Performing Arts

What do Vincent Price, Harrison Ford, Jackie Chan, and Uma Thurman all have in common with Frank Lloyd Wright? Answer: The Movies.

The influence of Frank Lloyd Wright on architecture can’t be overstated, and his unique creations have also left a lasting impression on movie audiences.

From the Marin County Civic Center’s starring role in George Lucas’s first feature film to the famous Ennis House appearing in multiple movies, eight of Wright’s California buildings have served as dramatic settings for stories about power, wealth and dystopian futures. Inspiring generations of filmmakers, these sites—both public and private—remain some of the most iconic places captured on film. With behind-the-scenes production facts and a peek into Wright’s design process, author Mark Anthony Wilson recounts the legacy of Frank Lloyd Wright’s architecture in the movies.

This book features:

• 120 color and black and white images, including scenes from popular Hollywood films such as Blade Runner, Black Rain and A Summer Place, as well as cult favorites like House on Haunted Hill, Permanent Midnight, and Cannibal Women in The Avocado Jungle of Death.
• Little known facts about how Frank Lloyd Wright's work influenced Alfred Hitchcock and about Wright's friendship with Walt Disney and his comments about some of Disney's most famous films.
• Detailed information about how to visit those Frank Lloyd Wright buildings in this book that are open to the public.
• The controversies created by several of these films that caused members of some audiences to leave the theater in moral outrage and caused other audiences to scream in horror.
• Behind-the-scenes comments by Hollywood directors and producers about why they chose to use Frank Lloyd Wright buildings or design features in their films.
• A look at how Frank Lloyd Wright's design philosophy influenced the style of Hollywood films and how some of his strong-willed female clients got him to change the design of their homes.
• Why Frank Lloyd Wright was accused of being a "communist sympathizer" and "un-American" near the end of his career, and why this nearly derailed the construction of one of his most famous buildings.

Island Escapes, South Seas Adventures, and Musical Surf Parties of Midcentury Cinema

Tiki Culture arose as the defining expression of American pop culture during World War II and its influence continued through the 1960s. The essence of Tiki featured heavily in films of the era, depicting palm-tree and cocktail-laden escapes that captivated audiences nationwide. Films like South Pacific and The Man in the Gray Flannel Suit were a hodgepodge of jungle imagery and World War II Pacific theater memories. A fascination with the new State of Hawaii was reflected in Elvis’s Blue Hawaii, while balmy youth flicks like Beach Blanket Bingo and Gidget showcased surf, sun and fun.

Join authors Jason Henderson and Adam Foshko as they explore films about the experiences of war filtered through the tropical splendor that defined an era.

Beginning with Calman Zamoiski’s unlicensed and short-lived “wireless telephone” station in 1921, Baltimore would boast five commercial radio stations within the next 20 years.

Before the 1940s ended, commercial television appeared with the debut of WMAR, Channel 2, in 1947. WMAR was unique in that it had no personnel with television experience and, initially, no studios, broadcasting instead from various remote locations. Over the years, Baltimore radio and television stations served as the launchpad or stopover point of some of the most beloved personalities in the industry. Garry Moore, Arthur Godfrey, and Jim McKay all got their starts here, while Gene Rayburn, Jon Miller, Oprah Winfrey, John Saunders, Nick Charles, Spencer Christian, Bob McAllister, and others passed through en route to national broadcasting prominence. Baltimoreans did not just bond with the people and programs of their local stations. It was a genuine love affair.

In just over a decade, a tiny, do-it-yourself stand-up scene on the North Side of Chicago produced some of the most successful and influential stand-up comedians of their generation. Hannibal Buress, T.J. Miller, Kyle Kinane, Cameron Esposito, Pete Holmes, Beth Stelling, Matt Braunger and Kumail Nanjiani make up a partial list of names of comics who emerged from a scene that had very little industry attention—or even a home club.

It was also a scene that took a backseat to the city’s vaunted improv institution, and if we’re being completely honest, it was a scene where comics mostly performed to drunks in the backs of dingy bars on their off nights. None of it was glamorous. None of it should have worked at all. But somehow, some way, the comedians from this scene have managed to etch their own names into the Chicago comedy pantheon. The Perfect Amount of Wrong is the story of that scene, as told by its veterans.

Take a seat in the front for a journey through the first 50 years of TV in Chicago. Many of the pioneering stations there defined the early years with innovation, personaility and programming.

The history of television in Chicago begins with the birth of the medium and is defined by the city's pioneering stations. WBKB (now WLS-TV) was the principal innovator of the Chicago School of Television, an improvisational production style that combined small budgets, personable talent, and the creative use of scenery and props. WNBQ (now WMAQ-TV) expanded the innovative concept to a wider audience via the NBC network. WGN-TV scored with sports and kids. Strong personalities drove the success of WBBM-TV. A noncommercial educational station, WTTW, and the city's first UHF station, WCIU, added diversity and ethnic programming. The airwaves in Chicago have been home to a wealth of talented performers and iconic programs that have made the city one of the country's greatest television towns. Chicago Television, featuring photographs from the archives of the Museum of Broadcast Communications (MBC) and the collections of local stations and historians, gives readers a front-row seat on a journey through the fi rst 50 years of Chicago television, 1940-1990. Founded in 1982 by broadcaster Bruce DuMont, the MBC Web site offers over 10,000 digital assets.

Local historian Seth Bate tells the story of the Walnut Valley Festival with reflections from staff, emcees, performers, campers, and characters from throughout its history.

The Festival was launched in 1972 when a guitar maker, a farmer, and a businessman built their own music festival from the ground up. It has made the small town of Winfield into an annual destination for acoustic musicians and music lovers from around the world and it has always been participatory, with the informal campsite pickin’ as much a part of the event as the stage shows and instrumental contests. The Walnut Valley Festival has always been proud of its deep-rooted traditions, but most of all, it is a community celebration.

The Balaban and Katz Theater Corporationperfected the movie palaceconcept in Chicago, creating an extremely popular pastime that contributed greatly to Chicago's cultural identity.

The Balabans started in the movie theater business in 1908 by leasing the 100-seat Kedzie Nickelodeonon Kedzie Avenue. Balaban brothers Barney and A. J. dreamed of operating 5,000-seat movie palaces, so in 1916, they joined family friends Sam and Morris Katz to form the Balaban and Katz Theater Corporation. Their mission was to offer an unrivaled theater-going experience with the finest live performances and service. They built ornate theaters, such as the Chicago, the Uptown, and the Congress Theaters, filling them with fine furnishings, antiques, and artwork.Balaban and Katzproduced live stage shows between the movies with the likes of Bob Hope, Louis Armstrong, and Benny Goodman. Sadly, only a few of these gorgeous theaters still stand today.

Author David Balaban is named after his grandfather, one of the seven Balaban brothers who ran Balaban and Katz. Join him as he shares the stories and images of grandfather and great-uncles movie theaters.

Detroit broadcasting history is rich with character . . . and characters.

It began atop the Penobscot Building on October 23, 1946, when WWDT shot a signal to the convention center, part of a ""New Postwar Products Exposition."" WWJ-TV offered scheduled programming in June 1947, and WXYZ-TV and WJBK-TV jumped in a year later. The medium has influenced the city's personality and social agenda ever since. Soupy Sales turned getting a pie in the face into an art form. Mort Neff celebrated the state's outdoor charms. George Pierrot showed Detroiters the world. Other beloved personalities include: Milky the Clown, Ed McKenzie, Sonny Eliot, John Kelly, Marilyn Turner, Robin Seymour, Bill Bonds, Dick Westerkamp, Jingles, Bill Kennedy, Lou Gordon, Captain Jolly, Johnny Ginger, Auntie Dee, and many more.

Syracuse Television features the zaniness of Baron Daemon, lessons from the Magic Toy Shop, and live fun from Jim Deline and the Gang and The Markert Place.

Central New Yorkers have been treated to many memorable television moments since December 1, 1948, when WHEN-TV Channel 8 signed on the air for the first time. In a record 16 days after equipment arrived at its 101 Court Street site, the station was miraculously up and running. Syracuse's pioneer broadcasters were eager to explore this bold, new world with programs that would entertain, educate, and inform.  Over the years, personalities and programs became familiar to Central New Yorkers. There was news coverage from Fred Hillegas, Ron Curtis, Rod Wood, and Carrie Lazarus and weather forecasts from Stormy Meredith, Big Al Roker, Dave Eichorn, and Wayne Mahar.

The story of the makeup artist who changed the film industry—and the world of modern cosmetics.

When Polish wigmaker and cosmetician Max Factor arrived in Los Angeles at the dawn of the motion picture industry, “make-up” had been associated only with stage performers and ladies of the oldest profession. Appalled by the garish paints worn by actors, Factor introduced the first “flexible” greasepaint for film in 1914.

With a few careful brush strokes, a lot of innovation, and the kind of luck that can happen only in Hollywood, Max Factor changed the meaning of glamour. His innovations can be experienced in every tube of lipstick, palette of eye shadow, and bottle of nail lacquer used today. 

Join author Erika Thomas as she reveals the makeup guru's expert beauty tips and the story of how he created the most iconic golden-era looks that are as relevant today as they were nearly a century ago.

Learn about the real life of beloved actor Andy Griffith.

The world loves Sheriff Andy Taylor. Yet the actor who played him was intensely private. Here, for the first time, is the real Andy Griffith, his career and life defined by the island that made him in the years soon after World War II. He achieved his artistic breakthrough while acting in The Lost Colony drama on Roanoke Island, then spent the rest of his life repaying the island for giving him that start. Here, in unique closeup, is Andy of Manteo, reveling in wild, watery and loving ways with his fellow islanders.

Author and journalist John Railey paints an intimate portrait of Andy, based on interviews with many of those who knew him best on the sand where he lived and died.

The story of Charm City on stage.

Baltimore's dynamic theatrical tradition had hard-scrabble beginnings in the eighteenth century.  The popularity of the theater only grew, continuing to the vaudeville and burlesque boom of the early 20th century. Discover the sometimes brilliant, sometimes heart-breaking stories of the actors Baltimore clamored to see and the riots that broke out when they hated what they saw. Key figures such as Lewis Hallam, the Peales, Laura Keene, John T. Ford and James Kernan sought to stage their own versions of the world in playhouses that reflected an ever changing American culture.

Let theatrical historian Charlie Mitchell take you on a fascinating journey through this bygone era.

Shagging in the Carolinas is a history of dance, romance, and the New South.

The Shag defied social conventions as carefree white teenagers were inspired by the possibilities inherent in improvisational black dance and music. This is the story of how Southern society's emerging middle class embraced its multicultural roots while its political leaders continued to debate and deny the outcome of the Civil War.  These are the unique people and circumstances that nurtured the evolution of Shag and Beach Music at places like the jump joints of Carolina Beach, the inland lake retreats, and the pavilions of Ocean Drive, Atlantic, Folly, Wrightsville, and Tybee beaches. With lively music and dancers, the Shag was popular at famous dance clubs, teen canteens, and armories. Venues such as the Coachman and IV, the Cellar, the Bushes, the Embers Clubs, and the Beach Club at Myrtle Beach are captured within these pages. The early pioneers and iconoclasts of dancing brought about a cultural revolution, embodied today by the many societies, competitions, and innumerable entertainers and bands that continue the Beach Music tradition.

Cincinnati Television provides an informative entertaining look at Cincinnati's broadcast history through the images and stories of its participants.

Cincinnati has a distinguished television history. Beginning before WLW-T signed on the air in February 1948, its experimental station W8XCT broadcast from the 46th floor of the Carew Tower. WKRC-TV and WCPO-TV signed on in 1949, WCET in 1954, and WXIX-TV in 1968. Since then, television has become part of the family.

Uncle Al, Skipper Ryle, Batty Hattie from Cincinnati, the Cool Ghoul, Peter Grant, Al Schottelkotte, Nick Clooney, Ruth Lyons, Paul Baby, Bob Braun, and Jerry Springer visited Cincinnati living rooms on television. Remember Midwestern Hayride, TV Dance Party, PM Magazine, Juvenile Court, Young People's Specials, Lilias, Dotty Mack, Bob Shreve, Mr. Hop, Bean's Clubhouse, The Last Prom, and Ira Joe? They are part of the collective Cincinnati history, part of the Cincinnati culture, and part of the Cincinnati family.

Jim Friedman is a Cincinnati native and resident wordsmith who has created television shows since 1979. He has won 56 regional Emmy Awards for writing, directing, and producing television shows for WCPO-TV, WKRC-TV, WLWT, WXIX, and WCET. He created The Celebrate Series, The Dooley Show, Everyday Freedom Heroes, and the Dreambuilder movies. In Cincinnati Television, he shares memories from in front of the camera, behind the scenes, and all over town.

Utilizing remarkable images from the Manning Brothers Historical Collection, the Michigan Opera Theatre Archives, and several additional collections, Michael Hauser and Marianne Weldon have captured the excitement of the shared entertainment experience in Detroit Opera House.

The theater known today as the Detroit Opera House has been an integral part of the city’s culture and history as well as the live entertainment industry. Its existence has been threatened in the past, but it has survived wars, the Great Depression, civil unrest, economic meltdowns, the abandonment of downtown, and, most recently, a pandemic. Generations of patrons have fond, vivid memories of attending films, stage presentations, or events with family and friends as it transitioned from the Broadway Capitol to the Paramount to the Grand Circus to the Detroit Opera House. The reason for building these “temples of amusement” was to literally transport a guest into another world, and the Detroit Opera House has valiantly fulfilled that task. What began as an idea by David DiChiera, founder of Michigan Opera Theatre, the owner and operator of today’s Detroit Opera House, blossomed into a magnificent performing arts center with its formal opening in 1996.

Hauser is marketing manager for the Detroit Opera House, and Weldon is the collections manager for art and artifacts at Bryn Mawr College.

George Thomas Apfel brings to life the history of radio and television in Las Vegas from its humble origins in Strip hotels to becoming a thriving broadcasting industry in one of the nation's fastest growing metros.

Even beyond Atlanta, this amazing, Moorish-style icon is known by most not by its legal name, the Fox Theatre, but as the Fabulous Fox.

Constructed in the late 1920s as a temple for the Yaarab Shrine, the imposing yellow-brick building was designed to out Baghdad Baghdad in its elaborate Middle Eastern appearance. But the onion-domed exterior with its faux prayer towers is nothing compared to the elaborate interior. Movie mogul William Fox leased the auditorium from the Shriners in 1929, transforming it into a movie palace like no other. The theater became a place of spectacular premieres and world-class performances until changing times threatened its very existence in the 1970s. The campaign to Save the Fox proved more dramatic than some of the performances that graced Fox's own stage. Today, the Fabulous Fox is one of Atlanta's best-known and most cherished landmarks.

Experience the architecture and colorful history of the Historic Theaters of New York’s Capital District as author John A. Miller charts the entertaining history.

For generations, residents of New York's Capital District have flocked to the region's numerous theaters. The history behind the venues is often more compelling than the shows presented in them.

John Wilkes Booth brushed with death on stage while he and Abraham Lincoln were visiting Albany. The first exhibition of broadcast television was shown at Proctor's Theater in Schenectady, although the invention ironically contributed to the downfall of theaters across the nation. A fired manager of the Green Street Theatre seized control of the theater with a group of armed men, but Albany police stormed the building and the former manager regained control.

Lost in the Flames

On October 21, 1836, a bustling crowd gathered at the docks in Saint John, New Brunswick, to witness an extraordinary spectacle. The steamship Royal Tar was embarking on yet another voyage from New Brunswick to Portland, Maine, laden with a cargo of peculiar passengers. For this fateful voyage, the Royal Tar had been transformed into a circus ship. Onlookers watched as cages slowly rolled past—exotic birds in one, two lionesses in another and the regal striped Bengal tiger in a third. Then the star of the show slowly made his way across the gangplank. Mogul, the mighty Asian elephant, took his spot on the upper deck of the ship as it steamed out of the port.

After four days of stormy weather, a devastating fire engulfed the ship. The ensuing chaos left thirty-two people dead, and many of the animals were pushed overboard into the frigid waters of Penobscot Bay in a last-ditch effort to save them. The rest died in their cages. Jane Parks Gardner reveals how this tragic event left an indelible mark on Maine’s maritime history.

Capturing the first 50 years of Cincinnati's radio broadcasting golden era with both words and rare and often unpublished images.

Like radio listeners in many other cities its size, Greater Cincinnatians have kept their ears tuned to their local radio stations for music, news, and entertainment for nearly a century. However, unlike those cities, Cincinnati enjoyed several unique broadcast stories ranging from some of the earliest forays into radio dramatics to the country's first 500,000-watt superpower radio station. The listeners were treated to several up-and-coming celebrities like Doris Day, Rosemary Clooney, Andy Williams, and Fats Waller; the rise of three major communications corporations; and ultimately, an amazing array of nationally broadcast network shows and talents that, for a brief period, placed the city's broadcasters behind only New York and Chicago in terms of importance.

Cleveland's Playhouse Square documents the fascinating history of the five theatres which boomed, beginning in the 1920s.

In the early 1920s, five opulent theaters—the Allen, the Ohio, the State, the Palace, and the Hanna—opened on a stretch of Euclid Avenue in Cleveland. They offered legitimate theater, vaudeville, name bands and entertainers, and films for the affluent and hardworking citizens of this booming industrial city. Unfortunately, the introduction of television and the flight to the suburbs in the 1950s and 1960s turned the theaters into ghost palaces destined for the wrecking ball. In 1970, a bold group of planners led by Raymond K. Shepardson formed the Playhouse Square Association, a nonprofit group dedicated to saving the theaters. A 25-year restoration endeavor emerged that raised $53 million, culminating in the largest theater restoration project in the world. Today Playhouse Square Center ranks second only to New York's Lincoln Center as North America's largest performing arts complex.

Chattanooga Radio and Televisionprovides an informative entertaining look at Chattanooga's broadcast history through the images and stories of its participants.

To those born and raised in Chattanooga, certain names bring a smile to their faces: Miss Marcia, Bob Brandy, Mort Lloyd, Dr. Shock, and, of course, Luther.

These are among the icons of Chattanooga broadcasting. They are the faces and voices that awakened Chattanoogans each morning, delivered the news, or made them laugh. Ever since two high school pals put the city's first radio station on the air in 1925, Chattanooga has been blessed with an abundance of memorable personalities. Some passed through on their way to national fame, while others have made Chattanooga their home for more than half a century.

Author David Carroll, a Chattanooga radio and television personality since 1975, utilizes his friendships with hundreds of local radio and television personalities to bring their stories to life.

The Stories Behind Iconic Venues

Theaters in the Tri-Cities featured everything from early minstrel shows of the nineteenth century to the modern multiplex movie houses of the twenty-first century. It’s a complex subject that is closely connected to the region’s overall history. The Barter Theatre is the official theater of Virginia. Memorial Hall Theater, which opened in 1904, may be the oldest operating venue in the region. The Johnson City Transit Center now sits at the previous site of four famous theaters. Robert Sorrell details the history of these iconic theaters and the influence they had on their communities.

Hartford Radio offers a glimpse into the history of the area's broadcast stations and the people who ran them.

Radio broadcasting has been an integral part of the history of Hartford since the early part of the 20th century. WDRC was the state's first station (1923), and they helped pioneer FM radio technology in the early 1940s. Many Hartford residents learned about the end of World War II via radio, and the medium played a key role in keeping people informed during the floods of 1938 and 1955, the Cuban Missile Crisis, and the great Northeast Blackout of 1965. Surprisingly, Hartford, the capital of the land of steady habits, saw two stations break from the pack to help bring the British Invasion to the state in the early 1960s. And thousands of schoolchildren eagerly listened to WTIC's legendary Bob Steele on wintery mornings as they excitedly awaited school closing announcements.

“Shooting in Brooklyn is like opening a time capsule. Nothing has changed. Everything looks like it did in the eighties.” -Freddie Prinze, Jr.

Discover the iconic films, legendary personalities and the locations for timeless big screen moments that took place in Brooklyn. From Saturday Night Fever to numerous Spike Lee Joints, readers can learn about Brooklyn's cinematic past or discover locations to visit today.