African-American

Once considered the most famous African-American resort community in the country, Idlewild was referred to as the Black Eden of Michigan in the 1920s and '30s, and as the Summer Apollo of Michigan in the 1950s and '60s.

Showcasing classy revues and interactive performances of some of the leading black entertainers of the period, Idlewild was an oasis in the shadows of legal segregation. Idlewild: Black Eden of Michigan focuses on this illustrative history, as well as the decline and the community's contemporary renaissance, in over 200 rare photographs. The lively legacy of Lela G. and Herman O. Wilson, and Paradise Path is included, featuring images of the Paradise Club and Wilson's Grocery. Idlewild continued its role as a distinctive American resort throughout the 1950s, with photographs ranging from Phil Giles' Flamingo Club and Arthur Braggs's Idlewild Revue.

Cincinnati played a large part in creatng a refuge for escaped salaves and in the Underground Railroad movement.

Nearly a century after the American Revolution, the waters of the Ohio River provided a real and complex barrier for the United States to navigate. While this waterway was a symbol of freedom and equality for thousands of enslaved black Americans who had escaped from the horrible institution of enslavement, the Ohio River was also used to transport thousands of slaves down the river to the Deep South. Due to Cincinnati's location on the banks of the river, the city's economy was tied to the slave society in the South. However, a special cadre of individuals became very active in the quest for freedom undertaken by African American fugitives on their journeys to the North. Thanks to spearheading by this group of Cincinnatian trailblazers, the ""Queen City"" became a primary destination on the Underground Railroad, the first multiethnic, multiracial, multiclass human-rights movement in the history of the United States.

Between 1914 and 1951, Black Bottom's black community emerged out of the need for black migrants to find a place for themselves.

Because of the stringent racism and discrimination in housing, blacks migrating from the South seeking employment in Detroit's burgeoning industrial metropolis were forced to live in this former European immigrant community. During World War I through World War II, Black Bottom became a social, cultural, and economic center of struggle and triumph, as well as a testament to the tradition of black self-help and community-building strategies that have been the benchmark of black struggle. Black Bottom also had its troubles and woes. However, it would be these types of challenges confronting Black Bottom residents that would become part of the cohesive element that turned Black Bottom into a strong and viable community.

Known as the birthplace of black capitalism, Richmond had one of the largest black business districts in America at the turn of the 20th century.

Richmond, Virginia boasts a proud legacy of achievement among its African-American residents. Medical pioneers, civil rights activists, education leaders, and enterprising bankers are listed among the city's African-American sons and daughters. As individuals these men and women made their mark not only on Richmond's, but also the nation's, history. As a community, they have endured centuries of change and worked together for the common good. In their determined faces and in unforgettable scenes of the past, we celebrate and pay tribute to their history.

Seen on the roadways of Charleston County and in museums and galleries worldwide, handmade sweetgrass baskets have been crafted in the Christ Church Parish of Mount Pleasant, SC for more than 300 years.

An ancient African art, sweetgrass basket making utilizes sweetgrass, bullrush, pine needles, and palm leaves to create unique, handmade pieces. Traditionally, artisans use a piece of the rib bone of a cow and a pair of scissors as their only tools for construction. When English settlers founded Christ Church Parish in the late 1600s, they saw a place rich in natural beauty and ideal for harvesting rice, cotton, and indigo. Skilled agricultural laborers were needed, and consequently, South Carolina became the top importer of enslaved West Africans. Finding a landscape similar to their homeland, those who came kept many of their traditional practices. Today, the richness of the West African presence can be seen in Charleston's architecture, basketry, and ironworks.

The Baltimore African-American community, with its well-known personalities and cultural contributions have made the town what it is today.

Throughout the years, the city of Baltimore has played host to many well-known figures, including Louis Armstrong, Duke Ellington, and boxer Joe Louis; the city has been called home by Billie Holiday, Frederick Douglass, and Thurgood Marshall. But it is the local African-American community's members, working diligently to advance and empower themselves, who made history while they lived it.

Here is the black Chicago family album, of African Americans leaving the violent, racist South and ""goin' to Chicago"" to find the American Dream.

The story of black Chicago is so rich that few know it all. It began long before the city itself. Wells, the Eighth Regiment, Jesse Jackson, Oprah, and much more . . . including a guy named Obama. ""The first white man here was a black man,"" Potowatami natives reportedly said about Jean Baptiste Point DuSable, the brown-skinned man recognized as Chicago's first non-Indian settler. It's all here: from the site of DuSable's cabin--now smack-dab in the middle of Chicago's Magnificent Mile--to images of famous and infamous residents like boxers Jack Johnson, Muhammad Ali, and Joe Louis. Here are leaders and cultural touchstones like Jesse Binga's bank, Robert S. Abbott's Chicago Defender, legendary filmmaker Oscar Micheaux, Ida B. Here is the black Chicago family album, of folks who made and never made the headlines, and pictures and stories of kinship and fellowship of African Americans leaving the violent, racist South and ""goin' to Chicago"" to find their piece of the American Dream. Chicago has been called the ""Second City,"" but black Chicago is second to none.

From Nashville's earliest days as a pioneer town in Middle Tennessee, it would be nothing without its African American community.

Like many cities of the Antebellum South, Nashville was built by enslaved people, as African Americans built the first successful water system, maintained the streets, cultivated crops, and bred livestock. For years, Nashville was considered one of the wealthiest Southern cities, but after the Civil War, it struggled to regain that status while its newly freed Black citizens struggled to survive the South's Reconstruction and subsequent Jim Crow laws. As the Civil Rights era brought long-needed reforms, the Black community of Nashville has persevered through their determination, spiritual strength, and the unique leadership fostered by the visionary city they call home.

Long before it came to prominence as the model city of the New South, Atlanta was a hotbed of entertainment, business, and civic life for African Americans.

At the same time that Harlem was undergoing its acclaimed renaissance, Atlanta could boast of excellent colleges, a thriving social environment, and an entertainment scene that could rival those of much larger cities, eventually earning the title "the new Motown. '? From Auburn Avenue, the hub of the city's African American activity, a spirit of vibrant change and excitement radiated out to reach people across America, and draw them into the Hollywood of the South.

But it is not only this tragedy that has given Walton County a sense of identity. Indeed, other lesser-known events and accomplishments have contributed to its history. Whether boasting Atlanta's first black millionaire, a member of the U.S. Olympic basketball team, or a high school state football championship, Walton County has thrived both in and out of the national spotlight.

In January of 1963, Bradley Hall, and the student records it contained, was destroyed by fire. No effort was made until now to reconstruct or document the African-American population and its contributions to the institution. Using annuals, student newspapers, and photos provided by African-American alumni, this nearly lost history is being documented for the first time.

The story begins in 1794, when evidence points to the first black inhabitant of Fort Wayne. The first known, free black in the area was identified in 1809. During the early part of the 1800s, Indiana state funds partially financed a movement to send Indiana blacks to Liberia. Few left, and those who remained worked diligently to make Fort Wayne their own. The fruits of their labor can be partially seen in the development of the first black church, Turner Chapel A.M.E., which was started in 1849 and has been a pillar of the community since its completion. A migration of African Americans from the south, due to industrialization, greatly increased the population from 1913 through 1927, and new churches, organizations, and opportunities were developed. Today, the black community in Fort Wayne is rightfully proud of its extensive past.

The history of west central Illinois is presented here through memorable photographs and rare documents dating back to before, during, and after the Civil War. This book introduces a wide variety of characters, including 18th century explorer Jean Baptiste Point DuSable, pioneer "Free Frank" McWhorter, and comedian Richard Pryor.