African-American

Cincinnati played a large part in creatng a refuge for escaped salaves and in the Underground Railroad movement.

Nearly a century after the American Revolution, the waters of the Ohio River provided a real and complex barrier for the United States to navigate. While this waterway was a symbol of freedom and equality for thousands of enslaved black Americans who had escaped from the horrible institution of enslavement, the Ohio River was also used to transport thousands of slaves down the river to the Deep South. Due to Cincinnati's location on the banks of the river, the city's economy was tied to the slave society in the South. However, a special cadre of individuals became very active in the quest for freedom undertaken by African American fugitives on their journeys to the North. Thanks to spearheading by this group of Cincinnatian trailblazers, the ""Queen City"" became a primary destination on the Underground Railroad, the first multiethnic, multiracial, multiclass human-rights movement in the history of the United States.

Once considered the most famous African-American resort community in the country, Idlewild was referred to as the Black Eden of Michigan in the 1920s and '30s, and as the Summer Apollo of Michigan in the 1950s and '60s.

Showcasing classy revues and interactive performances of some of the leading black entertainers of the period, Idlewild was an oasis in the shadows of legal segregation. Idlewild: Black Eden of Michigan focuses on this illustrative history, as well as the decline and the community's contemporary renaissance, in over 200 rare photographs. The lively legacy of Lela G. and Herman O. Wilson, and Paradise Path is included, featuring images of the Paradise Club and Wilson's Grocery. Idlewild continued its role as a distinctive American resort throughout the 1950s, with photographs ranging from Phil Giles' Flamingo Club and Arthur Braggs's Idlewild Revue.

In the early 1900s, an indomitable entrepreneurial spirit brought national renown to Tulsa's historic African American community, the Greenwood District.

This "Negro Wall Street" bustled with commercial activity. In 1921, jealously, land lust, and racism swelled in sectors of white Tulsa, and white rioters seized upon what some derogated as "Little Africa," leaving death and destruction in their wake. In an astounding resurrection, the community rose from the ashes of what was dubbed the Tulsa Race Riot with renewed vitality and splendor, peaking in the 1940s. In the succeeding decades, changed social and economic conditions sparked a prodigious downward spiral. Today's Greenwood District bears little resemblance to the black business mecca of yore. Instead, it has become part of something larger: an anchor to a rejuvenated arts, entertainment, educational, and cultural hub abutting downtown Tulsa.

The Tulsa experience is, in many ways, emblematic of others throughout the country. Through context-setting text and scores of captioned photographs, Images of America: Tulsa's Historic Greenwood District provides a basic foundation for those interested in the history of Tulsa, its African American community, and race relations in the modern era. Particularly for students, the book can be an entry point into what is a fascinating piece of American history and a gateway to discoveries about race, interpersonal relations, and shared humanity.

Between 1914 and 1951, Black Bottom's black community emerged out of the need for black migrants to find a place for themselves.

Because of the stringent racism and discrimination in housing, blacks migrating from the South seeking employment in Detroit's burgeoning industrial metropolis were forced to live in this former European immigrant community. During World War I through World War II, Black Bottom became a social, cultural, and economic center of struggle and triumph, as well as a testament to the tradition of black self-help and community-building strategies that have been the benchmark of black struggle. Black Bottom also had its troubles and woes. However, it would be these types of challenges confronting Black Bottom residents that would become part of the cohesive element that turned Black Bottom into a strong and viable community.

See why and how Pine Bluff/Jefferson County has been one of the Arkansas Delta's most culturally-rich areas since its inception in 1829.

Serving as a haven for runaway slaves during the late years of the Civil War, the Pine Bluff/Jefferson County area attracted droves of African-Americans throughout the Delta and south Arkansas. Brimming with talent and expectations, they and their descendants traveled a road full of extremes. Although they endured what appears to have been the largest mass lynching in United State history in 1866, they also attained one of the largest per-capita concentrations of black wealth in the entire South by 1900.

As the hands that labored in the area's boundless cotton fields and sawmills joined with the hands that held books at the state's only historically black public college, astonishing accomplishments were churned out in every imaginable field. Naturally, Pine Bluff/Jefferson County's Delta roots made its blues, jazz, and gospel contributions a source of pride, with native or area-affiliated artists receiving multiple Grammy awards and nominations, as well as other distinctions.

Seen on the roadways of Charleston County and in museums and galleries worldwide, handmade sweetgrass baskets have been crafted in the Christ Church Parish of Mount Pleasant, SC for more than 300 years.

An ancient African art, sweetgrass basket making utilizes sweetgrass, bullrush, pine needles, and palm leaves to create unique, handmade pieces. Traditionally, artisans use a piece of the rib bone of a cow and a pair of scissors as their only tools for construction. When English settlers founded Christ Church Parish in the late 1600s, they saw a place rich in natural beauty and ideal for harvesting rice, cotton, and indigo. Skilled agricultural laborers were needed, and consequently, South Carolina became the top importer of enslaved West Africans. Finding a landscape similar to their homeland, those who came kept many of their traditional practices. Today, the richness of the West African presence can be seen in Charleston's architecture, basketry, and ironworks.

African Americans have lived in Boyle County, Kentucky, since the first settlement of the area in 1775. Mostly enslaved, by the Civil War, the county had one of the largest population of free Blacks in the area with the exception of Jefferson and Fayette Counties.

Their presence in Danville, the county seat, but also in population centers scattered throughout the county resulted in a deep and broad influence, much of which was lost in the early 1900s due to out-migration, deaths, and especially urban renewal between 1963 and 1975. Within Danville, the South Second Street area was the heart of the Black community. Restaurants, groceries, pool halls, barbershops, and beauty shops were the center of commerce from the 1890s until the 1970s. The Bate School also drew students from the outlying settlements that did not have high schools of their own. Today, the majority of the African American community continues to live in the city of Danville, with small pockets in Perryville and outlying areas of Boyle County.

Michael Thomas Hughes is a native of Boyle County and grew up in a segregated society. Michael J. Denis is a retired history teacher from Maine who moved to Boyle County and immediately fell in love with its history. The photographs in this book are mostly from the Danville Boyle County African American Historical Society Inc. collection (DBCAAHS), of which the authors are charter members.

African Americans are greatly responsible for the impressive growth of Durham County in North Carolina, once known as the "Capital of the Black Bourgeoisie".

Durham County, North Carolina, once called the "Chicago of the South" and the "Capital of the Black Bourgeoisie," has long occupied an important place in the hearts and minds of those who called Durham County home. African Americans have played a vital role in the growth and development of the region over the years, from antebellum times to Reconstruction to the Civil Rights era and in the present. The African American citizens of this historic Tar Heel county share an impressive story marked by determination, economic achievement, and resilience, and they have made a difference in all walks of life - educational, religious, civic, and commercial. This pictorial history reflects upon the rich and vibrant role that African Americans played in the area following emancipation. In its earliest stages, residents in such neighborhoods as Hayti, Hickstown, Crest Street, Pearsontown, the West End, the East End, and Walltown each created sturdy surviving communities that have shaped Durham.

African Americans have made rich contributions to Florida throughout its history in all avenues of public and private life, from education, to business, to politics, a keystone of which was the ability to own and sell property. Author Jada Wright-Greene showcases this legacy through historic photographs of black American's homes, detailing the lives of the people who lived in them through engaging narrative.

The fourth president of the United States, James Madison, and his wife, Dolley, stamped their influence throughout Culpeper, Orange, Madison, and Rappahannock Counties with their plantation, Montpelier, and the enslaved men and women who supported them.

One of those enslaved men, Paul Jennings, whose sons later became Union soldiers during the Civil War, penned his memoir in 1865. The legacy of slavery undergirds the region, and its ravages are undeniably on the faces of minority residents. The Civil War also has a footprint throughout the region; one example is the Battle of Cedar Mountain where, more than 85 years later, the first regional high school for minority children was built. Celebrants include World War I veteran Newman Nighten Gibson, of the 370th Infantry; Nannie Helen Burroughs, who founded a school for African American girls in Washington, DC; and Edna Lewis, who became a master chef in New York in her 30s and later was honored by the US Postal Service on a forever stamp.

Here is the black Chicago family album, of African Americans leaving the violent, racist South and ""goin' to Chicago"" to find the American Dream.

The story of black Chicago is so rich that few know it all. It began long before the city itself. Wells, the Eighth Regiment, Jesse Jackson, Oprah, and much more . . . including a guy named Obama. ""The first white man here was a black man,"" Potowatami natives reportedly said about Jean Baptiste Point DuSable, the brown-skinned man recognized as Chicago's first non-Indian settler. It's all here: from the site of DuSable's cabin--now smack-dab in the middle of Chicago's Magnificent Mile--to images of famous and infamous residents like boxers Jack Johnson, Muhammad Ali, and Joe Louis. Here are leaders and cultural touchstones like Jesse Binga's bank, Robert S. Abbott's Chicago Defender, legendary filmmaker Oscar Micheaux, Ida B. Here is the black Chicago family album, of folks who made and never made the headlines, and pictures and stories of kinship and fellowship of African Americans leaving the violent, racist South and ""goin' to Chicago"" to find their piece of the American Dream. Chicago has been called the ""Second City,"" but black Chicago is second to none.

Long before it came to prominence as the model city of the New South, Atlanta was a hotbed of entertainment, business, and civic life for African Americans.

At the same time that Harlem was undergoing its acclaimed renaissance, Atlanta could boast of excellent colleges, a thriving social environment, and an entertainment scene that could rival those of much larger cities, eventually earning the title "the new Motown. '? From Auburn Avenue, the hub of the city's African American activity, a spirit of vibrant change and excitement radiated out to reach people across America, and draw them into the Hollywood of the South.

From the Siege of Petersburg to the struggle for civil rights, the history of Petersburg's African American community is detailed in this volume.

The city of Petersburg has distinguished itself as a special place for African American history. African Americans in Petersburg have overcome racial and political obstacles placed in their paths. The city was the site of one of the largest free black populations in the South leading up to the Civil War, and more black soldiers participated in the Siege of Petersburg than in any other Civil War engagement. The city is the location of First Baptist Church, the nation's oldest black church; has produced trailblazers in political life, including Virginia's first black mayor; and is the site of the famous Halifax Triangle, a thriving black business district. This diverse and poignant collection of photographs reveals a heritage rich in entrepreneurial spirit, devotion to church life, and unshakable courage in the struggle for civil rights.

The story begins in 1794, when evidence points to the first black inhabitant of Fort Wayne. The first known, free black in the area was identified in 1809. During the early part of the 1800s, Indiana state funds partially financed a movement to send Indiana blacks to Liberia. Few left, and those who remained worked diligently to make Fort Wayne their own. The fruits of their labor can be partially seen in the development of the first black church, Turner Chapel A.M.E., which was started in 1849 and has been a pillar of the community since its completion. A migration of African Americans from the south, due to industrialization, greatly increased the population from 1913 through 1927, and new churches, organizations, and opportunities were developed. Today, the black community in Fort Wayne is rightfully proud of its extensive past.