African-American

An inside look at the music born, bred, and perfected in Chicago.

Chicago house music originated in the city’s Black, gay underground in the late seventies and became one of the most popular musical genres in the world by the end of the century. In Chicago House Music: Culture and Community, Marguerite Harrold tells the story of the genre’s rise and the prolific creators who have sustained it for decades. You’ll learn about house music’s early innovators, like Ron Hardy and Frankie Knuckles, who transformed the social and political turmoil around them into a revolution in dance music. You’ll also hear remembrances from contemporary figures in the house community, like DJ Lady D, Avery R. Young, Czboogie and Edgar “Artek” Sinio, who have forged new paths as the genre has evolved. It’s a story about much more than music—it’s about a community struggling for acceptance, love, liberation, and freedom, and about the creative pioneers whose resilience helped turn house music into a worldwide phenomenon.

Full of interviews and first-hand accounts from the people who stood behind the turntables, carried crates of records, or danced until dawn, Chicago House Music is the history of an art form that continues to be a force for social interaction, spiritual liberation, and community today. 

Cincinnati played a large part in creatng a refuge for escaped salaves and in the Underground Railroad movement.

Nearly a century after the American Revolution, the waters of the Ohio River provided a real and complex barrier for the United States to navigate. While this waterway was a symbol of freedom and equality for thousands of enslaved black Americans who had escaped from the horrible institution of enslavement, the Ohio River was also used to transport thousands of slaves down the river to the Deep South. Due to Cincinnati's location on the banks of the river, the city's economy was tied to the slave society in the South. However, a special cadre of individuals became very active in the quest for freedom undertaken by African American fugitives on their journeys to the North. Thanks to spearheading by this group of Cincinnatian trailblazers, the ""Queen City"" became a primary destination on the Underground Railroad, the first multiethnic, multiracial, multiclass human-rights movement in the history of the United States.

Once considered the most famous African-American resort community in the country, Idlewild was referred to as the Black Eden of Michigan in the 1920s and '30s, and as the Summer Apollo of Michigan in the 1950s and '60s.

Showcasing classy revues and interactive performances of some of the leading black entertainers of the period, Idlewild was an oasis in the shadows of legal segregation. Idlewild: Black Eden of Michigan focuses on this illustrative history, as well as the decline and the community's contemporary renaissance, in over 200 rare photographs. The lively legacy of Lela G. and Herman O. Wilson, and Paradise Path is included, featuring images of the Paradise Club and Wilson's Grocery. Idlewild continued its role as a distinctive American resort throughout the 1950s, with photographs ranging from Phil Giles' Flamingo Club and Arthur Braggs's Idlewild Revue.

Between 1914 and 1951, Black Bottom's black community emerged out of the need for black migrants to find a place for themselves.

Because of the stringent racism and discrimination in housing, blacks migrating from the South seeking employment in Detroit's burgeoning industrial metropolis were forced to live in this former European immigrant community. During World War I through World War II, Black Bottom became a social, cultural, and economic center of struggle and triumph, as well as a testament to the tradition of black self-help and community-building strategies that have been the benchmark of black struggle. Black Bottom also had its troubles and woes. However, it would be these types of challenges confronting Black Bottom residents that would become part of the cohesive element that turned Black Bottom into a strong and viable community.

Vivian Gibson's bestselling memoir of growing up in the 1950s in a segregated St. Louis neighborhood has been hailed by critics as a spare, elegant jewel of a work and a love letter to Gibson's childhood.

Vivian Gibson grew up in Mill Creek Valley, a segregated working-class neighborhood in St. Louis that was razed in 1959 to build a highway, an act of racism disguised under urban renewal as progress. A moving memoir of family life at a time very different from the present, The Last Children of Mill Creek chronicles the everyday lived experiences of Gibson's large family―her seven siblings, her crafty, college-educated mother, and her hard-working father―and the friends, shop owners, church ladies, teachers, and others who made Mill Creek into a warm, tight-knit African American community. In Gibson's words, This memoir is about survival, as told from the viewpoint of a watchful young girl―a collection of decidedly universal stories that chronicle the extraordinary lives of ordinary people.

Winner of a Missouri Humanities award for literary achievement, The Last Children of Mill Creek is an important book for anyone interested in urban development, race, and community history―or for anyone who was once a child.

Here is the black Chicago family album, of African Americans leaving the violent, racist South and ""goin' to Chicago"" to find the American Dream.

The story of black Chicago is so rich that few know it all. It began long before the city itself. Wells, the Eighth Regiment, Jesse Jackson, Oprah, and much more . . . including a guy named Obama. ""The first white man here was a black man,"" Potowatami natives reportedly said about Jean Baptiste Point DuSable, the brown-skinned man recognized as Chicago's first non-Indian settler. It's all here: from the site of DuSable's cabin--now smack-dab in the middle of Chicago's Magnificent Mile--to images of famous and infamous residents like boxers Jack Johnson, Muhammad Ali, and Joe Louis. Here are leaders and cultural touchstones like Jesse Binga's bank, Robert S. Abbott's Chicago Defender, legendary filmmaker Oscar Micheaux, Ida B. Here is the black Chicago family album, of folks who made and never made the headlines, and pictures and stories of kinship and fellowship of African Americans leaving the violent, racist South and ""goin' to Chicago"" to find their piece of the American Dream. Chicago has been called the ""Second City,"" but black Chicago is second to none.

An ambitious, honest portrait of the Black experience in flyover country. One of The St. Louis Post Dispatch's Best Books of 2020.

Black Americans have been among the hardest hit by the rapid deindustrialization and accompanying economic decline that have become so synonymous with the Midwest. After the 2016 election, many traditional media outlets renewed their attention on the conditions of Middle America, but they often marginalized or completely overlooked the experience of the Black people who live there.

Edited by Terrion Williamson, the director of the Black Midwest Initiative, Black in the Middle places the voices of Black midwesterners front and center. Filled with compelling personal narratives, thought-provoking art, and searing commentaries, this anthology explores the various meanings and experiences of blackness throughout the Rust Belt, the Midwest, and the Great Plains. It brings together people from major metropolitan centers like Detroit and Chicago as well as smaller cities and rural areas where the lives of Black residents have too often gone unacknowledged to create a timely, compelling collection that allows predominantly Black Midwesterners to reclaim their home, histories, and future.

A much-needed corrective to common narratives about the Midwest.

In January of 1963, Bradley Hall, and the student records it contained, was destroyed by fire. No effort was made until now to reconstruct or document the African-American population and its contributions to the institution. Using annuals, student newspapers, and photos provided by African-American alumni, this nearly lost history is being documented for the first time.

The story begins in 1794, when evidence points to the first black inhabitant of Fort Wayne. The first known, free black in the area was identified in 1809. During the early part of the 1800s, Indiana state funds partially financed a movement to send Indiana blacks to Liberia. Few left, and those who remained worked diligently to make Fort Wayne their own. The fruits of their labor can be partially seen in the development of the first black church, Turner Chapel A.M.E., which was started in 1849 and has been a pillar of the community since its completion. A migration of African Americans from the south, due to industrialization, greatly increased the population from 1913 through 1927, and new churches, organizations, and opportunities were developed. Today, the black community in Fort Wayne is rightfully proud of its extensive past.

The history of west central Illinois is presented here through memorable photographs and rare documents dating back to before, during, and after the Civil War. This book introduces a wide variety of characters, including 18th century explorer Jean Baptiste Point DuSable, pioneer "Free Frank" McWhorter, and comedian Richard Pryor.

A fascinating look at Ann Arbor's heroic African-American communitiy's journey and progress. A must-have for African-American and Michigan history enthusiasts.

The black community in the Ann Arbor area includes Bethel African Methodist Episcopal Church, Second Baptist Church, Brown Chapel, theAnn Arbor Community Center, the old Jones School, and other well-remembered places.

The photographs representing this history follow the progress of the African American community from 1857, when the Rev. J. M. Gregory gathered together a small congregation at 504 High Street, to 1996, when Dr. Homer Neal assumed leadership of the University of Michigan as its interim president. This integral but little-known part of Ann Arbor area history is preserved in Another Ann Arbor.

A history of the Cream City's lost Black neighborhood told by the people who lived there

Some people don't have to imagine what Milwaukee's Bronzeville was like. They have only to remember. They recall Walnut Street alive with businesses serving a hard-working Black population making something out of the meager resources available to them. They describe religious establishments such as St. Marks Methodist Episcopal, St. Benedict the Moor, Calvary Baptist, and St. Matthews CME attending to the spiritual life and remember the Flame, the Metropole, and Satin Doll night clubs taking care of entertainment and secular needs. Above all, they recollect a people looking out for the well-being of all within its realm.

Gathering interviews with residents of the now vanished neighborhood, Dr. Sandra E. Jones reimagines Bronzeville not just as a place, but as a spirit engendered by a people determined to make a way out of no way.

Fascinating images of Cincinnati's African-American heritage.

Located on the banks of the Ohio River, Cincinnati was incorporated as a town in 1802. It became a major stop on the Underground Railroad and the gateway to the North for thousands of African Americans during the Great Migration after the Civil War. Cincinnati's African-American heritage is revealed here through images of African-American life in the community, churches, education, politics, entrepreneurship, civil rights, community benevolence and sports.

The honesty of the voices within this illuminating oral history will draw you into the Grant County of yesteryear, and leave you feeling as if you were really there.

""There's a story that goes like this . . ."" So begins Delores Betts, one of the dozens of people whose memories and recollections of African-American life in Grant County over the past century and a half are preserved within what may well be the most intriguing and inspiring history you will ever read. We invite you to join Barbara Stevenson and the dozens of others in this delightful journey back in time. It is an experience that we promise you will never forget.

Located north of Cincinnati in the Mill Creek Valley, Lincoln Heights was the first African American self-governing community north of the Mason-Dixon Line.

The development of Lincoln Heights began in 1923 when the Haley-Livingston Land Companyof Chicago sold lots to black families in an unincorporated area called the Cincinnati Industrial Subdivision, now the southern section of Lincoln Heights.

Water and sewerage were provided by special assessment through the Works Progress Administration, there were no building and zoning code services, fire and police protection were virtually nonexistent, and street maintenance and lighting were extremely inadequate. In 1939, residents of the area began efforts to incorporate so they could provide safety and necessary services for their growing community. Several of the original petitioners for incorporation lived in the Valley View subdivision, which later became the Wright Aeronauticalplant, where many black migrants from the South came to help manufacture the famous B-29 bomber.

Nadine McIlwain and Geraldine Radcliffe reveal the celebrated legends, unsung heroes and historic firsts of African Americans residing in the Canton community.

From Canton's earliest days, the black population has contributed to the city's, and even the nation's, prominence and prosperity. During World War II, nineteen-year-old Harold White joined the famed Tuskegee Airmen of the Ninety-Ninth Fighter Squadron. Only a few years later, Dorothy White persevered through prejudice to become Canton's first black teacher, paving the way for a long line of dedicated teachers stretching to the present day. Renowned R&B group the O'Jays formed in Canton, and professional golfer Renee Powell is just one of many local athletes to reach the heights of her profession.