a small town with a big attraction: hot thermal water. The federal government took possession of the downtown-area springs, and bathhouse row was born, along with the first property that would be considered a national park. Following not too far behind were great entrepreneurs who brought in gambling and prostitution to go with the area's leading industry: moonshining. By the time the 20th century rolled in, Hot Springs was booming with tourists and became America's first resort. In the early 1930s, former New York gangster Owen Madden took up residence in the spa city, and things became very organized. Gangland luminaries from Al Capone to Frank Costello made regular pilgrimages over the next few decades to what was referred to as the loose buckle in the Bible Belt.   

This is the story of Chicago's vibrant music scene in the 1960s and 1970s.

The 1960s and 1970s was a time when jazz, rock and roll, country and western, folk, blues, and R & B flowed through the streets of Chicagoland. Much has been written about the national and international talent of that time, but not enough has been written regarding local music scenes. This story focuses on the city of Chicago (along with its suburban club scene) and the homegrown performers who made the 1960s and 1970s one of the most electrifying and memorable periods in music history. Some of those players went all the way to the big time, while others made their mark and disappeared. But they all made a difference in their own way, and for those who were there, it is a time they will never forget.

What started as an institution to reform young and non-violent criminals became one of the most infamous prisons in American history.

Before 1884, most first-time offenders between the ages of 16 and 30 were housed in the Ohio Penitentiary, where they were likely to be influenced by hardened criminals. That changed when the Ohio Legislature approved the building of a reformatory, a new type of institution that would educate and train these young men. Since its opening in 1896, the reformatory expanded its training programs and became a self-sustaining institution - the largest of its kind in the United States. By 1970, the reformatory had become a maximum-security prison filled with the most dangerous criminals in the U.S., with a death row but no death chamber. It closed on December 31, 1990, but preservation and restoration efforts are ongoing, and it continues to be as infamous today as in its heyday, appearing in numerous television shows and feature films, including The Shawshank Redemption.

The kidnapping and murder of Charles Lindbergh Jr. and the subsequent arrest, trial, and execution of Bruno Richard Hauptmann have intrigued true crime buffs for decades.

New Jersey's Lindbergh Kidnapping and Trial tells the story of the case that never dies through vintage photographs. Rare photographs, many not seen since the 1930s, will allow the reader to experience the massive police investigation led by New Jersey State Police superintendent H. Norman Schwarzkopf and the circus-like trial and execution of Bruno Richard Hauptmann.

Discover how Jazz shaped the history and enhanced the life of the citizens of New Orleans.

From the days when Buddy Bolden would blow his cornet to attract an audience from one New Orleans park to another, to the brass bands in clubs and on the streets today, jazz in New Orleans has been about simple things: getting people to snap their fingers, tap their toes, get up and clap their hands, and most importantly dance! From the 1890s to World War I, from uptown to Faubourg Treme and out to the lakefront, New Orleans embraced this uniquely American form of music. Local musicians nurtured jazz, matured it, and passed it on to others. Some left the city to make their names elsewhere, while others stayed, playing the clubs, marching in the parades, and sending loved ones home with jazz funerals. Older musicians mentored younger ones, preserving the traditions that give New Orleans such an exciting jazz scene today.

Rock and roll has been as much a part of the north coast city of Cleveland as the lake that hugs it.

Ever since Cleveland disc jockey Alan Freed first called the records he was playing rock and roll, northeast Ohio has been a driving force in this musical phenomenon. From the disc jockeys who spun the music to the musicians who played it, the clubs that welcomed it and fans who encouraged it, rock and roll has been as much a part of this north coast as the lake that hugs it. It was those early years, from the 1950s on, that led Cleveland to becoming the Rock and Roll Capital of the World and ultimately home to the Rock and Roll Hall of Fame and Museum. While the city spawned several widely recognized names, such as the James Gang (with Joe Walsh), the Raspberries (with Eric Carmen), and Bobby Womack, it is the music itself that will keep this town rocking on the shores of Lake Erie, and beyond, for a long time to come.

One of the most notoriously dangerous and deadly correctional facilities in the US, this history of the legendary penitentiary in West Virginia will make you reconsider a life of crime.

In 1863, the newly formed West Virginia lacked a state penitentiary to house convicted felons. As a result, construction began in July 1866 on the West Virginia Penitentiary, the second public building constructed in the state. The infamous and foreboding West Virginia Penitentiary in Moundsville was known as one of the bloodiest institutions in the United States. With an extensive history of violence, the prison was ranked on the Department of Justice's Top Ten Most Violent Correctional Facilities list. Nearly 1,000 inmates perished within the stone walls of the prison, many of whom are said to still be serving their sentence, even after death. Many inmates were tortured, executed, murdered, or committed suicide. Plagued by these horrific events, the prison is a hotspot for paranormal activity. Images of America: West Virginia Penitentiary chronicles the fascinating history of a notorious prison from the planning stages to present day.

The Balaban and Katz Theater Corporationperfected the movie palaceconcept in Chicago, creating an extremely popular pastime that contributed greatly to Chicago's cultural identity.

The Balabans started in the movie theater business in 1908 by leasing the 100-seat Kedzie Nickelodeonon Kedzie Avenue. Balaban brothers Barney and A. J. dreamed of operating 5,000-seat movie palaces, so in 1916, they joined family friends Sam and Morris Katz to form the Balaban and Katz Theater Corporation. Their mission was to offer an unrivaled theater-going experience with the finest live performances and service. They built ornate theaters, such as the Chicago, the Uptown, and the Congress Theaters, filling them with fine furnishings, antiques, and artwork.Balaban and Katzproduced live stage shows between the movies with the likes of Bob Hope, Louis Armstrong, and Benny Goodman. Sadly, only a few of these gorgeous theaters still stand today.

Author David Balaban is named after his grandfather, one of the seven Balaban brothers who ran Balaban and Katz. Join him as he shares the stories and images of grandfather and great-uncles movie theaters.

Syracuse Television features the zaniness of Baron Daemon, lessons from the Magic Toy Shop, and live fun from Jim Deline and the Gang and The Markert Place.

Central New Yorkers have been treated to many memorable television moments since December 1, 1948, when WHEN-TV Channel 8 signed on the air for the first time. In a record 16 days after equipment arrived at its 101 Court Street site, the station was miraculously up and running. Syracuse's pioneer broadcasters were eager to explore this bold, new world with programs that would entertain, educate, and inform.  Over the years, personalities and programs became familiar to Central New Yorkers. There was news coverage from Fred Hillegas, Ron Curtis, Rod Wood, and Carrie Lazarus and weather forecasts from Stormy Meredith, Big Al Roker, Dave Eichorn, and Wayne Mahar.

Detroit broadcasting history is rich with character . . . and characters.

It began atop the Penobscot Building on October 23, 1946, when WWDT shot a signal to the convention center, part of a ""New Postwar Products Exposition."" WWJ-TV offered scheduled programming in June 1947, and WXYZ-TV and WJBK-TV jumped in a year later. The medium has influenced the city's personality and social agenda ever since. Soupy Sales turned getting a pie in the face into an art form. Mort Neff celebrated the state's outdoor charms. George Pierrot showed Detroiters the world. Other beloved personalities include: Milky the Clown, Ed McKenzie, Sonny Eliot, John Kelly, Marilyn Turner, Robin Seymour, Bill Bonds, Dick Westerkamp, Jingles, Bill Kennedy, Lou Gordon, Captain Jolly, Johnny Ginger, Auntie Dee, and many more.

Ford's Theatre in downtown Washington, DC, is best known as the notorious scene of Pres. Abraham Lincoln's assassination on April 14, 1865.

It is among the oldest and most visited sites of national tragedy in the United States. First constructed in 1833 as a Baptist church, the property was acquired by John T. Ford and converted into a theater in 1861.  Presenting almost 500 performances before the assassination, Ford afterward sold the building to the federal government. A century later, the National Park Service reconstructed the theater, and Ford's Theatre Society began presenting live performances there in 1968. Since then, the two organizations have partnered to offer more than 650,000 annual visitors an array of quality programming about Lincoln's presidency and legacy. Today, patrons can explore the Tenth Street campus, consisting of the theater, interactive museum galleries, the house where Lincoln died, and the Center for Education and Leadership.

Cincinnati Television provides an informative entertaining look at Cincinnati's broadcast history through the images and stories of its participants.

Cincinnati has a distinguished television history. Beginning before WLW-T signed on the air in February 1948, its experimental station W8XCT broadcast from the 46th floor of the Carew Tower. WKRC-TV and WCPO-TV signed on in 1949, WCET in 1954, and WXIX-TV in 1968. Since then, television has become part of the family.

Uncle Al, Skipper Ryle, Batty Hattie from Cincinnati, the Cool Ghoul, Peter Grant, Al Schottelkotte, Nick Clooney, Ruth Lyons, Paul Baby, Bob Braun, and Jerry Springer visited Cincinnati living rooms on television. Remember Midwestern Hayride, TV Dance Party, PM Magazine, Juvenile Court, Young People's Specials, Lilias, Dotty Mack, Bob Shreve, Mr. Hop, Bean's Clubhouse, The Last Prom, and Ira Joe? They are part of the collective Cincinnati history, part of the Cincinnati culture, and part of the Cincinnati family.

Jim Friedman is a Cincinnati native and resident wordsmith who has created television shows since 1979. He has won 56 regional Emmy Awards for writing, directing, and producing television shows for WCPO-TV, WKRC-TV, WLWT, WXIX, and WCET. He created The Celebrate Series, The Dooley Show, Everyday Freedom Heroes, and the Dreambuilder movies. In Cincinnati Television, he shares memories from in front of the camera, behind the scenes, and all over town.

Readers who enjoy the peacefulness of cemeteries and those who are interested in the history of California alike will enjoy this insightfully crafted guide to the cemeteries of Sacramento County. Beneath the oak canopies and sun-drenched fields of Sacramento County lie silent witnesses to more than a century of local history. Sacramento County Cemeteries takes readers on a visual journey through the region’s burial grounds, from early family plots to expansive memorial parks, capturing the evolving story of the community through the places where its people rest. Guided by compelling imagery and thoughtful context, this book explores the cultural legacy of Sacramento through its cemeteries. Each site reveals a piece of the past—stories of native peoples, performers, civic leaders, immigrants, and even a few beloved animal companions—preserved in stone and landscape. More than a pictorial archive, this book is a tribute to the lives, memories, and past that continue to shape the region.

Colette Kavanaugh is a resident and business owner in Arden-Arcade, Sacramento. She is a member of the Old City Cemetery Committee and performs annually in the Lantern Tours at the Sacramento Historic City Cemetery. She has also published a book celebrating the Arden-Arcade community. Photographs in this book come from the Sacramento Room at the Sacramento Public Library, the Center for Sacramento History, the California State Library, and local historical societies.

Images of America: Delaware State Police illustrates the storied past of the Delaware State Police from 1920 to 1985.

April 28, 1923, marks the birth of the Delaware State Police. Discussions occurred as early as 1906 for a statewide police organization to cope with speeding automobiles, roving bands of troublemakers, and the ever-present bootleggers. Prohibition and the 18th Amendment brought the discussion to the forefront. With the hiring of Charles J. McGarigle and Joseph A. McVey, the Delaware Highway Police Department came to fruition on January 1, 1920. Using many never-before-published photographs from the Delaware State Police Museum archive,

In 1855, Rev. David W.Bacon became the first bishop of the Diocese of Portland, which included Maine and New Hampshire.

Between the two states, six priests and eight churches ministered to a few hundred Catholics. In the following years, Bacon founded 63 churches, ordained 52 priests, built 23 schools, and attended to a Catholic population of about 80,000. In 1884, New Hampshire became an independent diocese. By 1903, founding bishop Denis Bradley introduced over 30 missions; parishes; schools, including Saint Anselm College; and charitable services. Since its inception in 1884, ten bishops selected from New Hampshire and other states have honored the Diocese of Manchester with their leadership. Throughout most of the 20th century, New Hampshire experienced growth in vocations and education. Starting in the 1970s, there was a decline of parochial students, vocations, and sacramental reception.Today, over 250,000 Catholics worship in the Granite State within 89 parishes.

Barbara D. Miles, former archivist for the Diocese of Manchester, is currently assistant archivist for the Diocese of Portland, Maine. She serves the church as archivist, author and lecturer, and consultant. Diocesan archives, parishes, and private collectors provided sources for this publication.

Detroit has always been at the forefront of American popular music development, and the ragtime years and jazz age are no exception.

The city's long history of diversity has served the region well, providing a fertile environment for creating and nurturing some of America's most distinctly indigenous music. With a focus on the people and places that made Detroit a major contributor to America's rich musical heritage, Detroit: Ragtime and the Jazz Age provides a unique photo journal of a period stretching from the Civil War to the diminishing years of the big bands in the early 1940s.

When the Peerless Quartet wrote “Way Down On Tampa Bay” in 1914, Tampa Bay’s musical roots started growing.

Tampa Bay is where Ray Charles created his first song, Hank Ballard wrote and recorded “The Twist,” and the Rolling Stones cranked out their hit “Satisfaction.” Stephen Stills attended both Plant High School and Admiral Farragut Academy, and Jim Morrison studied at St.Petersburg Junior College. Ella Fitzgerald kicked off her career on the storied Central Avenue in Ybor City. Savatage, Stranger, Diamond Grey, the Outlaws, Bleeding Hearts, Blackkout, the Arena Twins, Tampa Red, and Cheeky Monkey are all artists who have made a huge impact both locally and nationally. From its rock ‘n’ roll boom in the 1960s to the birth of death metal in the 1980s ...Tampa Bay has had a rich musical history!

In this book, national recording artist Charlie Souza (the Tropics, Tom Petty’s Mudcrutch, and the New Rascals) and Keith Wilkins (longtime bay-area music columnist, concert promoter, and founder of the Tampa Bay Music Scene Historical Society) have compiled over 150 photographs and accompanying details in order to help preserve and honor Tampa Bay’s rich musical history and give the talented artists who comprise it the respect they rightfully deserve.

In this carefully researched volume, native Milwaukeean Al Dickenson brings historic Catholic churches and communities to life. Drawing from personal, parish, and institutional collections, the photographs capture striking architectural details alongside the people and moments that defined parish life—from prominent clergy and parishioners to pivotal events in Milwaukee’s history. 

Since the city of Milwaukee’s first Mass in 1835 in the home of the Catholic and future first mayor of Milwaukee, Solomon Juneau, Milwaukee’s history and growth have been closely entwined with Catholicism. In the archdiocese’s first century, nearly 70 parishes were founded across what would become Milwaukee. Germans, Irish, Slovenians, Poles, Mexicans, African Americans, Kashubs, and many others found not only spiritual homes within these parishes but vital centers of faith, culture, and community for generations. Diocesan priests and religious orders alike, such as the Jesuits, Pallottines, and Salvatorians, shaped neighborhoods and left lasting marks on the city’s religious and architectural landscape. This book provides an excellent example of why Milwaukee is referred to as the “City of Steeples.”

Even beyond Atlanta, this amazing, Moorish-style icon is known by most not by its legal name, the Fox Theatre, but as the Fabulous Fox.

Constructed in the late 1920s as a temple for the Yaarab Shrine, the imposing yellow-brick building was designed to out Baghdad Baghdad in its elaborate Middle Eastern appearance. But the onion-domed exterior with its faux prayer towers is nothing compared to the elaborate interior. Movie mogul William Fox leased the auditorium from the Shriners in 1929, transforming it into a movie palace like no other. The theater became a place of spectacular premieres and world-class performances until changing times threatened its very existence in the 1970s. The campaign to Save the Fox proved more dramatic than some of the performances that graced Fox's own stage. Today, the Fabulous Fox is one of Atlanta's best-known and most cherished landmarks.

Sheltered between marsh and flatlands, the Montezuma Hills of Solano County are home to generations of farmers, fishermen, and folks seeking respite from cities. The community began in 1846 with a lone adobe house, built on a hillside for a future Mormon colony. The Mormons never arrived; however, many others did. Homesteaders, tradesmen, and innovators found a river of bountiful salmon, fields lush with wild oats, and opportunities to build new lives. Thriving villages sprouted along the sloughs—Collinsville, Birds Landing, and Denverton. Although these towns are nearly forgotten, the pioneers’ legacy has left an enduring imprint on the land. This book honors the community, the people who settled the area, and their descendants, whose generous contribution of time, memories, and photographs has made this book possible.

Jolie Anderson Gallagher, a fourth-generation descendant of Danish immigrants, was born and raised in the Montezuma Hills. After earning a degree in English/creative writing at the University of California, Davis, she worked as a reporter for the Dixon Tribune before launching a 35-year career in technical writing. Although now retired in the Colorado mountains, Gallagher will forever be that farm girl who ran barefoot through fields of wheat. 

With over 500 miles of shoreline, the fireboats of the FDNY have protected the city of New York for the last century and a half. Utilizing historic images, David Rocco showcases their fascinating evolution from wooden-hull tugboats to modern-day specialized watercraft.

The Fire Department of the City of York (FDNY), first utilized the New York Police Department’s steam powered vessel, Seneca in 1862. In 1875, the FDNY purchased their first fireboat, the Havemeyer, a wooden-hulled steam powered vessel retrofitted with basic firefighting equipment. By the beginning of the 20th century, the FDNY averaged ten fireboats in their fleet.

David Rocco has been involved as a volunteer for many cultural and environmental initiatives in the Hudson Valley and NYC. He played a seminal role in the successful development of the Walkway Over the Hudson project. David is also the co-author of The Indestructible Man, a book about Navy legend Dixie Kiefer. 

The Nassau County Police Department was created in 1925 out of an urgent need for a professional law enforcement agency to provide swift, reliable, and trusted protection for its citizens

During those unprecedented times, Greater New York was rapidly encroaching on Nassau County's western border, and the escalating crime rate in this bucolic island setting was due in large part to the Volstead Act, which ushered in the mob-infused Roaring Twenties, with its related violent and turbulent unrest. After the rebellious 1920s and the Great Depression followed a long dark period of global hostilities and impending threats of homeland invasions from foreign enemies in World War II. The founding members of this department, equipped with little other than their dedication, bravery, fortitude, and self sacrifices, established a strong foundation for one of the finest police departments in the country today.

Cleveland's Playhouse Square documents the fascinating history of the five theatres which boomed, beginning in the 1920s.

In the early 1920s, five opulent theaters—the Allen, the Ohio, the State, the Palace, and the Hanna—opened on a stretch of Euclid Avenue in Cleveland. They offered legitimate theater, vaudeville, name bands and entertainers, and films for the affluent and hardworking citizens of this booming industrial city. Unfortunately, the introduction of television and the flight to the suburbs in the 1950s and 1960s turned the theaters into ghost palaces destined for the wrecking ball. In 1970, a bold group of planners led by Raymond K. Shepardson formed the Playhouse Square Association, a nonprofit group dedicated to saving the theaters. A 25-year restoration endeavor emerged that raised $53 million, culminating in the largest theater restoration project in the world. Today Playhouse Square Center ranks second only to New York's Lincoln Center as North America's largest performing arts complex.